Picadilly Font Family
OTF | 12 Fonts | JPEG Preview | 5.2 Mb RAR
Picadilly family was made after my short visit in London and huge impression of Edward Johnston works. I've designed family of 12 modern typefaces with strong detail in the form of sharp inktraps.
PF Regal Stencil Pro Font Family
OTF | 10 Fonts | JPEG Preview | 5.4 Mb RAR
The objective of this project was to design a new typeface series for Grazia magazine. First published in 2010, Regal was later revamped and redesigned for commercial use, evolving into a type system with five related superfamilies. According to the brief, this typeface had to be elegant, luxurious, sexy, vibrant, reflect the female sensitivity and take into consideration a modern woman who is more proud, more connected, more spontaneous, open-minded and eager to try a whole host of new products and services. Targeting this consumption-wise and well-educated woman, required a typeface that is not strictly based on classic forms, but incorporates several distinct elements that express a modern woman’s personality and the products she consumes. In that respect, a whole series of 5 related superfamilies was designed, which not only emphasize femininity but also reflect both the romantic as well as the dynamic side of the female personality. For that matter, elegant curvy details were introduced in order to create a link to the female figure; teardrop terminals which reflect a woman’s sensitivity; pronounced quirks on upper and lower arms for her eyelashes; high-contrast, sharp corners at thinning terminals for her high heels; alternate glyphs for the woman who prefers to express her individuality -rather than slavishly follow trends- by using various accessories which can dramatically change her appearance; elegant endings and long curves to reflect her predisposition to dream; bell-shaped serifs with an inward rather than outward direction which recall streamlined seventies fashion. This series of typefaces is diverse in its construction as it consists of five related superfamilies i.e. text, display, finesse, swash and stencil. There is a variety of weights which range from regular to ultra black for each one of the five families. These families share common attributes but they differ in content according to each one’s usage. The whole superfamily type system is comprised of 47 weights with an average of 898 glyphs per weight. It supports simultaneously Latin, Cyrillic and Greek and comes with many alternate glyphs.
Cheap Pine Font Family
Cheap Pine is a tribute to the wood type of the eighteenth century and nineteenth century. You can use Cheap Pine Sans & Cheap Pine Shadow together to influence the color of the shadows. The font contains arrows, hands, stars and other special glyphs available through the OpenType ligatures feature.
OTF | 3 Fonts | JPEG Preview | 3.7 Mb RAR
Nelson Font Family - 4 Fonts $116
OTF | 3.8 MB
D.I.Y. TimeFont Family - 11 Font $209
OTF | 1.54 MB
P22 Da Vinci Font Family - 2 Font $75
OTF | 200
Voltage Font Family
Voltage, created by award-winning typeface and lettering designer Laura Worthington, is an unexpected and energetic standout in the world of script fonts, breaking free from formal classifications while retaining the degree of personality we treasure in hand lettering. Her primary goal was unique: readability with personality. Gone are the large loops, the frilliness, and the choice of beauty and elegance over utility. Voltage takes the script font in a different direction, with an emphasis on practicality and uniformity, and with the reader’s needs at the forefront—this is a straightforward, muscular lettering font, assertive, yet down-to-earth. The beauty is found in its elegantly-wrought construction, its versatility, its references to a different era, and in the galvanizing swashes and alternates available not only in a professional designer’s software, but to everyone with a computer.
OTF | 3 Fonts | JPEG Preview | 19.8 Mb RAR
Maax Font Family - 7 Font $525
OTF | 7.79 MB
Acto Font Family
Acto is a type system designed as the sans serif counterpart of the previous released Acta. Both type families were designed in 2010 for the redesign of the Chilean newspaper La Tercera, but unlike some of our previous fonts (i.e., Leitura) Acto doesn't exactly match Acta in terms of structure, so they can live on their own. Acto is our first sans where the uppercase has the same height as the ascenders, so we decided to avoid common problems like the confusion between the I and the l, by drawing a curved l. We kept that spirit by removing the spurs on the b, g and q, resulting on a more warm typeface than Prelo, for instance. In the end it’s a very powerful sans family, with eleven weights with matching italics, for editorial and corporate design.
OTF | 22 Fonts | JPEG Preview | 4.3 Mb RAR
Bellucci Font Family
Bellucci is the redesign of Ramiro Espinoza’s first typeface, Mabella. Being not happy with the original design, he decided to redraw it completely and add 3 new weights. Bellucci is a constructivist, modular, compressed family intended for headlines and posters. The name is an homage to Mabel Bellucci, an Argentinian feminist activist.
TTF | 4 Fonts | JPEG Preview | 4.6 Mb RAR