Sanelma is a brush script inspired by Hot Rod lettering and sign painting. Sanelma is a very versatile script: It includes two different styles of end swashes, swash caps, small caps, lots of alternate characters and underline option. All in all it has over 1,200 glyphs. Sanelma is bouncy and smooth and has a very organic feel. You have a lot of options to customize it and that makes it perfect for logos, packages and titles.
OTF | 1 Font | JPEG Preview | 4.9 Mb RAR
Same Same But Different Font Family - 4 Font $120
OTF | TTF | 260 KB
Primus Font Family
Primus has been designed to express the feelings of future, science and innovativeness while being simple and clean. It’s a geometric typeface with rounded edges, carefully designed and kerned to achieve a high visual quality that would make it a perfect typeface for any kind of use. While providing a clean and enjoyable reading when it’s used for text purposes, Primus is primarily effective as a display typeface that can be used for logotypes, brand identities, advertisements and so on, to fully reflect our era and beyond.
OTF | 8 Fonts | JPEG Preview | 8 Mb RAR
Pluto Sans Italics Font Family - 16 Font $640
OTF | TTF | 1.96 MB
Meloriac Font - 1 Font $30
OTF | TTF | 68 KB
Kadeworth Font - 1 Font $30
OTF | TTF | 2 MB
Jillsville Font Family - 4 Font $120
OTF | TTF | 126 KB
Dala Moa Font Family
Dala Moa is a sans serif stencil typeface for display, sharing the proportions of its cousin Dala Floda. It takes the same inspiration – the erosion of letters on stones – but takes the idea one stage further with the removal of serifs, revealing basic structures. The forms and proportions of the romans come directly from Dala Floda, while the italic diverges into the upright humanist tradition. The lighter weights show the influence Jan Tschichold’s stencil experiments of the 1930s, and in particular his lesser-known display face Saskia released by Schelter & Giesecke.
OTF | 16 Fonts | JPEG Preview | 5.8 Mb RAR
Chopped Black Font Family
This typeface was inspired by the font Pabst Heavy, designed by Chauncey Hawley Griffith in 1928 for Linotype. Because of its formal characteristics, recalls the popular Cooper Black and probably was the reaction of Linotype to counter the popularity of this font distributed by the “American Type Founders” was acquired. It’s a heavy typeface, ideal for headlines or for use in creating logos, rounded shapes and gestures evoke dynamism and make it perfect to highlight specific words or phrases.
OTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR
Biome Pro Font Family
In the sketches that formed the basis for his typeface Biome, Crossgrove experimented with inner and outer shapes in different styles, adapted letters to the form of the super-ellipse, and added curves only to remove these again. His challenge was to find a harmonious and coherent approach that provided sufficient contrast with existing fonts. Biome is essentially in the sans serif tradition and the letters exhibit only minor variations in terms of line thickness. There is still a suggestion of the super-ellipse at many points, but this never becomes the predominant design factor. While most of the terminals of the vertical strokes are only slightly rounded, the horizontals and diagonals have pronounced arches and it is these that basically determine the round and soft character of the typeface. The more unconventionally shaped letters, such as the lowercase ‘g’ with its two semi-open counters and the ‘k’ and ‘x’ with their crossbars, provide Biome with an individual personality. And this effect is emphasized by the generously rounded links in the ‘v’ and ‘w’ and the uppercase ‘M’ and ‘N’. Biome has been designed as a typeface super-family. From the near hairline Extra Light to the amply proportioned Ultra, there are seven clearly differentiated weights and three tracking widths. There are oblique italic versions of all variants. The range includes small caps and numeral sets containing lowercase and uppercase digits. With its available range of characters, Biome can be used to set texts in all Eastern European languages. Although the remarkable individuality of Biome is most clearly apparent in the larger point sizes, this typeface is not just suitable for producing headlines and logos. Biome’s elegant visual effects mean that it is equally comfortable in short texts while its large x-height and generous counters make it readily legible even in the small font sizes. Biome is a contemporary typeface that employs mid-20th century futurist elements which ironically give it a retro feel.
OTF | 42 Fonts | JPEG Preview | 4.5 Mb RAR
Betaphid Font - 1 Font $30
OTF | TTF | 82 KB
Ainslie Font Family
Get your Aussie on! The new typeface, Ainslie, with its mix of influences from Oz, makes its mark as the first semi-serif from insigne Design. Ainslie, named for Mt. Ainslie and Canberra’s inner suburb of the same name, was originally developed for the Canberra Australia Centennial Typeface Competition. Canberra is Australia’s capital, and it’s a planned city designed by American Walter Burley Griffin, a contemporary and one-time associate of Frank Lloyd Wright. Griffin’s plan involved a distinctly geometric design with several focal points--one of which was Mt. Ainslie. This same purely geometric scheme is now the basis for insigne’s new release.
OTF | 42 Fonts | JPEG Preview | 8 Mb RAR
Adria Slab Font Family
Adria Slab is a smooth slab serif typeface that comes in seven weights and charming upright italics. Try combine it with its super friendly family member Adria Grotesk. Enjoy making great typography with a vast choice of lining, tabular and old style figures, numerators, denominators, tabular figures, fractions, ligatures, some sweet symbols and even alternate arrows.
OTF | 14 Fonts | JPEG Preview | 11.7 Mb RAR
Zamora Font - 16 Font $30
OTF | TTF | 157 KB
Tautz Font Family
A concept driven serif font family of 5 weights. It is a contemporary take on the humanist serif with a touch of rationality and frivolity. Tautz began its life as a research into collective British Style & Heritage, as the pursuit of capturing “Britishness” without falling into the trap of stereotyping. Tautz is a personal reflection of Mariya V. Pigoulevskaya, resulting in a functional & characterful font family. Tautz features lowered x-height with an intention to create tension and resistance on the page or screen for that matter. This counteracts the geometric approach to the glyph construction and the sharpness of serif details. Resulting in a unique typeface that is suitable for text & display. Details include 5 weights, over 470 characters including Cyrillic, ligatures, manually edited kerning and Opentype features.
OTF | 5 Fonts | JPEG Preview | 4.4 Mb RAR
Quijote Sauvage Font Family
It was in the beginning of 2008 when I designed a font named Quijote, its predecessor. In the middle of 2009, I looked at it again and thought it could be a good idea to make an update of it. Variables and Features: Quijote Sauvage Pro is the most complete variable. It includes all the ligatures, alternates and swashes. It has the OpenType function in order to alternate glyphs easily when running applications which support this. The font is also offered separately. Quijote Sauvage Standard has the right glyphs to get an equilibrium between wildness and softness. It includes standard and discretionary ligatures. Quijote Sauvage Stylistic has the sharpest glyphs. Its decorative traces are discreet in order not to have problems as regards legibility. Its upper case are less wild than the other variables. Quijote Sauvage Text is the most discreet of its partners. This one was thought in order to improve legibility. Its ascenders and descenders are shorter, so the words are easier to read in small sizes. Quijote Sauvage Contextual, Swash and Titling, are the ones with wonderful terminals. They decorate words, adding a wonderful look of wildness or passion.
OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR
LiebeDoris Font Family - 4 Font $120
OTF | 1.66 MB
Corbert Condensed Font Family
A condensed sans serif designed as an additional companion to the Corbert font family. Incorporating the key characteristics from the original family with influences drawn strongly from the Bauhaus and modernist era. This condensed version is 15% closer than the normal family improving economy of space across design layouts. Used in conjunction with the regular widths Corbert becomes a functional and versatile font system ideally suited for large complex design projects. Details include 9 weights with italics, 540 characters with alternative lowercase a, e and g, 5 variations of numerals, manually edited kerning and Opentype features.
OTF | 18 Fonts | JPEG Preview | 5.8 Mb RAR
Colfax Font Family
Colfax is a refined oval sans serif of 20th century origins and 21st century sensibilities. Influences ranging from the gruff Aurora Grotesk series to the elegant Neuzeit are paired with a subtle geometry and typographic utility to inform this family of sans serifs. Featuring a range of six weights with accompanying italics, the entire Colfax family is made up of twelve fonts. At the extreme ends of the range are two display weights – Thin and Black – supported by four workhorse weights – Light, Regular, Medium and Bold. When designing Colfax’s weight range, we followed our standard policy: create truly useful weights rather than what is mechanically possible. As such, each weight can be used with another two up or two down in the range to maintain contrast between the two. For instance, Thin can be paired with Regular or Medium paired with Black. This isn’t prescriptive, of course, but offers a rational starting point for a typographer first experimenting with Colfax. The conventionally round or semi-oval characters of Colfax are comprised of subtle straight sides and near perfect circles. We think of this as implied geometry. It isn’t measured or automatically repeated for all characters but instead referenced throughout the typeface creating a pleasant, family-wide gestalt. Although so-called true italics are often paired successfully with sans serif designs, they simply didn’t match Colfax. Oblique, adjusted italics were drawn instead to match the starkness and gravity of the roman. True to its minimalist roots, Colfax has just one alternate: the uppercase J. Found as an OpenType Stylistic Alternate, its horizontal cross bar at cap height makes it ideal for double J headlines like JOJOBA or JUJITSU. We love arrows so it’s only natural Colfax features a collection of left and right directional arrows in all six weights to point the way. The arrows are available in two sizes – one for caps and another for lowercase.
OTF | 12 Fonts | JPEG Preview | 6.3 Mb RAR
Carolyna Pro Black Font - 1 Font $89
OTF | TTF | 786 KB
Absent Grotesque Font Family - 3 Fonts $75
OTF | 474 KB
Bookmania Font Family - 10 Font $290
OTF | 15 MB
The Burlingame Font Family - 36 Font $1800
OTF | 1.8 MB
Dobra Slab Font Family
Dobra is a very geometric and robust typeface with Sans and Slab Serif companions, specially suited for magazines and newspapers, although it works great as a corporate typeface. With five weights ranging from Light to Black with matching italic, available in both styles this highly readable typeface is full of OpenType features such as Small Caps, Tabular Figures, Central Europe characters and Historical Figures, among others.
TTF | 10 Fonts | JPEG Preview | 4.5 Mb RAR
Euclid Flex Font Family
Each single weight of Euclid Flex contains more than 500 alternate characters and ligatures. Thanks to font engineering and the OpenType font format, these characters can be activated using the OpenType Stylistic Sets and Discretionary Ligatures functions in any OpenType/Unicode-savvy application, or via the Glyphs Panel of the application.
OTF | 10 Fonts | JPEG Preview | 9.2 Mb RAR
Swen Font Family - 4 Font $108
OTF | 2.53 MB
Storefront Font - 1 Font $79
OTF | 1.11 MB
The Carpenter Font Family - 6 Fonts $165
OTF | 1.57 MB
Roicamonta Font Family - 6 Fonts 180$
OTF | TTF | 5.12 MB
Pilcrow Soft Font Family
OTF | 5 Fonts | JPEG Preview | 5.1 Mb RAR
LeanO Sans FY Font Family - 15 Fonts $525
OTF | 1.45 MB
Korataki Font Family
Korataki is a tribute to the 1970s futuristic classic, China (also known as Chimes). While font psychologists were still trying to figure out the effect of wide linear type on the human mind, engineers at Typodermic went ahead with plans for a gutsy 7 weight successor to Neuropol. Korataki’s simple design appeals directly to the imagination. Free of all self-consciousness, it transfers messages invisibly without a trace of manipulation. Readers are left aware of only a bright future stretching out ahead of them. Alternates are included for A, G, Q and 4.
OTF | 14 Fonts | JPEG Preview | 4.3 Mb RAR
Invitation Script Font Family
OTF | 4 Fonts | JPEG Preview | 18 Mb RAR
Graduate Font Family
Graduate Script is a contemporary calligraphic script. With over 825 glyphs Graduate Script can be dressed up or down, to enliven its style. You can add curls to beginning and end of any lowercase letter, or even in between them. Alternates for both upper and lowercase, as well as ligatures for double letters are included too. OpenType features such as five numeral styles, fractions and both standard and discretionary ligatures, make Graduate Script a well equipped font. Graduate Ornaments has over 300 glyphs and expands the design possibilities of Graduate Script even further. It offers additional ornaments and curls to add to lowercase letters, frames, automated borders that can be accessed by the keyboard and a lot more fun glyphs to work with. On top of that there are catchwords in different styles. Not finding the catchword you’re looking for? Just create your own! A full set of capitals, including roman accented caps, currency, numerals and punctuation is part of Graduate Ornaments. Designed to fit the same frames that are being used for the different catchword-styles, so you can easily integrate custom text with the existing catchwords. A detailed user guide is available in the gallery section.
OTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR
Chameleon Font Family - 16 Fonts $480
OTF | 1.87 MB