Graphic Downloads

Eclipse Font 1232754

This is messy and chaotic. A font of disorder. Eclipse! With the use of an old round brush and textile ink, we produced a detailed look of another raging font.

Karma - Semi Bold Serif Font 1244019

a sleek semi-bold serif font. perfect for any project. full commercial license included. Uppercase and lowercase letters + all numerals and punctuation is

included.

 Wavehaus Sans Typeface

Geometric Sans Serif font family with 6 weights including a thin, light, book, semibold, bold and extra bold. Includes uppercase and lowercase characters, numerals and most common other characters.

Alice Blue 1501769

Alice Blue is quite lovely font that you can use in many projects / designs. Please check “great for” section below to find out more.

Ano Font Family

A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular - a ‘standard’ alphabet; Upper Lower - where upper case characters are replaced with oversized lower case; Wide - where upper case characters are the width of a square, and lower case the same style half the width of a square. Each style drawn in italic and back-italic versions. The resulting nine variations in six weights made 54 fonts in total. For weights Regular through to Eighth the character weights divide in half. So the Half weight is half that of Regular, Quarter weight is quarter that of Regular and so on. This means for example that when Ano Half is set at twice the size of Ano Regular the weight of line is the same between the different character sizes. This proportion was used whenever typefaces were used in combination, so that headline and standfirst typography always had a consistent weight of line. The different styles and mathematically defined weights allowed for a variety of layout options. For example by using different sizes and mixing up upper and lower case letters in Upper Lower, and by stacking letters into block shaped words in Wide. The two bolder weights were drawn without this mathematical weight increase, as doubling the Regular weight would have filled in its counters and look clumsy. These Bold and Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights. Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights.

Symphonique Script Font

OTF,TTF | 1,5 MB

StoneStory Font 1543681

TTF, OTF, All Files

Flat patterns for 3D letters 1544254

PDF

Cona Typeface

OTF,TTF | 1,5 MB

Google Fonts Posters 2017

OTF,TTF | 1,5 MB

Shnobel Typeface

OTF,TTF | 1,5 MB

Moeza Display Font 1438491

TTF OTF | 113 KB RAR

Gray Skies: handwritten script font 1437257

2 TTF 2 OTF | 320 KB RAR

Introducing Gray Skies, a new connecting script font! It all started with the letter Y -- instead of a loop at the bottom, I drew a kind of zig-zag smiling-mouth shape. That weird loop ended up inspiring a lot of the other characters, and a new script font was born!

Strife - Display Font 1437217

6 TTF 6 OTF | 1.2 MB RAR

Unique bold style custom serif font with 6 styles: regular and grunge, inline and inline grunge & thin & thin grunge

Mountain Goat 1437503

OTF | 15 KB RAR

Bw Gradual Font Family

Bw Gradual brings together the pragmatic feel of the geometric grotesque genre with the visual appeal of its very deep joins. Pure shapes and fast curves coexist on this versatile font family that claims for attention when used large, but also delivers a very confortable reading experience when used as body copy, thanks to the deep joins acting as ink traps. Designed by Alberto Romanos, Bw Gradual is available in 7 weights from the delicate Thin to the robust Black with accompanying oblique italics. It supports all European Latin languages and it includes OpenType features like ligatures, old style figures or case sensitive forms among others.

Jazzling Script & Sans - Font Duo 1519658

Jazzling is a script font, originally made with a brush pen, then digitized. It comes in both slanted and upright versions. I've also included a complimentary sans serif font, in regular and demibold weights. The Jazzling Duo has a vintage yet modern calligraphy feel to it. Its casual, friendly elegance is perfect for branding, logo design, packaging, merchandise, t-shirt, quotes, social media, editorial and much more! Jazzling Script, both slanted and upright, comes packed with opentype features like ligatures and stylistic alternates. Browse through the preview images to see some design examples. Multilingual support covers the following languages: Afrikaans, Basque, Breton, Danish, Dutch, English, Faroese, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Javanese (Latin), Malay (Latin), Norwegian, Portuguese, Sami (Southern), Spanish, Swahili, Swedish and Walloon.

Vanilatte Font Duo 1253600

Introducing, Vanilatte Font Duo, unique monoline script typeface with two styles of monoline. This font is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc. We also included the sans font as complementary, and also 15 bonus ready made logo templates with food theme!

Azalea Script 1480723

OTF WOFF | 206 KB RAR

Hi...Please welcome my latest font...Azalea Script. I create this font with my soul to share the feeling of relax, soothe, cozy, love and much of happiness :)

 Pentagraf Font Family

The five-pointed star gave vertical proportions to this typeface. The cap-height, x-height, ascenders and angles of all important diagonals have been taken from the pentagram. Other elements and details are geometrically constructed, too. This typeface is especially suited for any kind of hermetic and occult literature and poetry, where symbols play an important role. Its appearance is surprisingly clean and neutral enough to be comfortable for long reading, naturally of any kind of text. Pentagraf is already proven as a workhorse in art catalogues, where its humble letterforms don't disturb art reproductions.

 Libcziowes Font

The spectacular Libceves gravestone dating from 1591 is completely – from top to bottom, from one side to the other – covered with lettering. It attests to the fact that in Bohemia, thirty years after Garamond's death, inscriptions were cut in popular type faces which were quite different from the Renaissance Roman type face. I was interested in the type face and I tried to digitalize it, expecting similarly poor results as if I had tried to cut a computer font. In spite of the fact that I did not succeed in capturing the vivacity of the model, an interesting display type face arose which, hopefully, may distract and please its users.

 Stanley Font Family

‘Stanley’ is a new typeface from Ludovic Balland, inspired by ‘Times New Roman’, one of the most classic typefaces of the 20th century. Stanley Morison, after criticizing the British newspaper ‘The Times’ of being typographically outdated was then commissioned to create a new font. In 1932 the typeface was released under the name ‘Times New Roman’ and would become a superlative typeface due to its refined aesthetic and legibility qualities. Sharing comparable qualities with its inspirational precursor, ‘Stanley’ offers excellent legibility and incredible sharpness at very small sizes. The drawing of the typeface is characterized by wide and sharp counter forms as well as short ascenders and descenders, generating neat text arrangements. The very graphic shape of the serifs benefit from a maximum of contrast. With five cuts, ‘Stanley’ fulfills versatile needs from footnotes to headlines. The particular drawing of the capitals gives a unique tone to text and can be used to create an additional typographic hierarchy. Freilager Zeitung by Ludovic Balland displaying a beta version of Stanley for the body text.

 Mediaeval Font Family

Mediæval has a robust skeleton covered in soft flesh and its italics still show the Renaissance dynamics. It is suitable for the setting of long texts, since it does not contain any sharp points, hairstrokes or other disruptive elements. Its moderate weight encompasses elements of variety and its shading seems to follow a half-moon rolling in the direction of reading. This rhythm considerably speeds up the perception of the text.

Lido STF Font Family

Lido is suitable for all periodicals wishing to abandon inconspicuously the hideous system typefaces with their even more hideous accents and to change over to the contemporary level of graphic design. It is also most convenient for everyday work in text editors and office applications. It has a fairly large x-height of lower case letters, shortened serifs and simplified endings of rounded strokes. This is typical of the typefaces designed for use in small sizes. Our typeface, however, can sustain enlargement even to the size appropriate for a poster, an information table or a billboard, as it is not trite and at the same time is moderate in expression.

 Ozdoby Font

Symbol fonts useful for magazines, invitations, posters or guidebooks. The set includes heraldic figures, leaves, decorative endings, various skull forms, weather signs, borders and many more.

Flattery Display Font 1437626

TTF OTF | 161 KB RAR

Flattery contains Standard Characters, Numerals, Basic Punctuation, and Alternate Characters ( for some letters ), and I think it is perfect for logotype, branding, or t-shirt design.

Dmitry Rogozhkin - Natural color wedding Lightroom Presets

LRTemplate | Adobe Lr4+ | 188 KB

Lush Greens Wedding Presets 1527682

Deep rich, modern, Greens and beautiful skin tones for an overall modern look. The slight desaturations provides soft tones and a bump in contrast deepens the over feel of the image. This preset works best on outdoor areas when you want to boost your greens. This is part of my LAVISH Collection. Each Preset has been hand made to give you a consistent set of presets in the same tonal family to edit an entire wedding. Unlike other collections these presets were made to be shown on imagery side by side. You will be able to add a variety of feels to your images while still having a flow in your clients wedding images. The LAVISH Collection will give your wedding photography a unique style all your own as you can fully customize each Preset/ACR with the Tool Kits for Both Lightroom & Photoshop.

Modern Graphic Poster Action 20080917

Every time you run the action an unique result will be produced, even if you don’t change anything. There are 4 actions included to generate 4 different colorscripts. For the best results, it is recommended to use high resolution photos in the range of 1500px – 3500px.

Flames Photoshop Action 20041088

ABR, ATN

Hollywood Movie FX Effects 20042506

ATN

Artistic Sketch Photoshop Action 20044389

ABR, ATN

Splatter Art Photoshop Action 20045347

ABR, PAT, ATN

Dots & Oil Paint Multi Effect Action 20046094

PAT, ATN