Same Same But Different Font Family - 4 Font $120
OTF | TTF | 260 KB
Primus Font Family
Primus has been designed to express the feelings of future, science and innovativeness while being simple and clean. It’s a geometric typeface with rounded edges, carefully designed and kerned to achieve a high visual quality that would make it a perfect typeface for any kind of use. While providing a clean and enjoyable reading when it’s used for text purposes, Primus is primarily effective as a display typeface that can be used for logotypes, brand identities, advertisements and so on, to fully reflect our era and beyond.
OTF | 8 Fonts | JPEG Preview | 8 Mb RAR
Pluto Sans Italics Font Family - 16 Font $640
OTF | TTF | 1.96 MB
Stock Vectors - Pixel background
25 EPS | 25 JPG Previews | 208 MB RAR
Stock Photos - Parrot
25 UHQ JPG | Up to 4730x3706 Pixels | 283 MB RAR
Meloriac Font - 1 Font $30
OTF | TTF | 68 KB
Collection of Logos vol.31, 25xEPS
25xEPS | PREVIEW | 200 MB
Stock Photos - Law and Justice Concept
25 UHQ JPG | Up to 5121x3265 Pixels | 203 MB RAR
Kadeworth Font - 1 Font $30
OTF | TTF | 2 MB
Jillsville Font Family - 4 Font $120
OTF | TTF | 126 KB
Indian style abstract backgrounds and floral design elements
25 EPS | + HQ JPEG Preview | 232.93 Mb RAR
Amazing SS - Header Collection, 25xEPS
25 EPS | + HQ JPEG Preview | 205 Mb RAR
Amazing SS - Handball, 25xEPS
25 EPS | + HQ JPEG Preview | 204 Mb RAR
Amazing SS - Gift in Hands, 25xJPGs
25 UHQ JPEG | up to ~ 9400 x 6200 | 300 dpi | 208 Mb RAR
Gambling and Casino Stock Images
25 HQ Jpg | Max 9400*6300 | Min 3700*5600 | 357 Mb
Amazing SS - Drums & Percussion, 25xJPGs
25 UHQ JPEG | up to ~ 8800 x 5900 | 300 dpi | 132 Mb RAR
Dala Moa Font Family
Dala Moa is a sans serif stencil typeface for display, sharing the proportions of its cousin Dala Floda. It takes the same inspiration – the erosion of letters on stones – but takes the idea one stage further with the removal of serifs, revealing basic structures. The forms and proportions of the romans come directly from Dala Floda, while the italic diverges into the upright humanist tradition. The lighter weights show the influence Jan Tschichold’s stencil experiments of the 1930s, and in particular his lesser-known display face Saskia released by Schelter & Giesecke.
OTF | 16 Fonts | JPEG Preview | 5.8 Mb RAR
Corporate Collection 24, 25xEPS
25xEPS | PREVIEW | 220 MB
Chopped Black Font Family
This typeface was inspired by the font Pabst Heavy, designed by Chauncey Hawley Griffith in 1928 for Linotype. Because of its formal characteristics, recalls the popular Cooper Black and probably was the reaction of Linotype to counter the popularity of this font distributed by the “American Type Founders” was acquired. It’s a heavy typeface, ideal for headlines or for use in creating logos, rounded shapes and gestures evoke dynamism and make it perfect to highlight specific words or phrases.
OTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR
Stock Photos - Blood donor
25 UHQ JPG | Up to 7400x5184 Pixels | 304 MB RAR
Biome Pro Font Family
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to remove these again. His challenge was to find a harmonious and coherent approach that provided sufficient contrast with existing fonts. Biome is essentially in the sans serif tradition and the letters exhibit only minor variations in terms of line thickness. There is still a suggestion of the super-ellipse at many points, but this never becomes the predominant design factor. While most of the terminals of the vertical strokes are only slightly rounded, the horizontals and diagonals have pronounced arches and it is these that basically determine the round and soft character of the typeface. The more unconventionally shaped letters, such as the lowercase ‘g’ with its two semi-open counters and the ‘k’ and ‘x’ with their crossbars, provide Biome with an individual personality. And this effect is emphasized by the generously rounded links in the ‘v’ and ‘w’ and the uppercase ‘M’ and ‘N’. Biome has been designed as a typeface super-family. From the near hairline Extra Light to the amply proportioned Ultra, there are seven clearly differentiated weights and three tracking widths. There are oblique italic versions of all variants. The range includes small caps and numeral sets containing lowercase and uppercase digits. With its available range of characters, Biome can be used to set texts in all Eastern European languages. Although the remarkable individuality of Biome is most clearly apparent in the larger point sizes, this typeface is not just suitable for producing headlines and logos. Biome’s elegant visual effects mean that it is equally comfortable in short texts while its large x-height and generous counters make it readily legible even in the small font sizes. Biome is a contemporary typeface that employs mid-20th century futurist elements which ironically give it a retro feel.
OTF | 42 Fonts | JPEG Preview | 4.5 Mb RAR
Betaphid Font - 1 Font $30
OTF | TTF | 82 KB
Berries and Fruits - 25x JPEGs
25 UHQ JPEG | 9449 x 9449 | 300 dpi | 345 MB
Stock Vectors - Bear 2
25 EPS | 25 JPG Previews | 217 MB RAR
Amazing SS People 6
Alcoholic Beverages and bar Stock Images
25 Hq Jpg | Max 13600*2300 | Min 4800*3600 | 290 Mb
Ainslie Font Family
Get your Aussie on! The new typeface, Ainslie, with its mix of influences from Oz, makes its mark as the first semi-serif from insigne Design. Ainslie, named for Mt. Ainslie and Canberra’s inner suburb of the same name, was originally developed for the Canberra Australia Centennial Typeface Competition. Canberra is Australia’s capital, and it’s a planned city designed by American Walter Burley Griffin, a contemporary and one-time associate of Frank Lloyd Wright. Griffin’s plan involved a distinctly geometric design with several focal points--one of which was Mt. Ainslie. This same purely geometric scheme is now the basis for insigne’s new release.
OTF | 42 Fonts | JPEG Preview | 8 Mb RAR
Adria Slab Font Family
Adria Slab is a smooth slab serif typeface that comes in seven weights and charming upright italics. Try combine it with its super friendly family member Adria Grotesk. Enjoy making great typography with a vast choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.
OTF | 14 Fonts | JPEG Preview | 11.7 Mb RAR
Abstract Faces - 25x JPEGs
25 UHQ JPEG | 6693 x 4710 | 300 dpi | 380 MB
Zamora Font - 16 Font $30
OTF | TTF | 157 KB
Amazing SS - Wheat Ears, 25xEPS
25 EPS | + HQ JPEG Preview | 250 Mb RAR
Stock Photos - Waterfall 2
25 UHQ JPG | Up to 4571x3744 Pixels | 506 MB RAR
Amazing SS - Water Sports, 25xJPGs
25 UHQ JPEG | up to ~ 8900 x 5900 | 300 dpi | 261 Mb RAR
Template for VIP Cards and door tags in vector from stock
25 Eps | + Jpg Preview | 322 Mb
Tautz Font Family
A concept driven serif font family of 5 weights. It is a contemporary take on the humanist serif with a touch of rationality and frivolity. Tautz began its life as a research into collective British Style & Heritage, as the pursuit of capturing “Britishness” without falling into the trap of stereotyping. Tautz is a personal reflection of Mariya V. Pigoulevskaya, resulting in a functional & characterful font family. Tautz features lowered x-height with an intention to create tension and resistance on the page or screen for that matter. This counteracts the geometric approach to the glyph construction and the sharpness of serif details. Resulting in a unique typeface that is suitable for text & display. Details include 5 weights, over 470 characters including Cyrillic, ligatures, manually edited kerning and Opentype features.
OTF | 5 Fonts | JPEG Preview | 4.4 Mb RAR