9June2017

Comic Land Display Font

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Comic Land Display Font

Comic Land Display Font 1473314

2 TTF 2 OTF | 141 KB RAR

9June2017

Canoe Handwriting Font

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Canoe Handwriting Font

Canoe Handwriting Font

Canoe is a fun, all-caps font with a delightfully hand-written feel. It comes “water ready” to be used in the wild on the web, save the dates, and other design projects that need a homemade touch. Its characters are wiry and tall with crossbars that hit at varying heights. Canoe also includes 1st, 2nd, 3rd ordinal capabilities as well as fractions.

9June2017

Phi Font Family

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Phi Font Family

Phi Font Family

Phi is a simple geometric sans, inspired by the Golden Ratio. It is rock solid, versatile, legible and excellent for both text and display usage.

9June2017

Fairfield Font Family

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Fairfield Font Family

Fairfield Font Family

Fairfield is a fifty-year-old typeface that has had a recent facelift. Rudolph Ruzicka, artist and book illustrator, designed light and medium weights of Fairfield for Linotype in 1940 and 1949, respectively. For Fairfield’s 1991 release as an electronic typeface, designer Alex Kaczun added bold and heavy weights. With its straight, unbracketed serifs and abrupt contrast between thin and thick strokes, Fairfield harks back to the modern typefaces of Bodoni and Didot, but has a distinctly twentieth-century look. Fairfield is a fine text face, both for books and shorter texts. Kaczun added small capitals and old style figures, swash capitals, and a set of “caption” typefaces (sloped roman style) that were inspired by Matthew Carter's extensions to Oldstyle 7 for National Geographic magazine.

9June2017

Montecatini Font

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Montecatini Font

Montecatini Font

Montecatini takes its cues from the elegant Stile Liberty travel posters of Italy in the early 1900s. The font features distinctive ligatures typical of the time when Art Nouveau emerged as a worldwide phenomenon. Everything looks better in Montecatini, from book jackets to monograms to packaging and logos—and the wide selection of ligatures make copyfitting a delight.

 

9June2017

Practice Font Family

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Practice Font Family

Practice Font Family

François Rappo’s latest project is a significant outcome of his design practice anchored in the research of typographic paradigms. In the mapping of serif typography, Practice introduces a new perspective with an unprecedented sharpness.  While its architecture revisits the elegance of Renaissance typography, an innovative calligraphic drawing was achieved to reach a crisp digital identity. The precise texture of Practice is outstanding on both paper and screen. The optical balance of the text rythm offers a clear reading with a contemporary aesthetic.  Practice is declined in a consistent gradient of styles to provide a complete tool for magazines, books and newspapers. The family is structured in three display weights designed for larger sizes and six roman weights for smaller sizes plus their matching italics. Each style offers five series of numerals, small caps and an extended ligature set.

 

9June2017

New Grotesk Square Font Family

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New Grotesk Square Font Family

New Grotesk Square Font Family

New Grotesk Square Font Family

A suite of 7 condensed fonts inspired by printed wood and display type from A2-TYPE’s archive of historical specimens and printed ephemera. The New Grotesk Square family comprises a series of condensed fonts designed with unified proportions across all widths; from ONE to SEVEN, to create a varied palette of fonts for the modern designer.

 

9June2017

Machinery Display Font

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Machinery Display Font

Machinery Display Font 1472419

TTF OTF WOFF | 32 KB RAR

9June2017

Faranisa Script Font

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Faranisa Script Font

Faranisa Script Font 1472514

WOFF TTF OTF | 329 KB RAR

9June2017

Santoro Script Font Family

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Santoro Script Font Family

Santoro Script Font Family

Santoro Script is a fun, happy script font created in the style of handpainted sign lettering. It displays a jubilant attitude which will add a spontaneous, warm and friendly look to any design. The typeface contains at least three versions of every letter found under the Swash and Stylistic Alternates OpenType features as well as a few additional letter versions and ligatures under the Titling and Discretionary Ligatures OpenType features. These extra alternates help give the font a hand painted feeling. Jukebox fonts are available in OpenType format and downloadable packages contain both .otf and .ttf versions of the font. They are compatible on both Mac and Windows. All fonts contain basic OpenType features as well as support for Latin-based and most Eastern European languages.

9June2017

Gumroad - Highlander marker script

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Gumroad - Highlander marker script

Highlander marker script

Highlander comes with a full set of upper and lower case characters - giving you the extra freedom to turn your text into authentic custom-made hand lettering. Highlander font Includes a large range of glyphs including numerals, punctuation & multilingual support. Also included is a bonus extras font, which consists of Extentions designed to perfectly compliment your primary text.

9June2017

FURIA Display Font

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FURIA Display Font

FURIA Display Font 1472593

2 TTF 2 OTF | 107 KB RAR

9June2017

Andecha Script Font

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Andecha Script Font

Andecha Script Font 1472776

TTF OTF | 894 KB RAR

9June2017

Fanttikha Script Font

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Fanttikha Script Font

Fanttikha Script Font 1473164

3 TTF OTF WOFF | 1.9 MB RAR

9June2017

Soulmate Script Font

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Soulmate Script Font

Soulmate Script Font 1472690

2 TTF 2 OTF | 240 KB RAR

9June2017

LTC Jefferson Gothic Font

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LTC Jefferson Gothic Font

LTC Jefferson Gothic Font

9June2017

Tertre Font Family

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Tertre Font Family

Tertre Font Family

Tertre is a display/short text typeface with a wide range of applications from signage or posters to menus and pricelists; branding, packaging or publishing. It is named after Place du Tertre, a square located at the top of Montmartre—a hill overlooking Paris, made famous by the artists of the 19th and 20th Century. Like in Galette, the letters have no overhangs and the stroke thickness of capitals and lower case letters is identical, making hinting or anti-aliasing more uniform at any point size and zoom combination.

9June2017

VIP Font

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VIP Font

VIP Font

VIP is a humanist sans serif uppercase and figures combined with a freshly redrawn revival of the classic Constanze initials originally designed by Joachim Romann for Stempel in 1956. As well as a vehicle to revive the Constanze initials, VIP was inspired by modern typography found in many artful books, on many product packages, and on the windows and literature of high-end restaurants, jewelry stores, haute couture fashion sellers, architecture firms and trendy brand name establishments. If you've walked through the soho or downtown of any major metropolitan, you've seen them: Widely tracked words or lines starting with a script majuscule and going on with clean and comfortable sans serif caps. If classy modern combination typography is your thing, you will find much pleasure in using VIP. VIP was updated with expanded language support in 2012. It now supports a very wide range of codepages, including Cyrillic, Greek, Central and Eastern European, Turkish, Baltic, Vietnamese, and of course Celtic/Welsh.

 

9June2017

Sporting Grotesque Font Family

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Sporting Grotesque Font Family

Sporting Grotesque Font Family

9June2017

Chiswick Sans Font Family

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Chiswick Sans Font Family

Chiswick Sans Font Family

Chiswick Sans demonstrates that the past can offer inspiration for new typefaces which are not slavishly historical. The high contrast sans serif offers a letterform that shares the unadorned simplicity of a low contrast sans, but also shares the beauty of a serif letter.

9June2017

Basilio Font

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Basilio Font

Basilio Font

In the late 1930s, old Egyptiennes (or Italiennes) returned to the collective consciousness of European printers and type houses — perhaps because political news were front a centre, especially in France where Le Figaro newspaper was seeing record circulation numbers. In 1939 both Monotype and Lettergieterij Amsterdam thought of the same idea: Make a new typeface similar to the reverse stress slab shapes that make up the titles of newspapers like Le Figaro and Le Frondeur.

Both foundries intended to call their new type Figaro. Monotype finished theirs first, so they ended up with the name, and their type was already published when Stefan Schlesinger finished his take for the Amsterdam foundry. Schlesinger’s type was renamed Hidalgo (Spanish for a lower nobleman, ‘son of something’) and published in 1940 as ‘a very happy variation on an old motif’. Although it wasn’t a commercial success at the time, it was well received and considered subtler and more refined than the similar types available, Figaro and Playbill. In the Second World War, the Germans banned the use of the type, and Hidalgo never really recovered.

Upon closer inspection, Schlesinger’s work on Hidalgo was much more Euro-sophisticated and ahead of its time than the too-wooden cut of Figaro and the thick tightness of Playbill. It has a modern high contrast, a squarer skeleton, contour cuts that work similarly outside and inside, and airy and minimal solutions to the more complicated shapes like G, K, M, N, Q and W. It is also much more aware of, and more accommodating to, the picket-fence effect the thick top slabs create in setting.

Basilio (named after the signing teacher in Mozart’s Figaro) is the digital revival and major expansion of Hidalgo. With nearly 600 glyphs, it boasts Pan-European language support (most Latin languages, as well as Cyrillic and Greek), and a few OpenType tricks that gel it all together to make a very useful design tool.

 

Stefan Schlesigner was born in Vienna in 1896. He moved to the Netherlands in 1925, where he worked for Van Houten’s chocolate, Metz department store, printing firm Trio and many other clients. He died in the gas chambers of Auschwitz in 1944. Digital revivals and expansions of two of his other designs, Minuet and Serena, have also been published by Canada Type.

9June2017

Vintage Deco Font Family

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Vintage Deco Font Family

Vintage Deco Font Family

9June2017

Kaligry Font

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Kaligry Font

Kaligry Font 1241785

Kaligry is a unique typeface. This is font would be perfect to combine in your design with arabic or gothic style. The font is great for product logo, clothing brand, prints, invitation, business cards and much more. Kaligry packs a set of uppercase, numbers and punctuation. Hopefully you enjoy the result!

9June2017

Southern Raptor

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Southern Raptor

Southern Raptor 1241690

SOUTHERN RAPTOR is an edgy, supercharged and contemporary brush font with realistic texture and energy plus extra attention to quick strokes and sharp details to guarantee of people attention within a seconds. This font was hand-drawn and has lots of tiny details in every character. You will love seeing this font up close! Perfect for projects brands, logos, product packaging, posters, invitations, greeting cards, news, blogs, everything including personal charm or whatever which need a typographic turbo-boost.

9June2017

Simple

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Simple

Simple  1237698

Simple This "Simple Font" is well suited for various design projects, such as logos, advertising, quotes, packaging design and others.

9June2017

Hand-drawn font Boltt, James Boltt

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Hand-drawn font Boltt, James Boltt

Hand-drawn font Boltt, James Boltt 1286472

Hi guys! In order to provide quicker answers for common question what fonts I'm using in my illustrations I decided to to present them as independent products. I needed a bright bold variable font for my illustration works which is handmade and with plenty of alternative symbols. I couldn't find nothing better than draw it myself. :–) I drew it by hand and named it the Boltt, James Boltt. It's not packed into a font file such as .ttf ��� .otf. I use it by hand typing the words I need in Adobe Illustrator. You can't either install it into a system, or type a brief in MS Word or change the text body just within one click. These are outlines which can be edited only by hand. And I like them. :–)

7June2017

Villa Didot Font Family

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Villa Didot Font Family

Villa Didot Font Family

The Idea behind the Villa Didot Typeface was to create a group of typefaces, that where used on the posters of the club villaWuller. All where handdrawn and now i want to create a complete set. Artill (Lukas Bischoff) launched his christmas calender for the 5th time and i gave him as a present this small typeface. It's not complete and i will release a new version of it next year.

7June2017

Pinkie Pickaxe

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Pinkie Pickaxe

Pinkie Pickaxe 1489091

Pinkie Pickaxe is perfect for projects and pages and posters

7June2017

Montreal

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Montreal

Montreal 1273466

Montreal Script is one of taste of modern and classic touch , Inspiring of various artist of lettering , they make montreal have some alternates in every character to helping you make a perfect design with more possibilities.

7June2017

Clout Display Font

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Clout Display Font

Clout Display Font 1274212

Clout is an all new Slab Serif typeface from Fresh Pressed Fonts! Clout was designed with a sports influence, but is definitely not limited to just that genre. It can be used in all kinds of ways as a strong and bold display font. With two styles, Regular & Outline, it's perfect to either stand out or take a supporting role in your designs. This is an uppercase font with 200+ glyphs and international language support. Thanks for checking it out!

7June2017

Rollason Font

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Rollason Font

Rollason Font 1274098

Introducing Rollason Font Rollason is an elegant, unique and modern typeface. It is very suitable for wedding, invitation, card, table number, header menus, display, logos, address, stamps, packaging, greeting card, etc. Rollason has a full set of lowercase, uppercase, a large range of punctuation, numerals, and multilingual support and has more 350 alternates characters. It included open type features such as Titling Alternates, Swash, Contextual Alternates, Stylistic alternates, Several ligatures, Stylistic sets. The Open Type features can be accessed by using Open Type savy programs such as Adobe Illustrator, Adobe Indesign, CorelDraw, and Adobe Illustrator. This Font also has given PUA unicode (specially coded fonts). you can easily to access the alternate characters.

7June2017

Handwritten grunge fonts trio

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Handwritten grunge fonts trio

Handwritten grunge fonts trio 1274272

Handwritten ink dry brush bold fonts trio. Perfect for grunge projects, greeting cards, typography work and more. You can see all the letters, numbers and symbols in the 4, 5, 6 preview.

7June2017

Noe Text Font Family

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Noe Text Font Family

 Noe Text Font Family

Historically, typefaces are born at smaller sizes, with titling versions coming later on. Noe’s family tells a different tale. Noe Text was conceived several years after its Display companion. This reversed order of operations challenged Schick Toikka to develop a text face that functions in body copy while retaining its parent’s bold personality. With readability as the central goal, Noe Text reigns in Noe Display’s contrast and severity. It adds heft to the hairlines, and blunts the corners just enough to keep the details visible at reduced sizes while maintaining the crisp character of the family overall. Its proportions are broader, too, with counters that are larger and more open, enabling smaller type and longer passages of copy. The result is a rugged face that pairs well Noe Display, as well as it plays on its own. Noe Text is a true multipurpose workhorse for demanding typography, equipping the user with judicious ligatures for optimal readability, case-sensitive punctuation, and figure styles for any situation – including a set to match the height of the accompanying small caps. Among its five weights plus italics, Noe Text has a Book weight that is just slightly heavier than the Regular to accommodate subtle preferences in text color, or to facilitate different printing or screen-rendering conditions. Like Noe Display, Noe Text includes a Latin Extended character set, supporting virtually every language of Western and Central Europe.

7June2017

Monotype Corsiva Font Family

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Monotype Corsiva Font Family

 Monotype Corsiva Font Family

7June2017

Visuelt Font Family

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Visuelt Font Family

 Visuelt Font Family

Originally created as a bespoke face for the 2013 and 2014 identity for Visuelt, Oslo, Norway, Visuelt spawned from a more considered and constrained version of Aperçu. From its initial roots and underlying aesthetic, new details were brought in to remove some of the more distinguishable features of Aperçu to make way for a new tone of voice. In 2014 we revised and revisited the typeface in two additional weights – Light and Black to accompany the pre-existing Regular. The Light took on thin precise curves whereas the Black’s counters were opened and sharp terminal ends chiseled at the ends to provide small technical details to an otherwise brut-ish and heavy face. July 2015 sees the addition of accompanying Italics for all weights.

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