YWFT Moteur began as a technical, retro, machine-like design, with a second version later released as YWFT Maetl. YWFT Moteur carries a strong inspiration from the type work of Wim Crouwel, but branches into a new realm of a more French/German engine-like type design. YWFT Moteur works very well as a headline, especially in poster design projects. YWFT Moteur was converted to Opentype in 2010, and was previously known as Alloy. In the early 2000’s it was used heavily by the video gaming magazine ‘Playstation’ for headline and display purposes.
TTF | 6 Fonts | JPG Preview | 1 Mb RAR
This type is almost a sans serif. It has legibility proportions, and a very large, useful family with specially adapted condensed and extended sub-families. Compared with type set by older technologies, PostScript type, imageset and printed by high-resolution offset lithography, has a remarkable clarity — at any size. While many types, old and new, benefit from this level of definition, few designs specifically exploit it. Beaufort does. Its pointed serifs introduce a sharpness of reproduction that was difficult to achieve, at any size, prior to PostScript. This means that small sizes of Beaufort will combine a high word count with good legibility, while large sizes will always display very fine detail. Optical scaling is not required. In style, Beaufort has a number of affinities. In particular, the bold romans recall a kind of “grotesque with small serifs” style popular with sign painters and package lettering artists in the early 20th century, and still going strong. In proportion, the basic Beaufort is in the vein of the classic oldstyle types that descend from Granjon, via the French Oldstyles, or Elzevirs, to Plantin and Times in the early twentieth century. Designed for optimum clarity, readibility, and word count, these types have a pronounced angle of stress in the lower case, which is quite large and fairly narrow in relation to the caps. None of the caps are exceptionally narrow, and both cases have an evenness of width that makes for a no-nonsense, orthodox appearance. The strength of the capitals distinguishes these types from those of another “optimizing” era, the 1970s and ’80s, when puny caps made for monotonous text. However, strong though they may be, Beaufort’s caps are not as obtrusive in text as those of Times or Plantin.
TTF | 52 Fonts | JPG Preview | 2 Mb RAR
The cousin of OCR spending summer vacation holed up with video game Apple IIe satellites of love mingling with the blackness of monospace. ASCA is screen based simplicity balancing between legibility for the human race and readability for the machines they depend on.
TTF | 1 Font | JPG Preview | 1 Mb RAR
Arco Font Family
Arco is a brand new fat-face with some geometrical tweaks grabbing fresh and ideal for fashion editorial headlines. Arco also combines elegant symbols to sweet contrast. Normal & Outline version.
OTF | 2 Fonts | JPG Preview | 1 Mb RAR
Terzo uses three lines in the main stem of the capitals resulting in an interesting display of script capitals. Flourishes are uniquely positioned and are deliberately minimalist in order to feature the three part stem capitals. Lowercase characters are also strong enough not to be dominated by the capitals. The overall result is a well balanced and refreshing script that will serve many purposes!
OTF | 1 Font | JPG Perview | 1 Mb RAR
Donita Handscript 582897
TTF, OTF, | 125.8 KB
Penelope Font 583193
OTF, TTF | 49.06 KB
Francisco - Beautiful Serif Font 582553
TTF, | 10.82 KB
Sunny Script + Extras 580786
EPS, TTF, | 2.53 MB
Ink brush font 581192
OTF | 28.56 KB