User Panel
Legionary Font Family
Legionary is a new sans-serif with six font styles. It would look nice in magazines, on food packages, posters and flyers.
OTF | 6 Fonts | JPEG Preview | 2.8 Mb RAR
Dexsar Brush Font
Dexsar Brush is the high detailed brush font that has over 240 glyphs and equipped with OpenType feature for make custom feel for your design. This font is designed for design purposes such as t-shirts, logos, posters and etc.
OTF + TTF | 1 Font | JPEG Preview | 3.2 Mb RAR
Pragmatica Slab Font Family
Pragmatica Slabserif was designed as a complement to the popular type family Pragmatica by Vladimir Yefimov and Isabella Chaeva (1989-2004) by addition of square serifs. Inspired by Helserif (Phil Martin, 1978) which was formed in the same way by addition of square serifs to Helvetica (Eduard Hoffman and Max Miedinger, 1957). First sketches of Pragmatica Slabserif were created by Vladimir Yefimov in 1988 during development of Pragmatica. Olga Umpeleva designed the whole slabserif type family of six weights basing on those sketches. All styles of Pragmatica Slabserif coordinate with corresponding Pragmatica styles on metrics, proportions, weights and design. The new family can be used together with Pragmatica and separately. It’s convenient for technical texts, for magazines of general nature, for business applications as well as for advertising and display matter. Pragmatica Slabserif was released by ParaType in 2011.
OTF | 6 Fonts | JPEG Preview | 3.7 Mb RAR
Bisque Font Family
Bisque is designed with a sense of play and rhythm, with intermittent areas of quietness, bringing a sense of ‘bounce’ to text. The combination of classic typographic forms and proportions with expressive, contemporary features create a typeface with charisma and joy. The 2011 revision involved adding an extended glyph set for much wider setting applications.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Loew Font Family
Loew is a geometric sans serif font influenced by the methods of the early industrial designers. Pure mechanical shapes are carefully adjusted to give the characters the right form, function and usability. These subtle human touches combined with the technical detail provide great readability at both large and small point sizes. Loew is a versatile sans serif font with simple and honest geometry aimed at a wide range of modern applications. Details include over 800 characters with alternative lowercase a, e and g. Seven variations of numerals, true small caps with accents, manually edited kerning and Opentype features.
OTF | 16 Fonts | JPEG Preview | 4.4 Mb RAR
Zakia Font
Zakia is informal script lettering font with a bunch of alternative characters to choose. Zakia uses OpenType feature such as swash and contextual alternates that can be found by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign. Zakia font suitable for any kind of publications like logo design, branding, poster, packaging, website or blog, etc. It is stylish and flowing, feels like human handwriting by using a copperplate pen.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Leksa Font Family
Leksa is an oldstyle, even a bit old-fashioned text family in 12 faces, including six upright and six italic ones, from Light to Black, with both oldstyle and tabular digits and true small caps. The typeface works best in the books of classical style, and looks good in both small and large point sizes. One of the main features of the typeface is its professionally-designed Cyrillic which (together with sans-serif companion Leksa Sans) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.
OTF | 12 Fonts | JPEG Preview | 2.1 Mb RAR
Knul Font Family
An elegant modern typeface with a subtle monoline appearance. The simplicity of the design creates clean forms best suited to identity, editorial and advertising uses. Details include 6 weights with italics, an extended European character set, manually edited kerning and Euro symbol.
OTF | 12 Fonts | JPEG Preview | 3.6 Mb RAR
Kiddy Kitty Font Family
Kiddy Kitty is a soft and friendly sans-serif type family which consists of 6 upright italic and 5 italic weights. It supports Western and CE Latin and Cyrillic, and it also has some ligatures and swashes and 16 carefully drawn cat dingbats in each font. Kiddy Kitty is good for greeting cards, children’s books and package design. It is designed by Vasily Biryukov with some support of Alexandra Korolkova.
OTF | 11 Fonts | JPEG Preview | 2.6 Mb RAR
Guarda Sans Font Family
OTF | 12 Fonts | JPEG Preview | 3 Mb RAR
Aventura
Aventura is burlesquely round, stylishly seductive, eternally sugar-fixed, and loving to a fault. Plenty of stylistic alternates are included to heighten the mood or soften it. Either way you look at it, there’s a lot of love in the air.
OTF | 1 Font | JPEG Preview | 4.2 Mb RAR
Clio Font Family
Clio, Clio XS and Clio Condensed is a big family of 72 fonts. They were designed by Gabriel de Souza in 2012. They are simple and stylish and they have the ideal appearance to your work. Furthermore, features such as italics, obliques, great language support and flexibility. They can be applied in many different forms but their primary use is indicated to display use and luxurious trade mark creation and also available for Clio Icons.
OTF | 24 Fonts | JPEG Preview | 3 Mb RAR
Vox Round Font Family
Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.
OTF | 20 Fonts | JPEG Preview | 4.7 Mb RAR
Veryberry Script Font
Veryberry is a handwritten font with a unique character. Full of open type features, is best used in an open type aware software. Most diacritics are included and the font can be used with most of the European languages. Feel free to contact me if you find that any letter you need that is not included in the font yet. There are more than 700 glyphs in the font including discretionary ligatures, initial and terminal forms for all letters and ligatures, stylistic alternates, ornaments, etc.
TTF | 1 Font | JPEG Preview | 3.4 Mb RAR
Twofaced Font
TTF | 1 Font | JPEG Preview | 3.6 Mb RAR
Tooting Sans Font
Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines. Tooting Sans has slightly condensed letters with clean lines, open forms and predominantly straight terminals, although some vertical strokes have angled terminals for variation. This helps to keep the flow of the copy alive whilst being economical with space and legible in both text and headline usage. Released as an OpenType font, Tooting Sans expands upon the standard sans serif character set to include Greek and Cyrillic glyphs, small caps, oldstyle figures, proportional figures, ligatures and improved support for Latin-based languages.
OTF | 1 Font | JPEG Preview | 3.5 Mb RAR
Streetscript Redux
Back in January 2012, a chubby, uprightish baseball script called Streetscript made it into the MyFonts Rising Stars newsletter. Since then, it has been used for all manner of applications, far beyond the range of uses I'd anticipated. However, one thing seemed to keep cropping up. It seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said). All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
Steagal Font Family
OTF | 18 Fonts | JPEG Preview | 5.7 Mb RAR
Stanzer Font Family
Stanzer is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look like, as we have come to the conclusion that almost every letter works without cutting it. Stanzer is a Unicase typeface, available in three OpenType weights: Black, Shadow and Block. Stanzer first started as part of our diploma 2010 (it was called Stanley at that time). The basic idea behind this typeface is that it is fully stencil usable, and, unlike other stencil fonts, does not require any bridges (except for the O and Q). Almost every letter can be sprayed without inserting planks. However, Stanzer also offers the display weight Block, which is only suitable for print or online usage.
OTF | 3 Fonts | JPEG Preview | 3.2 Mb RAR
Soho Gothic Font Family
OTF | 14 Fonts | JPEG Preview | 4.3 Mb RAR
Sickamore Bold Marker Font
We're really happy to launch our first font 'Sickamore'. This is a bold marker-pen style display font, great for headers, logos and attention-grabbing words or phrases. The font is all CAPS however does include various alternate capitals in the lower case form. Also included are numerals, punctuation and currency glyphs.
TTF | 1 Font | JPEG Preview | 5 Mb RAR
Ricotta Script Font
Another unmistakable Koziupa/Paul production, Ricotta has very little baby fat for a sturdy brush script. What movement it shows is effective and integral to its expression, which is at once compact, lush and eye-catching. Ricotta, and its subtle details in just the right places, should feel at home among the bright and cheerful colors of dairy product and pizza packaging.
OTF | 1 Font | JPEG Preview | 3.3 Mb RAR
NOh Carbone Font
NOh CARBONE is a serif typeface with more than 250 glyphs, including Capitals, Small Letters, Numbers & Special glyphs and Punctuation. Appropriate for medium and large formats, its high contrast, strong features & aggressive and unconventional diagonal endow it with great elegance and give it distinction over other types of the same style. This typeface is adapted to different topics and applications, is easily modifiable and capable of generating a clear and direct message.
OTF | 1 Font | JPEG Preview | 4.9 Mb RAR
Nexa Font Family
The Nexa family includes 16 styles & weights - eight uprights with eight italics. It is characterized by excellent legibility in both - web & print design areas, well-finished geometric designs, optimized kerning etc. Nexa is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The font styles are applicable for any type of graphic design in web, print, motion graphics etc and perfect for t-shirts and other items like posters, logos.
OTF | 16 Fonts | JPEG Preview | 3.4 Mb RAR
Krul Font
‘Krul’ is a typographic interpretation of the lettering style created by Dutch letter painter Jan Willem Joseph Visser at the end of the 1940s, which decorated the traditional brown bars of Amsterdam. In the beginning, these letters were strongly associated with the pubs connected to the Amstel brewery, given that Visser was the company’s official painter. As the years passed, the style became increasingly popular, and various business owners in Amsterdam and other Dutch and Belgian cities also commissioned its use. In the 1970s and 1980s, Leo Beukeboom, another talented letter painter, continued and expanded this lettering tradition while employed under the Heineken brand. Much of his work can still be found in the Jordaan and De Pijp neighborhoods in Amsterdam.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Klaus FY Font Family
Fairly condensed, slightly contrasts and particularly terminals, Klaus FY offers a good legibility in all text sizes. Its broken ductus reminds of blackletter shapes and gives this family a very singular and modern style.
OTF | 10 Fonts | JPEG Preview | 7.6 Mb RAR
Kelson Sans Font Family
OTF | 3 Fonts | JPEG Preview | 3.7 Mb RAR
Inlove Font Family
Ideal for magazines, posters or flyers, Inlove is a modern take of Ariel Di Lisio’s passion for geometric and very contrasted typefaces. Because the strong influence over his work, Ariel was invited during 2009 to be part of the Herb Lubalin Exhibition at New York. Designed by Ariel Di Lisio and digitized by Ale Paul.
OTF | 2 Fonts | JPEG Preview | 3.5 Mb RAR
Ingrid Mono Font Family
The birth of the monospaced types dates back to the past. There was a need for the creation of typesets for typewriters. The difficulty was to align the different glyphs in the same width. This led to particular problems with letters like “M” and “l”; the former seemed to be squeezed into the same width of all letters and the second one appeared way too stretched. Despite - or perhaps because of - the impression of the typewriter it is still popular with Graphic Designers. The Ingrid Mono font family with a high range of glyphs and symbols has that special appearance.
OTF | 8 Fonts | JPEG Preview | 3.5 Mb RAR
Golos Font Family
Golos is an sleek and authentic font face with two styles: regular and italic. Golos is recommended for use as a display typeface.
OTF | 2 Fonts | JPEG Preview | 6 Mb RAR
Ginza Narrow Font Family
Here’s what I said about the original Ginza: Sometimes you get an idea stuck in your head and the only way to get rid of that demon is to put something down on paper. A year later the doodles became a skeleton, and then the skeleton had a body, then the body had a name, then the name got a personality. What was left was a clean set of fonts that encompass a very simple skeleton with a lot of visual appeal. And now with Ginza Narrow: Once Ginza was released, I immediately wanted to commit the time to create a narrower version—if for nothing else but to add additional versatility to the skeleton, but my schedule just would not allow it until a client recently asked me to. There was no need to ask twice as I had already started and then shelved the initial builds. I also had the opportunity to expand the localization of the fonts by adding Cyrillic.
OTF | 6 Fonts | JPEG Preview | 3.5 Mb RAR
Controller Font Family
Controller is a geometric rounded sans serif including 5 weights and corresponding obliques and thier extended style are ready. Originally, the designer was inspired by a mixture of techno and organic design in the end of 20th century around the West Coast. The letterforms of this font are designed geometric but are also slightly rounded to make a natural, warm and organic impression. Uppercase N has its alternative glyph that can be accessed by using OpenType stylistic feature. Controller is a versatile and useful family for a wide range of projects.
OTF | 19 Fonts | JPEG Preview | 3.3 Mb RAR
Co Font Family
Soft and round are the words that best describe the Co font family. Its underlying geometry structures the font design and allows it to have an even rhythm. The harmony between organic and geometric shapes makes Co Headline uniquely appealing for display and titling where special expression is required. Co Text carries even more organic and fluid design elements than its headline cousin. To assist with legibility and functionality, features have been tightened and its basic proportions are less geometric in their appearance. The Co font family was created in collaboration with North Design and the Standard Edition includes a complete Latin A Extended character set. Please see the Corporate Edition of the font for an extended character set with Greek and Cyrillic scripts. Co Arabic is also available.
TTF | 6 Fonts | JPEG Preview | 3.7 Mb RAR
Castiana Font
Castiana is an elegant font inspired by old books, medieval typography, and rustic art.
OTF | 1 Font | JEG Preview | 4.3 Mb RAR
CA Recape Font Family
CA Recape is a weird and beautiful vintage script family with two styles. It’s an excellent choice for creating logotypes, headlines, signs, poster and any design that requires a custom-made feeling. The basic inspiration for CA Recape comes from American 50s lettering. But instead of reviving one special style, it is a kind of “Best of”-Remix. It takes the weirdest and most beautiful letterforms of a weird and beautiful time and merges them into one font. The outcome is a charming bastard. Guess what it looks like: Weird and beautiful. CA Recape is packed with a lot of OpenType features like underlining swashes, Stylistic, Discretionary, Titling and Contextual Alternates and Ligatures for use in OpenType savvy programs. It also comes with some nice Ornaments. Derived from the original typeface, Cape Arcona Type Foundry also offers a Raw style that has the distressed look of a poorly printed raw font.
OTF | 2 Fonts | JPEG Preview | 7.1 Mb RAR