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Caerphilly Font Family - 2 Fonts
I really like Wales; I like the culture, the people and the language. I also like the Welsh legends, especially the ones about King Arthur and Merlin. I am reading a book about Arthur right now, so when I was working on this font, I wanted to give it a Welsh name. Caerphilly is a town in Southern Wales and is home to an immense 13th century castle (Castell Caerffili). Caerphilly font is based on a 16th century manuscript. I kept the glyphs rough, to give it ‘ye olde’ look. Comes with a hoard of diacritics, a bunch of double letter ligatures and some alternate glyphs as well.
Citarella Gothic Full Family
In seeking a strong, utilitarian gothic alternative for Helvetica, we're left with few options for unobtrusive functionalism. As such, we decided to create the Citarella Gothic family. The ligatures are characteristic of the signage and architecture around Sarno, where the Citarella family originates. The sweeping arcs, broad counters, and clean swashes allow for the architectural design to be imbued with the warmth and humanity of its namesake.
Grenze Font Family
Grenze is a big typeface system of 9 weights (Thin, Extra Light, Light, Regular, Medium, Semi Bold, Bold, Extra Bold and Black) with matching italics. A hybrid development between Roman and Blackletter styles, in search of combining the impact and attraction of texture with the readability of classical forms. Designed to be applied mainly in magazines, it presents great performance and a rich palette of colors that invites to uses creative applications. The name of this family derives from the word “frontier”.
Dair Font Family
A restoration of the first Canadian-designed typeface, which was completed by Carl Dair in 1967 and named after 16th century explorer Jacques Cartier, who mapped the Gulf of St. Lawrence in the 1530s.
Karelia Font Family
Karelia is a contemporary sans serif in four weights and eight styles, sporting a subtle mechanistic flavour. While its spacing, proportions and apertures are geared towards headlines, the details take cues from the opposite end of the spectrum: type designed for the smallest sizes. Karelia elevates these structural elements to an aesthetic role. Dislocated corners carve trapezoid ink traps, echoed by the squared-off counters. The resulting look is conventional in small sizes but expressive when set large.
Akhand Odia Font Family
Akhand Odia is a family of 8 compact mono-linear typefaces. The letterforms are dynamic; typically round shapes appear more compact, as their verticals have been flattened. This ‘straightening out’ gives text set in the typefaces a streamlined look. Indeed, Akhand Odia is designed according to a modular system. All shapes bear a strong commonality to each other, without becoming repetitive. However, the curves in the modules have all been optically corrected, removing the mechanical nature that would otherwise become too dominant.
Sayfull Font
Sayfull is a bold sans serif font with playfull look. It contains all caps letters, numbers and symbols. This font suits for branding, prints, posters, banners, kids designs, handmade goods and other creative things.
Kommissar Font Family
Developed for print and screen-based editorial projects, Kommissar balances the need to be direct, compact, and distinctive with the ability to be both expressive and pragmatic. When approached by Fast Company creative director Florian Bachleda to provide the typographic palette for his redesign of the magazine in 2011, designers Christian Schwartz and Vincent Chan knew that their headline typeface needed to help support the goals of the redesign: making the magazine feel bright, open, fast-paced, and unabashedly digital.
Bordonaro Script Rounded Font
The new version of Bordonaro Script includes rounded corners. Meet it!
Schadow Font Family - 6 Fonts
Designed by Georg Trump in 1938, this typeface was Weber’s answer to Ludwig & Mayer’s Candida.
Barn Party Font
I'll admit right off the bat here -- I've never been to a party in a barn. I don't even know if they still do barn dances and parties, or if that’s something out of the musical Oklahoma! or something. But this font gave me kind of a homey, rustic feel, so the name felt right!
Barnsley Gothic Font Family- 9 Fonts
TTF
Cigra Font Family
5 x TTF & OTF
Yeovil Font
OTF - TTF
Sidoraby Font Family - 6 Fonts
TTF
Monica - Modern Typeface + WebFonts
OTF | TTF | Webfont | 46 KB
Radcliffe Font Family
Radcliffe is a typeface family designed in 2018 by Cosimo Lorenzo Pancini and Andrea Tartarelli, as a reinvention of traditional Clarendon design in search of a "contemporary classic" typeface look. Tailor made for elegance, Radcliffe features the strong bracketed serifs, vertical stress, and little contrast of Clarendon's, refined with a humanist touch and a calligraphic approach, obvious in the italics.
Serafina Font
Serafina is a script font design published by Akufadhl.
Asthoria Font Family
Asthoria is a bold sans serif family with solid clean, rough, trace and outline files. Asthoria is simple but significant and defined by its crisp edges and modern touches. It is designed for optimal legibility. An all-caps sans-serif, Asthoria makes a statement without making a scene.
Quarterpound Font
Quarterpound is loosely inspired by fonts used in Remmington typewriters. It has proportional design to create a more unique feel and improve its readability. It was created to fill a gap between edgy monospaced fonts and grungy typewriter imitations. It’s meant to look credible in print and digital screens.
Steelplate Gothic Pro Font Family- 6 Fonts
TTF
Typewriter BasiX Font Family
I found an old typewriter and well... Typewriter BasiX is the result. Enjoy this rough retro looking design to use for your digital or print project and also check out Typewriter Revo, the clean version of Typewriter BasiX.
Royal Romain Font Family
Royal Romain was inspired by a font developed for the Sun King of France, Louis XIV. A group of “scientists” set off to work on the task of producing the ultimate font for the king of all kings. After years of elaborations Philippe Grandjean then started to cut the final punches for the “Imprimerie Royale” and finished his part of the work, with the font’s first appearance in the magnificent Médailles sur les principaux énvenémens du règne de Louis-le-Grand (1702). The complete set of 21 sizes of roman and italic letters was finished by Grandjean’s successor Jean Alexandre and completed by Louis Luce in 1745.
Kappa Vol. 2 Font Family
Kappa Vol.2 is the serif version of our popular Kappa. Just as Kappa sans, this font has a slight narrowed structure and a prominent ascender height, therefore this font is suitable for a large range of platforms. Moreover, due to its serif Kappa Vol.2’s level of legibility is more accurate, so when you use it alongside Kappa sans the results will be extremely effective.
Creative Word Font
TTF
Hellobello! - 3 Fonts
TTF
Solar Vesta | Font Collection - 2 Fonts
TTF
Emelyne Script Font
TTF
Kalesun - 2 Fonts
TTF
Margon Font Family
Margon is a serif font family with a temperate design -- small serifs, moderate contrast, tiny roundings on the corners make it calm and serene. The Margon font family consists of 18 members divided into 4 groups of different proportions marked by indexes 360, 380, 400, 430. These values correspond to densities of sets -- 360 is the widest style, 430 is the most narrow one. The peculiarity of Margon family is a rather small difference in proportions of characters between neighbor groups, it’s less than 10%. Such tiny step gives possibility to select the font that gives the best result in combination of capacity and readability.
Argone LC Font Family
Argone LC is a handmade organic typeface family. It is a variant of Argone typeface, but has lower case letters. It comes in four weights– light, regular, bold and black, which is a feature not seen much in handmade typefaces. This makes Argone LC a versatile and flexible type family. There is also a version of Argone LC which only has upper case letters – Argone.
Glass Light Font Family
Glass Light was designed in 1912 by Franz Paul Glass for the Genzsch & Heyse foundry. The font is stylewise related to the “Lo types” of the same period. Glass designed a lot of decorative elements to go along with the font. I added Swashes, endletters and smallcaps to the set to make it complete. Since this type of font will probably not be used by many professionals, I did not put all the letters into one big OTF-version since most people don't have OTF-savy software. These fonts can and should be mixed for optimal results.
Hancock Bold Condensed Font
Designed by Steve Jackaman. The Original design was produced by the Keystone Type Foundry, circa 1903; this condensed version was added circa 1917 by Lanston Monotype.
Tulika Bengali Font Family
Tulika is a text typeface inspired by traditional Bengali calligraphy. It features distinctive, sinuous shapes and a high contrast between thick and thin strokes. Tulika is a set of Unicode fonts suitable for setting books, magazines, newspapers and any other material which can benefit from its five weights and high legibility at small point sizes.
GHS Font Family
GHS is an original font from HouseOfBurvo, designed and made by Matthew Burvill. GHS stands for Geometric Hairline Serif, it is a serif typeface that is geometric in structure, it has strong vertical stress and its stroke is hairline thin. This gives it a fashionable, stylish appearance for headlines and display.