Graphic Downloads

 Bluejeans 1501782

Bluejeans is quite lovely font that you can use in many projects / designs. Please check “great for” section below to find out more.

 Alternate Gothic Font Family

Alternate Gothic was designed by Morris Fuller Benton for American Typefounders Company in 1903. All three weights of Alternate Gothic are bold and narrow. In fact, this face is essentially a condensed version of Benton’s other well-known sans serif types, Franklin Gothic and News Gothic. In the early twentieth century, the modern concept of type “families” had not yet been formed — and though Benton designed these sans serifs to harmonize with each other, the foundry gave them different names. Robust, dark, and coolly competent, Alternate Gothic is a good choice when strong typographic statements must fit into tight spaces. As a modern usage, it is currently the font of YouTube’s homepage logo.

Zeitgeist Font 1371138

ZEITGEIST FONT | A messi hand-brushed It’s playful, casual, and fresh, based on real handwritting. Available in 2 versions, regular & alternative. Both scripts are quite versatile and surely meant to grab attention yet bring positivity and excitement. Mix the characters up for more fascinating result!

 FF Brokenscript Font Family

Dutch type designer Just van Rossum created this blackletter FontFont in 1991. The family contains 2 weights: Bold and Condensed and is ideally suited for advertising and packaging, festive occasions, editorial and publishing, logo, branding and creative industries as well as poster and billboards. FF Brokenscript provides advanced typographical support with features such as ligatures, alternate characters, case-sensitive forms, and stylistic alternates. It comes with proportional oldstyle figures. This FontFont is a member of the FF Brokenscript super family, which also includes FF Brokenscript Rough.

 Diurnal Font Family

Diurnal, is a Sans serif companion to Nocturno typeface, providing superb legibility at all sizes. Diurnal belongs to that group of rare humanist sans serifs designed for long, continuous reading, following the lead of Hans Eduard Meier’s Syntax (1969), or more recently Evert Bloemsma’s Legato (2004). Diurnal’s generous x-height and unapologetically calligraphic rhythm emphasise the sense of horizontality, leading readers’ eyes along for an immersive experience.

 Eleganza Font Family

Eleganza is my most elegant typeface. At least that is what I think! I use it for business cards and everything that has to be elegant with that extra touch.The font comes in pairs for the price of one. The “plus” version being the one with less embellishments.

Darkshine Brush Font. Script. 1243091

Hello everybody! I present to you my new font DARKSHINE! It's hand lettered script font which combines dramatic sweeping lines and a thin brush stroke. This is a great decoration element for your belongings, interior, pillows, shirts, posters, prints, weddings, apparel, packaging, invites, etc. Also you can place these phrases to your photos.

Bakinskay Handmade Font Brush 1236867

Bakinskay - comes is various styles - Regular, Slanted , and Upright - each with it's own unique personality to suit the look you are after. No special software - You do not need a special design program. The font will work in ANY text editor. This font are perfect for wedding postcard. Or you can create perfect and unique design of your logo, blog, stationery, marketing, magazines and more

Sandglow 1243358

Sandglow is a fancy hand lettered script typeface with a clear style, good mood, and dramatic movement. It allows you to create beautiful hand-made typography in an instant. It’s suitable for headlines, logotype, editorial design, branding, letterhead, poster, apparel design, product packaging, label or anything that need handlettering style. Comes with many variations on each character, including uppercase, lowercase, numerals & punctuation, stylistic styles, ligatures, discretionary ligatures, and titling. You will also discover extras swash added to give that finishing touch to your texts.

Obsession Script Fonts 1437322

6 TTF 6 OTF | 611 KB RAR

Obsession has taken me completely in its spell. I could go on forever creating new forms for this script. But I have other fonts to do, so this is as far as my obsession goes for the moment. There are six different cuts, all letters, end-letters and swirls can be mixed.

Libertinas & co. 1274649

Libertinas & co. is a handwritten typeface, with a casual, elegant and sensual style, with many possibilities to compose different titles, flyers, publications or typographic posters for example. In the commercial version, the font has an extra set of capital letters and another one of decorative lowercase for word end, also 3 stylistic set with more alternative letters and many other Open Type functions. Includes the Bitcoin symbol.

Mister Sketchnote Handwritten Font 1243237

MISTER SKETCHNOTE HANDWRITTEN FONT And free bonus - 39 vector sketchnote icons. Mister Sketchnote Font is perfect for custom logotypes, sketches and doodles, personal diary or sketchnote workbook. Tell your own story using Mister Sketchnote. And make it a special with free sketch icons

 Bw James Font Family

Designed by Moritz Kleinsorge, Bw James is a friendly and playful sans serif: The angled stems, branching spurs and ball terminals all contribute to a personable and friendly mood, while the mono-linear body makes the typeface appear fresh and modern. Bw James is a multi-purpose font family boasting eight weights, ranging from Thin to Black with accompanying true italics. This flexibility offers a wide range of design possibilities both for print and on screen. With more than 900 characters per style, Bw James comes equipped with plenty of OpenType features like small caps, ligatures, old-style and lining figures (proportional and tabular), fractions and case-sensitive forms. Moritz started working on Bw James during his university studies back in 2015. The typeface was further developed under the guidance of Pilar Cano from Letterjuice, as part of the Alphabettes mentorship program, then published by Branding with Type.

Eclipse Font 1232754

This is messy and chaotic. A font of disorder. Eclipse! With the use of an old round brush and textile ink, we produced a detailed look of another raging font.

Karma - Semi Bold Serif Font 1244019

a sleek semi-bold serif font. perfect for any project. full commercial license included. Uppercase and lowercase letters + all numerals and punctuation is

included.

 Wavehaus Sans Typeface

Geometric Sans Serif font family with 6 weights including a thin, light, book, semibold, bold and extra bold. Includes uppercase and lowercase characters, numerals and most common other characters.

Alice Blue 1501769

Alice Blue is quite lovely font that you can use in many projects / designs. Please check “great for” section below to find out more.

Ano Font Family

A simple geometric, monoline framework allowed for a stylistic consistency over three variations. Regular - a ‘standard’ alphabet; Upper Lower - where upper case characters are replaced with oversized lower case; Wide - where upper case characters are the width of a square, and lower case the same style half the width of a square. Each style drawn in italic and back-italic versions. The resulting nine variations in six weights made 54 fonts in total. For weights Regular through to Eighth the character weights divide in half. So the Half weight is half that of Regular, Quarter weight is quarter that of Regular and so on. This means for example that when Ano Half is set at twice the size of Ano Regular the weight of line is the same between the different character sizes. This proportion was used whenever typefaces were used in combination, so that headline and standfirst typography always had a consistent weight of line. The different styles and mathematically defined weights allowed for a variety of layout options. For example by using different sizes and mixing up upper and lower case letters in Upper Lower, and by stacking letters into block shaped words in Wide. The two bolder weights were drawn without this mathematical weight increase, as doubling the Regular weight would have filled in its counters and look clumsy. These Bold and Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights. Black weights allowed for a different and separate set of ideas for headline and impact typography and was a good balance against the stick-like constructions of the lighter weights.

Symphonique Script Font

OTF,TTF | 1,5 MB

StoneStory Font 1543681

TTF, OTF, All Files

Flat patterns for 3D letters 1544254

PDF

Cona Typeface

OTF,TTF | 1,5 MB

Google Fonts Posters 2017

OTF,TTF | 1,5 MB

Shnobel Typeface

OTF,TTF | 1,5 MB

Moeza Display Font 1438491

TTF OTF | 113 KB RAR

Gray Skies: handwritten script font 1437257

2 TTF 2 OTF | 320 KB RAR

Introducing Gray Skies, a new connecting script font! It all started with the letter Y -- instead of a loop at the bottom, I drew a kind of zig-zag smiling-mouth shape. That weird loop ended up inspiring a lot of the other characters, and a new script font was born!

Strife - Display Font 1437217

6 TTF 6 OTF | 1.2 MB RAR

Unique bold style custom serif font with 6 styles: regular and grunge, inline and inline grunge & thin & thin grunge

Mountain Goat 1437503

OTF | 15 KB RAR

Bw Gradual Font Family

Bw Gradual brings together the pragmatic feel of the geometric grotesque genre with the visual appeal of its very deep joins. Pure shapes and fast curves coexist on this versatile font family that claims for attention when used large, but also delivers a very confortable reading experience when used as body copy, thanks to the deep joins acting as ink traps. Designed by Alberto Romanos, Bw Gradual is available in 7 weights from the delicate Thin to the robust Black with accompanying oblique italics. It supports all European Latin languages and it includes OpenType features like ligatures, old style figures or case sensitive forms among others.

Jazzling Script & Sans - Font Duo 1519658

Jazzling is a script font, originally made with a brush pen, then digitized. It comes in both slanted and upright versions. I've also included a complimentary sans serif font, in regular and demibold weights. The Jazzling Duo has a vintage yet modern calligraphy feel to it. Its casual, friendly elegance is perfect for branding, logo design, packaging, merchandise, t-shirt, quotes, social media, editorial and much more! Jazzling Script, both slanted and upright, comes packed with opentype features like ligatures and stylistic alternates. Browse through the preview images to see some design examples. Multilingual support covers the following languages: Afrikaans, Basque, Breton, Danish, Dutch, English, Faroese, Finnish, French, Gaelic, German, Icelandic, Indonesian, Irish, Italian, Javanese (Latin), Malay (Latin), Norwegian, Portuguese, Sami (Southern), Spanish, Swahili, Swedish and Walloon.

Vanilatte Font Duo 1253600

Introducing, Vanilatte Font Duo, unique monoline script typeface with two styles of monoline. This font is comes in uppercase, lowercase, punctuations, symbols & numerals, stylistic set alternate, ligatures, etc. We also included the sans font as complementary, and also 15 bonus ready made logo templates with food theme!

Azalea Script 1480723

OTF WOFF | 206 KB RAR

Hi...Please welcome my latest font...Azalea Script. I create this font with my soul to share the feeling of relax, soothe, cozy, love and much of happiness :)

 Pentagraf Font Family

The five-pointed star gave vertical proportions to this typeface. The cap-height, x-height, ascenders and angles of all important diagonals have been taken from the pentagram. Other elements and details are geometrically constructed, too. This typeface is especially suited for any kind of hermetic and occult literature and poetry, where symbols play an important role. Its appearance is surprisingly clean and neutral enough to be comfortable for long reading, naturally of any kind of text. Pentagraf is already proven as a workhorse in art catalogues, where its humble letterforms don't disturb art reproductions.

 Libcziowes Font

The spectacular Libceves gravestone dating from 1591 is completely – from top to bottom, from one side to the other – covered with lettering. It attests to the fact that in Bohemia, thirty years after Garamond's death, inscriptions were cut in popular type faces which were quite different from the Renaissance Roman type face. I was interested in the type face and I tried to digitalize it, expecting similarly poor results as if I had tried to cut a computer font. In spite of the fact that I did not succeed in capturing the vivacity of the model, an interesting display type face arose which, hopefully, may distract and please its users.