Donki is a friendly cursive display typeface.
OTF | 1 Font | JPEG Preview | 3.6 Mb RAR
Church in the Wildwood Font Family
From Ornaments of Grace comes a new family of fonts: Church in the Wildwood, in a modern vintage style bringing you back to simpler times. A display font family with small caps as lowercase, shadows, and matching ornaments, this family will look beautiful as a headline or caption in your next invitation, poster, or menu. Won't you come to the Church in the Wildwood?
OTF | 24 Fonts | JPEG Preview | 53.5 Mb RAR
Built Font Family
Built has one job: making solid, compact headlines onscreen. Designed with trust and neutrality in mind, Built’s wraparound shapes speak your headlines in newsy voice. Subtle curls conjure a feeling of a different news era while not coming across as particularly old-fashioned. The Built family comes in five weights, from extra-light to bold. But not your typical thin to fat linear range. When you’re designing for the screen, there are practical limitations with light fonts. These days, with variable resolutions and screen sizes, going lighter means going bigger. Much bigger. And it’s no fun if your words end up falling off the line. Built actually gets narrower as it gets lighter. Now you can can scale way up and still have room to spare. Set attractive, oversized page titles without worrying if the words will fit. Tabular (monospace) numerals are handy when you have lists of numbers to align. In headlines, tabular numerals don’t look so hot–and they waste space. Lots of fonts let you choose between proportional and tabular numerals. OpenType technology lets designers access different types of numerals, but implementing OpenType features on the web isn’t fun–it’s not always practical. Built has a simple solution: if you turn off hinting, numerals, monetary symbols and most math symbols line up. Easy. Built has fractions, primes, numeric ordinals, compact accents, the Indian rupee and the Turkish lira. As Built loses weight, its asterisk sprouts more legs, retaining it’s presence even in Extra-Light. The italics are squeezed thin and loosened up on the sides, creating cool emphasis that’s more than just a slant. Built is available in Extra-Light, Light, Regular, Semi-Bold and Bold plus italics.
OTF | 10 Fonts | JPEG Preview | 3.7 Mb RAR
Brasserie, the font, is a tribute to all brasseries since they are wonderful places to relax and enjoy food, wine and friends. It is also a salute to Parisian neon sign makers who continue in their difficult quest to adapt type, including script, into fragile, gas-filled, electric glass tubes. I tried to capture the spirit of these neon signs and combined it with the loosely styled handwritten menus written on blackboards that are usually placed outside Brasseries. You will find Brasserie to be very useful in many situations where you need clarity with style in a reasonably compact width. It is also creates an unusually even texture in sentences. Brasserie is a fairly upright script with a large x-height, which helps to save on overall width. Like a brasserie, the font is a relaxed and informal script, useful for logo, packaging, menus, editorial, advertising, invitations, etc and is available for Mac and PC in Opentype, Truetype and Postscript versions. In France, a brasserie is a café doubling as a restaurant with a relaxed setting, which serves single dishes and other meals. It can be expected to have professional service and printed menus (unlike a bistro which may have neither), but has more informal eating hours than a full-fledged restaurant. Typically, a brasserie is open every day of the week and the same menu is served all day. The word ‘brasserie’ is also French for brewery and, by extension, “the brewing business”.
OTF | 1 Font | JPEG Preview | 3.9 Mb RAR
Atletico Font Family
OTF | 6 Fonts | JPEG Preview | 4.6 Mb RAR
Tenebrae is inspired by the Giallo films of the 70s and other cult cinema film posters. Whilst these are Tenebrae's origins it still retains a modern edge making it equally at home in vintage settings as well as more modern ones. Tenebrae has titling alternates which gives it a more stylised character.
OTF | 1 Font | JPEG Preview | 20.1 Mb RAR
Upjohn Font Family
Inspired from Horror and Thriller movie posters back in old era, with bold and solid stroke styles that pointed to the instant-retro feels when you drop it to your vintage or retro design project. Comes with 2 version, Clean and Rough with Uppercase, Numbers and Punctuations. Support English language, OTF and TTF files.
2 OTF + 2 TTF | Webfonts | 2 PSD - Watercolor Alphabet, Texture Packs | 115 Mb RAR
VMF Pure Black
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Wilder Typeface is another carefully hand-made font crafted with passion and love :) You can use this font as creative as you want.
OTF + TTF | 1 Font | JPEG | EPS + AI | 31.2 Mb RAR
Zigarre Font Family
Though Zigarre can easily be categorized a brush script, Jim Rimmer actually drew it using a big marker. Jim’s original face, inspired by inter-war German poster lettering, was a rough one, with the marker’s juicy ink roughing it out all over the place. The smooth version, Zigarre Script, was produced as part of a major update and remastering the design underwent in 2012. Both Zigarre Script and Zigarre Rough come with extended Latin language support, as well as a few built-in stylistic alternates. 20% of this font’s revenues will be donated to a GDC scholarship fund, supporting higher typography education in Canada.
OTF | 2 Fonts | JPEG Preview | 1 Mb RAR
Yma is inspired by 80’s neonlight with an hand-written - brushpen style. Elegant & dynamic with a vintage look. There are also some interesting alternates glyphs.
OTF | 1 Font | JPEG Preview | 11.7 Mb RAR
Yaquote Script Font
OTF + TTF | 1 Font | JPEG Preview | 1.6 Mb RAR
Wallet Font Family
Wallet is an expressive handwritten font with loads of personality, suitable for many different projects. It comes in three styles: Felt, Felt bold and Chalk. Wallet has 391 glyphs and supports multiple languages. Opentype features, such as contextual alternates, for replacing beginning and ending glyphs as you type and double letter ligatures are also included. To make full use of its potential Wallet requires an opentype-savvy application.
OTF | 3 Fonts | JPEG Preview | 4.6 Mb RAR
Version 1 International Font Family
The Version 1 font family is a mannered geometric linear-grotesque, hand drawn and developed by Oliver Jeschke and Oliver Mayer at Tatin Design Enterprises in Basel, Switzerland and Berlin, Germany. It was created in a three-month training and was further developed in the later stages as OpenType font. This type is gone away from the regular tempo of design and for the individual, to decorate with it, to be used for the headline, title and/or award areas.
OTF | 7 Fonts | JPEG Preview | 5.5 Mb RAR
Vanyla 4F Font Family
OTF | 2 Fonts | JPEG Preview | 3.5 Mb RAR
Vandermark Font Family
Vandermark began as a simple daydream of what became the ‘n’ glyph. I considered the elegant balance of a terminal stroke that would never join its supporting stem. The premise was simple, but further experimentation was required for other parts of the alphabet. Vandermark follows a somewhat flexible array of structural rules and curve arrangements that called for considerable sketching to harmonize. The names I choose for my typefaces have to look decent when set in the signature type. Considering its improvisational development, it was only fitting that the namesake is a jazz musician and fellow Chicagoan, Ken Vandermark.
OTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR
Vailsnick Italic Font
Vailsnick Italic is a new display font (2014) that has been designed by M Fairuzulhaq. It contains a combination of Sans, Italic, and Script designs with smooth flowing connections. It contains more than 1500 glyphs, supports multiple languages with Diacritical marks, and playful with Opentype features. Perfect for logotype, headlines, posters, or as a basic font to do custom branding and creative typography. Vailsnick Italic includes:Uppercaps, Smallcaps, Numerals (Modern & Oldstyle), Fractions, and Punctuations. Opentype Features: Stylistic alternates, Ligatures, Discretionary ligatures, Swashes.
OTF | 1 Font | JPEG Preview | 11.3 Mb RAR
Vaccine Font Family
Vaccine is a slab serif font family with a mixture of the usual and one-sided serifs. We call it ‘semi semi slab serif’. Serifs and terminals have soft rounded shapes, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in a setting and delicate and soft in appearance. This design peculiarity, together with low contrast and strong serifs, produces the qualities needed for using the font in small sizes, in low quality print, and in bad reading conditions. Vaccine got modern stylish design and has a prominent place in the set of popular faces. The family consists of 10 members - five weights with the corresponding italics. It can be used in a wide range of applications - magazines, advertising, corporate identity, urban navigation, packaging, children books, etc. Design by Manvel Shmavonyan with the help of Gayane Bagdasaryan as a consultant. Released by ParaType in 2013.
OTF | 10 Fonts | JPEG Preview | 5.4 Mb RAR
Univers Cyrillic Font Family
Univers was designed by Adrian Frutiger on Swiss principles for Charles Peignot at Deberny & Peignot. Frutiger imposed strict discipline across all elements of the series, from light to dark, extra condensed to extended, a concordance of design that was possible in the foundry type and photocomposition fonts. Any version may be mixed within a word with any other. It may be argued that the design of the most popular central series is limited by strict conformity to little used extremes. If Helvetica gives us the strongest central designs at some sacrifice in uniformity across the series, Univers gives us a uniform series by disciplining the central designs. Alteration of character widths required by the Monotype caster separates Monotype Univers from the original; the Linotype photocomposition version, designed by Frutiger, has a more even color across the series, achieved by relaxing the original rigid formula for stroke width.
OTF | 19 Fonts | JPEG Preview | 1.6 Mb RAR
Ultima Font Family
Ultima is a rounded geometric monoline typeface family, built in ten styles. The typeface is ideal for use in display sizes, though is quite legible in text. Ultima is released as OpenType single master with a Western CP1252 character set.
OTF | 10 Fonts | JPEG Preview | 4.6 Mb RAR
Tushi Font Family
Tushi is a handmade fontface with twist in two styles: regular and italic. Tushi is recommended for use as a display typeface.
OTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR
Trump Soft Pro Font Family
Trump Soft Pro is the softer, round-cornered version of Trump Gothic Pro, the popular condensed gothic seen on films, magazines, book covers and frashion brands all over the globe. Trump Soft offers a friendlier grade of the same economic functionality, clear modular aesthetic and extended character sets as Trump Gothic. The sharper Trump Grothic series is a reconception of ideas from Georg Trump’s seminal 1955 Signum typeface and its later reworking (Kamene) by Czech designer Stanislav Marso. Originally cobbled together for a variety of film projects in the late 1990s and early 2000s, the Trump Gothic family was made available for the general public in 2005. Shortly thereafter, it became extremely popular. It continues to be used extensively today. In 2013, the typeface was redrawn, refitted, optimized and greatly expanded into a multiscript family of six fonts, each containing over 1020 glyphs and a wealth of OpenType features, including small caps, caps-to-small-caps, stylistic alternates, unicase/monocase alternates, fractions, ordinals, class-based kerning, and support for Latin, Cyrillic and Greek locales.
OTF | 6 Fonts | JPEG Preview | 3.1 Mb RAR
Transat Font Family
Transat is a geometric sans serif typeface, with caps inspired by Art Deco signage — found inside the “Gare Maritime” (literally “sea station”) ocean liner terminals in both Le Havre and Cherbourg, France, in the early 1930s. The name “Transat” is the common shortening of “Compagnie Générale Transatlantique,” the company that operated majestic ocean liners like the SS Normandie out of Le Havre from 1862–1974. (Transat also has a more rational text-friendly companion font, "Transat Text"). Transat includes many OpenType features, such as ligatures (ff/ft/fft), small capitals, case sensitive forms, stylistic alternates, arbitrary fractions, and a full complement of proportional, tabular, and oldstyle figures. Transat is released in 5 weights plus including optically-corrected obliques.
OTF | 10 Fonts | JPEG Preview | 8.3 Mb RAR
The Hand Font Family
The Hand is a handwritten font designed by Fanny Coulez and Julien Saurin from French foundry La Goupil Paris. We wanted to create the most generic, readable and balanced handwritten font, to work well in every kind of design. It’s an all-caps font with 5 weights and alternates : all the uppercase letters are different from the lowercase letters. We also designed a regular dotted version so you can vary your effects. Merci beaucoup!
OTF | 6 Fonts | JPEG Preview | 4.9 Mb RAR
String Font Family
Inspired by the sound of acoustic guitars, delicacy of harps and elegance of the engrossers script, String is a trendy monoline font which will for sure make unique layouts for your pieces of design. Combining String with String Hole in the same word is a good idea when a more playful rhythm is needed. The font works particularly well when standing on photographs, so be ready to use it in magazines with food, landscapes or super models. I like thinking of String as a distilled version of Erotica. A more “pure” relative of hers. When I designed Erotica, I was so in love with the spencerian style that I knew it'd be hard to just abandon it. With that in mind, this time my aim was to take the subtlety of it to the limit. So, in order to do that I had to find out what was actually the secret of its beauty. I found that the essence of Erotica, in other words, its ductus was the most responsible. The result is a font made of hairlines with a lot of emphasis on the pureness of the form and, (with a lot of inspiration in music) the sensation of continuity between its letters as if they were written with a string. Try String and its flowing melody.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Strima Font Family
Strima is a geometric sans serif typeface that stands for minimalism and legibility. With over 1000 glyphs and extensive language support Strima offers full professional typographic features. The Strima family consists of 4 weights: light, book, medium and bold.
OTF | 4 Fonts | JPEG Preview | 4.2 Mb RAR
Stay Gold Font
Stay Gold Script is a highly usable, powerful typeface. Perfect for everything from street wear brand to wedding invitations, sports team logos to band logos. Use it however you see fit. Just one thing - it’s not designed for all-caps settings.
OTF | 1 Font | JPEG Preview | 4.8 Mb RAR
Starburst is a gestural light script, created initially with an oblique nib for Copperplate and pencil. The idea was to interpret a real expressive energetic and gestural calligraphy, playing with pressures and angles following always a very dynamic flow. Rhythmical and full of grace, Starburst is the best fusion between calligraphy and typography. Every stroke has been sketched first by Giuseppe Salerno.
OTF | 1 Font | JPEG Preview | 10.4 Mb RAR
Stag Dot Font Family
Commissioned for Las Vegas Weekly, these two variants on the Stag original capture the unique spirit of Las Vegas. The two weights use very different approaches to the idea of building type out of dots: the Bold follows a strict grid, while the Thin faithfully follows the contours of the original Stag Thin. Designed by Christian Schwartz, 2008
OTF | 2 Fonts | JPEG Preview | 5.3 Mb RAR
Spoon Font Family
Spoon is a fresh and contemporary sans-serif that can be used in wide range of project. Its skeleton of letterform is geometrically-based and minimal but the body was designed with a touch of humanistic outlines as though they were handwritten. This not only make the font clean, legible and functional, but also make it possible to give natural, friendly and soft impressions. Spoon comes in seven weights with matching italics and includes diacritics for most European in each weight.
OTF + TTF | 14 Fonts | JPEG Preview | 4.4 Mb RAR
Sparkle Script Font Family
Sparkle is an expressive yet legible monoline font, benefiting from OpenType with nearly 800 glyphs for alternate letterforms, smooth ligatures, complimentary sans-serif small caps, accents, and a variety of swashes.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Sparhawk Font Family
Sparhawk in its obvious form is a 3D layered display font, but it’s packed with over 300 swashes, extremely rare in the 3D font world. Every single swash is hand-drawn for extreme organic realism. The lowercase are small caps and the swashes are designed to be used mostly with the lowercase letters (top and drop swashes), but the drop (bottom) swashes also work well with all caps. Sparhawk’s large character set and plethora of alternates makes it perfect for logo type, birthdays, weddings, bands… the list goes on. All features include: 8 Awesome Layer Styles, 15 sets of Stylistic Alternates (over 300+ Individually Drawn Swashes), Double-Letter Ligatures for upper and lowercase, and Contextual Alternates.
OTF | 9 Fonts | JPEG Preview | 4.7 Mb RAR
Spacelord Font Family
Spacelord is inspired by vintage toys from the 1950s and 1960s. It refers to the box art of robots, spaceships, x-ray-guns and other cosmic trash treasures of this golden science fiction age. Aboard the lord: four, three, two, one, zero!
OTF | 5 Fonts | JPEG Preview | 7.1 Mb RAR
Solido Compressed Font Family
Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.
OTF | 6 Fonts | JPEG Preview | 4.1 Mb RAR
Softipen Script Font
OTF | 1 Font | JPEG Preview | 5.2 Mb RAR