Graphic Downloads

 Midnight Work - 25x JPEGs

25 UHQ JPEG | 8576 x 5696 px | 300 dpi | 302 MB

Hipster Grunge Design Elements -25x EPS

25 EPS | 279 MB

 Christmas Party Flyers Templates - 25x EPS

25 EPS | 110 MB

 Glamour People Collection #2 - 25 JPEG

25 UHQ JPEG | up to 5700x3800 | 127 MB

People Mega Collection - 25 JPEG

25 UHQ JPEG | 9000x6000 | 180 MB

 Cyberspace- 25x JPEG

25 UHQ JPEG | 10200 x 5738 px | 300 dpi | 512 MB

Fontastik Bundle - 5 Font Family

16 Fonts  OTF | TTF

Aria Pro Font Family 2 Font $100

OTF | WOFF

The inspiration for this typeface came from the epigraph on a frame of a nineteenth century painting. I was fascinated by the peculiar capitals of the inscription. The high contrast, and the overall quirkiness, especially the tail of the R and the oblique stems on the M, was interesting. I decided to draw a display font with high contrast and a vertical axis, in a reference to the transitional form. Still I wanted to capture the spirit of the original letters, which to me are so imbued with Romanticism. This approach allowed for some exuberance on the regular style, but also led to more calligraphic letterforms in the italic – in which “the flow of the curves” lead the way. To add to this epigraphic nature there is a number of ornaments that accompany words accordingly to their uppercase or lowercase form. For versatility there’s also a good amount of ligatures, alternative glyphs, and a special set of ornamental numbers.

Kikster Font Family - 6 Fonts for $79

OTF | 6 FONTS | 1.10 MB

Kikster is a hand made font ideal for your graphic project.

P22 Zebra Font Family $95 | 6 x TTF and OTF

Zebra was originally designed by Karlgeorg Hoefer in 1965 for the Stempel foundry in Germany.

This unique font was designed as a two-color script face and is now available digitally for the first time. The P22/IHOF release presents six separate fonts based on the original painted drawings and Stempel proofs. 

P22 Zaner Basic Font Family $200 | 8 x TTF and OTF

P22 Zaner is based on ornamental penmanship as taught by Charles Paxton Zaner at his art college at the turn of the 20th century.

The Zaner font set includes four unique fonts that complement the other fonts in the set. Each font is available in PostScript and TrueType formats as well as OpenType which offers even more characters, options and overall functionality.

Set options include PostScript and TrueType with a bonus set of extras and a “super” pro set containing over 3,000 characters.

Zaner is perfect for wedding invitations and documents that require a touch of elegance. 

P22 Yule Font Family $90 | 7 x TTF and OTF

P22 Yule by James Grieshaber is a series of display fonts inspired by a mélange of ancient inscriptional writing, with visual references to Anglo-Saxon, Celtic, medieval and even a bit of ancient Greek and roman letterforms.

Yule is exotic yet familiar and evocative of winter holidays.

Along with variations in the upper and lower case positions, several additional alternates are included.

P22 Yule was expanded in 2008 to contain 4 new fonts. These faces have a newly 

designed upper and lowercase with snowy variations.

P22 Yule has an Alpine look, lending itself to the thoughts of chalets and fondue. Yule Heavy Snow is blanketed in the white stuff, while Yule Light Flurries is dusted with snowflakes. With the addition of a lowercase, Yule becomes infinitely more usable. The Klein variations work well as an alternative to Neuland when you need the versatility of a lowercase. 

P22 Wedge Font Family $50 | 3 x TTF and OTF

Wedge’ is the outcome of a search for the essence of a formal alphabet for text — for 26 letters of the simplest form consistent with ease of reading..

Noted New Zealand architect Bruce Rotherham (1926–2004) was inspired by Herbert Bayer’s ‘universal alphabet’ created at the Bauhaus in 1927. While he admired Bayer’s pure geometry, Rotherham felt it was ‘virtually unreadable’. The Bauhaus-inspired inclination for architectural publications to use sans serif faces provoked Rotherham to consider how a readable Roman book face might be approached using some of Bayer’s same principles of simplification, but also retracing the evolution and use of the Roman form in an analytic manner.

The Wedge alphabet was started in 1947 when Rotherham was an architecture student at the University of Auckland. It was worked on and refined over several decades but never commercially released, until now. Over sixty years after it was first conceived, Wedge is available from P22. 

P22 Vale Font Family $90 | 3 x TTF and OTF

The Vale Press was a contemporary of Willam Morris’s Kelmscott Press. The types used by the Vale Press were designed by artist Charles Ricketts, who also supervised the design and printing of Vale Press books. The main type used, Vale, was based on the Jenson 15th century roman type style.

The King’s Fount was an experimental semi-uncial font based on the Vale type. The King’s Fount was designed in 1903 for the Vale edition of the 15h century poem “The Kingis Quair”. This semi-uncial font evokes old English and Anglo-Saxon lettering.

P22 Vale Pro combines the two fonts P22 Vale Roman and P22 Vale King’s Fount into one “Pro” font. This pro font also includes a Central European character set, old style figures, fractions, ornaments and a special faux “Middle English” feature to make “anee text appeer Olde.” This feature is not known to exist in any other font. 

P22 Typewriter Font Family $25 | 1 x TTF and OTF

This font is not overly distressed, nor is it overly clean. It is a typewriter font. It is perfect when you want a document to look like it was made on a typewriter.

This font is primarily based on the typewriter used for a typographic conference document from 1966 in Mainz Germany. The model and age of the typewriter used is not known. Additional characters were sourced from other vintage typewriters and others were designed to complete the full character set. 

P22 Symphony Font Family $25 | 1 x TTF and OTF

P22 Tyndale Font Family $50 | 2 x TTF and OTF

Quill-formed roman/gothic with an olde-worlde flavor.

Some background in the designer’s own words:

"A series of fonts came to mind which would be rooted in the medieval era -for me, a period of intense interest. Prior to Gutenberg’s development of commercial printing with type on paper in the mid-1400s, books were still being written out by hand, on vellum. At that time, a Bible cost more than a common workman could hope to earn in his entire lifetime. Men like William Tyndale devoted their energies to translating the Scriptures for the benefit of ordinary people in their own language, and were burned to death at the stake for doing so. Those in authority correctly recognized a terminal threat to the fabric of feudal society, which revolved around the church. 

P22 Tai Chi  Font Family $25 | 1 x TTF and OTF

Experimental lettering Stephen Rapp created in 1999 became the spark that Stephen’s imagination transformed into the Tai Chi design. Tai Chi is a display face but it could also be used as a textured calligraphic script. Its delightful sense of movement distinguishes it from other scripts. Individual characters stand poised in a vertical Zen-like balance while at the same time displaying an inner rhythm that makes them appear to dance along the line. Rich in texture and variation, Tai Chi works very well at medium and large point sizes. The font contains several alternate letters that help maintain a hand-lettered look. Tai Chi includes both upper and lowercase letters but works well in all uppercase settings. 

P22 Sweepy Pro Font Family $65 | 2 x TTF and OTF

Lettering artist Michael Clark brings us his newest design, Sweepy. It is 

based on his popular Pooper Black but it is lighter and has connecting letters.

Sweepy also has an optional enhanced OpenType version available with over 50 alternates. 

P22 Stickley Pro Font Family $240 | 10 x TTF and OTF

Stickley Optical Family is an expansion of P22 Stickley Text, a humanist, Oldstyle-rooted design with a contemporary execution and full OpenType abilities.

The font contains ten distinct cuts across four optical masters—in addition to Text for page content, the optical family includes Display for titling; Headline for emphasis; and Caption for footnotes and small sizes. Typefaces were originally designed for the physical size at which they were to be printed, with subtle variations in proportion, detail, contrast, and visual weight to ensure they were as clear at 6 pt. as they were elegant at 68 pt. This created a unified design as the various sizes were set together on a page.??Text is the foundation of this typeface family and is built for use in extended reading. Its proportions are carefully balanced for visual clarity while retaining its character; designed for use at 9 to 13 pt. Caption is a sturdy, simplified interpretation of the Text letterforms, with ink traps, generous letters and spacing, and hefty proportions to give balance to the smallest content on a page; designed for use at 5 to 8pt. Headline is a complement to the Text master size. It is a gently modified version with larger small caps to add visual strength and has a greater delicacy; designed for use at 14 to 26 pt. Display is an elegant refinement with stylized details. It harmonizes with the smaller optical masters as a more intricate manifestation of the typeface. Designed for use at 34 pt. and above. 

P22 Phantasmagoria Font Family $150 | 5 x TTF and OTF

P22 Peanut Pro Font Family $70 | 6 x TTF and OTF

From acclaimed lettering artist and IHOF designer, Michael Clark, comes Peanut, a font full of bounce and liveliness.

Peanut is based on the traditions of the long revered Roman miniscule. The letters are unique in that they imply “youth” without relying on cliché child-like letterforms. The set contains the fonts Peanut Regular and Peanut Salted which features alternate letterforms.

Both fonts are combined into Peanut Pro with OpenType features. 

P22 Ornes Font Family $120 | 13 x TTF and OTF

Ornes is inspired by the runic alphabet with ornamentation based on the woodcarvings of the Urnes Stave Church (Norway), an old wooden church from approximately 1150 CE. The woodcarvings and their symbolism reach back to the pre-Christian era.

The Ornes Pro styles each contain the runic alphabet, ornamented caps, small caps, ornamented small caps and other pro OpenType features (as shown on the “Pro” tab). Ornes Ornamented Rustic Pro features a subtle uneven lowercase, but does not include a set of regular uppercase characters. 

P22 Operina Font Family $144 | 4 x TTF and OTF

Operina is based on a 16th-century lettering model of the scribe Ludovico degli Arrighi (Vicentino Ludovico degli Arrighi) used in his 1522 instructional lettering book, “La Operina da Imparare di scrivere littera Cancellarescha.” This book contains what is considered to be the earliest printed examples of Chancery Cursive.

Rather than try to reproduce a perfect, smooth, type-like version of Ludovico’s hand, which has been attempted in the past, the designer opted to leave in some rough edges and, thereby, create a look that mimics the endearing artifacts of quill and ink lettering on parchment.

When reviving an old style, a designer is faced with many challenging decisions, such as whether to aim for ultimate authenticity or to modify the alphabet for modern use. The decision here was to create a font that resembles the 16th-century Italian hand-lettering master’s, but is also useful to the contemporary user. 

P22 Nudgewink Pro Font Family $90 | 6 x TTF and OTF

P22 Nudgewink Pro is an ultimately cool, funky and decorative font style that evokes the popular culture of the 1960s.

Hip and groovy uses include signage, invitations and greeting card design.

Pro OpenType features include discretionary ligatures, alternates and ornaments. 

10 Logo Photography Templates Bundle 136933
Layered PSD, AI, EPS | Adobe CS1+ | 21,1 MB

Each logo can be edited, changed, adapted and re-scaled to any size without loss of quality through Photoshop or Illustrator. All vectors are included.

iPhone & iPad Mockup Exclusive 135546
Layered PSD | 3088x2056 px | 31,4 MB

Premium photorealistic PSD Mockup of the iPad Mini in Autumn time. Easy to use because of smart layers. Ready to present your works. Enjoy it!

Creativemarket - Super Strike - Matchbook Effects 130584
Layered PSD, PNG, AI | Adobe CS3+ | 676 MB

From the 1920s to the 1950s, a small but useful advertising gimmick spread like wildfire into the purses, pockets, and kitchen drawers of millions of Americans. The give-away matchbook was one of the most pervasive means ever found of putting promotional images into the hands of the public.
Super Strike recreates those wonderful works of art instantly. It takes your flat, dull illustration and adds unique and realistic textures, filters and even offsets the black from the colors, for realistic miss-registration effects.

P22 Mystic Font Font Family $90 | 3 x TTF and OTF

The P22 Mystic font knows all. Aside from allowing for type design in a faux eastern script, this font peers into the world of the spirits for guidance and enlightenment. Sure it has small caps and ligatures as OpenType features, but it also has a special “oracle” feature which will answer your most mystifying questions.

The design itself was based on an actual Ouija board. Somehow the spirits became embedded into the font itself and now when a question is typed, an answer is revealed (provided the contextual alternates feature is enabled). It is not know how the otherworldly harbinger was able to integrate into OpenType scripting, but who are we mere mortals to question this power?

Ask and ye shall be amazed!

Only the Opentype “Pro” version will offer the “magic 8 ball” feature. It also contains the small caps and old style figures as found in both TT and PS versions of the fonts. 

P22 Mucha Font Family $25 | 1 x TTF and OTF

P22 Mayflower Smooth Font Family $90 | 3 x TTF and OTF

Sildetas Font Family $72 | 6 x TTF and OTF

Sildetas was conceived as non-connected, high-contrast and ultra heavy script, as best exemplified by the Black weight. However, it was too much of a temptation to design a hairline variant, and this exploration gave the family’s lighter weights an elegant, graceful feel. The script was modified further to use connected letterforms as the primary glyphs. With its unique swirled ball terminals, this versatile script draws immediate attention. The face glides and flows across the page and the swirling ball terminals provide an interesting diversion to the flow. The lighter weights have an almost spencerian look.

Sildetas includes six weights and is a very unique script face. Lighter weights can be used for elegant invitiations. Sildetas can get the job done for many unique design tasks.

Sildetas includes many useful OpenType features, including a set of non-connecting and titling alternates, ligatures, and two types of end swashes. Opentype features include simplified swashed stylistic alternates without ball terminals, swash endings, ending contextual alternates, discretionary ligatures, ligatures and five different stylistic sets filled with alternates. In total, there are over 60 alternate letterforms.

OpenType-capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages.