Akzidenz Grotesk BE Font Family
OTF | 22 Fonts | JPEG Preview | 1.8 Mb RAR
Adobe Garamond Font Family
Adobe Garamond™ was designed by Robert Slimbach in 1989. The roman weights were based on the true Garamond, and the italics on those of punchcutter Robert Granjon. This font has been expanded to include small caps, titling caps, expert fonts, and swash caps, which were typical in the fifteenth and sixteenth centuries.
OTF | 21 Fonts | JPEG Preview | 1.2 Mb RAR
Adobe Garamond Pro Font Family
An Adobe Originals design, and Adobe’s first historical revival, Adobe Garamond is a digital interpretation of the roman types of Claude Garamond and the italic types of Robert Granjon. Since its release in 1989, Adobe Garamond has become a typographic staple throughout the world of desktop typography and design. Adobe type designer Robert Slimbach has captured the beauty and balance of the original Garamond typefaces while creating a typeface family that offers all the advantages of a contemporary digital type family. With the introduction of OpenType font technology, Adobe Garamond has been reissued as a Pro type family that takes advantage of OpenType’s advanced typographic capabilities. Now this elegant type family can be used with even greater efficiency and precision in OpenType-savvy applications such as Adobe InDesign.
OTF | 6 Fonts | JPEG Preview | 1 Mb RAR
Accord Alternate Font Family
The main difference between Accord Alt and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”. The Italics are designed at an italic angle of 10 degrees. All the letter forms have been kept similar while designing italic instead changing the form e.g. ‘a’ remains same double story in italic also instead changing it to single story. The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.
OTF | 7 Fonts | JPEG Preview | 4.6 Mb RAR
ABTS Oklahoma Font Family
OTF | 4 Fonts | JPEG Preview | 1 Mb RAR
Abstrak BF Font
A delightfully odd assortment of characters: some letters are futuristic in design, while others are derived from classical Greek forms.
OTF | 1 Font | JPEG Preview | 1.2 Mb RAR
Avenir Font Family
Avenir was designed by Adrian Frutiger and released by Linotype-Hell AG in 1988. The design is based on two earlier sans serif typefaces, Erbar and Futura. Avenir is unusual in that it has weights that are similar, but each is designed for a different purpose. For example, the Light and Book weights are similar, but Book is most appropriate for text blocks while the Light is better for adding a contrasting element (perhaps a heading) to a heavier weight. These weight selections also allow for optimal results under varied printing conditions. Use the bold and extra bold weights of Avenir for emphasis with the light, book, and medium weights.
OTF | 12 Fonts | JPEG Preview | 1 Mb RAR
Aya Script Font Family
Be connected. Create ribbons of flowing text with Aya Script Ribbons. Warm, cheerful and handlettered in pen & ink, Aya Script Ribbons is an OpenType font with a healthy collection of alternates & ligatures. The ribbons automatically connect and mirror each other upon entry & exit or you may select individual ribbons segments to create a random look. Be free. Use Aya Script when your words need to stand alone. Aya Script is a friendly opentype font handlettered in pen & ink with a healthy collection of alternates & ligatures. She’s easy to read and loves stationery, books and logos.
OTF | 2 Fonts | JPEG Preview | 2.7 Mb RAR
Bell Centennial Font Family
Matthew Carter designed Bell Centennial in 1978 specifically for AT&T Corporation (the name honors their 100th anniversary) to use in telephone books. Carter developed it to have high legibility at small sizes, and for composition on high-speed, cathode-ray-tube composing machines. (Bell Gothic, the typeface originally designed for telephone books in 1937 and for composition on the hot metal Linotype machines, was no longer usable in the new technology.) Bell Centennial is a sturdy, condensed sans-serif design that achieves great economy of space while being highly legible. Bell Centennial can be used for modern display purposes and, of course, for small print and lists. The Alternate version of Bell Centennial Bold Listing sits on a standard baseline; the original version sits far below the baseline, and cannot mix properly with other fonts on the same line.
OTF | 5 Fonts | JPEG Preview | 1 Mb RAR
Bembo Font Family
OTF | 24 Fonts | JPEG Preview | 1 Mb RAR