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Azra Typeface 773435
2 TTF 2 OTF | 173 KB RAR
Azra Typeface is a rough handbrush includes two font family that could be used in a variety of designs such as Logos, Greeting Cards, Stationery Design, Invitations, T-shirts, Apparel, Packaging designs, Posters, Typographic Design, and many more.
Azra is a hand-made paint brush font with bags of personality. It comes with a large range of characters including capitals, lower-case, numerals, punctuation, currency and accents.
Kania Script 761403
TTF OTF | 489 KB RAR
Give your designs an authentic brush handcrafted feel. "Kania Script" is perfectly suited to stationery, logos and much more with long swashes.
Cantique Typeface 773211
TTF OTF | 330 KB RAR
Cantique is bold, playful, modern, and multi-purpose typeface that combines brush lettering with natural handwriting. It is suitable for logo, packaging, headline, poster, t-shirt, etc.
come with 256 glyphs. The alternatives characters, you can mix and match Cantique to fit your design. The alternative characters divided into several OpenType features such as Ligature, stylistic alternates, stylistic sets, and swash. It can be accessed by using OpenType savy program such as Adobe Illustrator and Adobe InDesign.
Palatino Nova W1G Font Family
OTF | 4 Fonts | + JPG Preview
Alcala Font Family
This font is based on the study of the document titled “Biblia poliglota complutense” aka "Bible polyglotte d'Alcala". It was the first edition of a complete polyglot Bible as well as the first printed version of New Testament in Greek, of the Septante and Targoum Onkelos. Conceived between 1502 and 1517, she was thought, financed and largely supervised by the cardinal Francisco Jiménez de Cisneros. The first drawings were carried out in 1995 and begun again in 2011 for the publication by a publishing house of a complete Bible based on the revised translation of J. NR. Darby, in French and Malgache.
TTF | 3 Fonts | + JPG Preview
Maestro Font Family
Out of a lifelong inner struggle, Philip Bouwsma unleashes a masterpiece that reconciles classic calligraphy with type in a way never before attempted. Maestro takes its cue from the Italian chancery cursive of the early sixteenth century. By this time type ruled the publishing world, but official court documents were still presented in calligraphy, in a new formal style of the high Renaissance that was integrated with Roman letters and matched the refined order of type. The copybooks of Arrighi and others, printed from engraved wood blocks, spread the Italian cancellaresca across Europe, but the medium was too clumsy and the size too small to show what was really happening in the stroke. Arrighi and others also made metal fonts that pushed type in the direction of calligraphy, but again the medium did not support the superb artistry of these masters or sustain the vitality in their work. As the elegant sensitive moving stroke of the broad pen was reduced to a static outline, the human quality, the variety and the excitement of a living act were lost. Because the high level of skill could not be reproduced, the broad pen was largely replaced by the pointed tool. The modern italic handwriting revival is based on a simplified model and does not approach the level of this formal calligraphy with its relationship to the Roman forms. Maestro is the font that Arrighi and his colleagues would have made if they had had digital technology. Like the calligraphic system of the papal chancery on which it is modelled, it was not drawn as a single finished alphabet, but evolved from a confluence of script and Roman; the script is formalized by the Roman to stand proudly in a world of type. Maestro came together on screen over the course of several years, through many versions ranging widely in style, formality, width, slant, weight and other parameters. On one end of the spectrum, looking back to tradition it embodies the formal harmony of the Roman capitals and the minuscule which became the lower case. On the other it is a flowing script letter drawing on the spirit of later pointed pen and engravers scripts. As its original designers intended, it works with simple Roman capitals and serifs or swash capitals and baroque flourishes. The broad pen supplies weight and substance to the stroke which carries energy through tension in balanced s-curves. Above all it is meant to convey the life and motion of formal calligraphy as a worthy counterbalance to the stolid gravity of metal type. The Maestro family consists of forty fonts distributed over two weights. The OpenType version compresses the family considerably down to two fonts, regular and bold, each containing the entire character set of twenty fonts, for a total of more than 3350 characters per font. These include a wide variety of stylistic alternates, ligatures, beginning and ending letters, flourishes, borders, rules, and other extras. The Pro version also includes extended linguistic support for Latin-based scripts (Western, Central and Eastern European, Baltic, Turkish, Welsh/Celtic, Maltese) as well as Greek.
Triface Font Family
Triface, a monospaced font, is based on a strict geometric concept that also reflects the history of writing at a significant developmental stage, the so-called uncial. Not a true minuscule form, only certain letters show the beginning of ascenders and descenders. The underlying grid evokes surprising design possibilities. By filling in the outline stems, Triface Fill heightens the three-dimensional effect, easily distinguished from busy backgrounds.
TTF | 2 Fonts | + JPG Preview
Neonoir Font Family
Neonoir is an homage to neon lettering craftsmanship of the mid 20th century. The beautiful futuristic grace of wall-sized bent-glass hand-writing is distilled into a three-weight connected script that’s on the button for headlines, logotype and branding designs. Its Slim and Bold weights are formal monoline scripts, while the medium weight mimics the rough edges of ink on paper. Neonoir is available as an Open Type font that features alternate endings and lots of ligatures.
OTF | 3 Fonts | + JPG Preview
Font Bundle Vintage 699789
This bundle is a once off opportunity to get a huge amount of best selling products and will only be available for a limited time, so hurry - don't miss out! Normally $172 - now only $8!! This pack includes 12 Premium Fonts. Hundreds of bonus glyphs including Ligature, Contextual alternates, stylistic alternates, stylistic sets, and swash. It can be accessed by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign. The Manual that show you how to use OpenType feature was included in the package.
OTF, TTF | 157.14 KB
Wonderland Script + Vector Set 786533
2 EPS OTF | 6.05 KB RAR
Straight out of the Rabbit Hole, Wonderland Script features smart glyphs that adjust as you type. It comes with full vector set of Alice in Wonderland characters and 2 very dotty patterns. Access to glyphs panel useful, but not necessary.
Wonderland Script includes international characters and alternates. Depending on whether they are at the beginning, middle or end of a word, some glyphs are replaced with their alternates as you type, so you don't have to search for suitable replacement. Access to a glyphs panel enables you to choose the style of some characters, but with such a clever typeface it isn't necessary :)
Rumble 4 Font Family 786945
7 TTF 4 OTF 4 WOFF | 578 KB RAR
Rumble 4 Font Family a new fresh & modern script with a handmade calligraphy style, decorative characters and a dancing baseline! So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!!
Rumble 4 Font Family come with 515 glyphs. The alternative characters were divided into several Open Type features such as Swash, Stylistic Sets, Stylistic Alternates, Contextual Alternates, and Ligature. The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.
Anchor Font Family
Designed for maneuvering in especially cramped quarters, Anchor is a four-weight family of round display gothics. As with many of our typefaces, Anchor’s life began as the solution to a typographic dead end: what if the narrowest style of a typeface isn’t narrow enough? That was the case when we redesigned our website and realized 48 pixels was a mighty narrow space for words like ‘download’ and ‘specimen’ to remain reasonably legible. Being type designers, we immediately ditched the CSS for BCPs and had the beginnings of a narrow display font. Initially just a single weight, Anchor is now a family of fonts ranging from Medium to Black. The plump Bold and Black weights easily lend themselves to swagger and exaggeration while the Medium and Semibold remain economic and capable of straightforward display work. We refer to them as ‘display gothics’ primarily in homage to the influence of the 19th and early 20th century types that provided the roadmap for this series.
OTF | 4 Fonts | + JPG Preview
Earth Doomsday Font Family
OTF | 3 Fonts | + JPG Preview
Escafina Font Family
Escafina is an upright script in 3 styles, drawing from decades of inspirational lettering. Escafina is great for logotypes, headlines, posters and other uses.
OTF | 3 Fonts | + JPG Preview
Asterisk Sans Pro Font Family
| 16 x TTF | Turkish Support
Asterisk Sans Pro (named after my favourite glyph to make) aims to be a highly versatile type family; massively useful due to its pan-European language support and bounty of OpenType features which make it the ideal choice for demanding typography. The look is contemporary; details which give the fonts character at large sizes all but disappear when small, making the middle weights suitable for large chunks of text. The family ranges from a hairline ultra light to a pretty weighty black – a must in a new typeface.Asterisk Sans Pro supports Latin, modern Greek and Cyrillic, with localized forms for Bulgarian, Serbian and Macedonian to boot. This is rare enough, but to have small caps for all these scripts in both upright and italic fonts is a big plus. Your client may not need all this language support right now, but this typeface gives them the option to grow while keeping a consistent look, and at a similar price point to families with a much narrower scope.Other OpenType features include a wealth of numeral styles (tabular and proportional, lining and oldstyle, plus small cap figures, numerators, denominators, subscript and superscript) and automatic fractions. There are also case-sensitive forms for all caps settings, a bunch of useful arrows, and superscript lower case Latin letters. All in, there are well over 1200 glyphs per font, making Asterisk Sans Pro an invaluable tool in your typeface arsenal, great for everything from corporate identities to editorial work, apps to cookbooks.
Seravek Font Family
Clear functionality, near invisibility and a tone whose presence is felt most once-removed – this is the essence of Seravek. Fonts of loud volume and expressive detail have a rightful place – we’ve made many ourselves – but fonts of near silence are equally intriguing and consequently very useful for complex texts. Building from this, Seravek is tailored to the demanding needs of information, editorial, and identity design where the twin forces of richness and clarity must co-exist. The resulting letters are unobtrusive, refined and imbued with a sense of forward modernity – essential for a diverse range of work in today’s environment.
OTF | 10 Fonts | + JPG Preview
GT Sectra Font Family
GT Sectra is a contemporary serif typeface combining the calligraphy of the broad nib pen with the sharpness of the scalpel knive. It was originally designed for use in the long-form journalism magazine “Reportagen” and now expanded to its three subfamilies: GT Sectra, GT Sectra Fine, and GT Sectra Display.
OTF, WOFF | 30 Fonts | + JPG Preview
Repackage Script 78082
TTF OTF | 80 KB RAR
Introducing by Mercurial Repackage Script, a new fresh & modern script with a handmade calligraphy style. a charming typeface and So beautiful on invitation like greeting cards, branding materials, business cards, quotes, posters, and more!
The Open Type features can be accessed by using Open Type savvy programs such as Adobe Illustrator, Adobe InDesign, Adobe Photoshop Corel Draw X version, And Microsoft Word. And this Font has given PUA unicode (specially coded fonts). so that all the alternate characters can easily be accessed in full by a craftsman or designer.
Sekut Typeface 779634
TTF OTF | 57 KB RAR
Introducing Sekut Typeface handmade font can make your design more stunning and more Awesome, Sekut Typeface is perfect for making design: posters, a variety of quotes, header, logo design, blog headers, all kinds of covers, T-shirts, mugs, etc.
Graphico Font Family
| 6 x OTF | Turkish Support
Graphico is an extended display sans serif family. Its letterforms are industrial and square-sided. The typeface looks like the product of precision mechanics: it should be featured together with tech – either old tech like appliances or watches, or new tech like apps and laptop stands. As a font family, Graphico includes six styles that range in weight from light to black. The black is really nice and chunky, and can easily be used as a stand-alone design.
Herbert Lemuel 702376
Add a vintage style to your design project with Herbert Lemuel font family. There are 6 different vintage styles that you can mix match, just to have a fun, old school look. You can use the fonts to create wedding cards and invites, greeting card title, signature for design work, logo and return address and so forth, you decide!
TTF,OTF | 459 KB
Fresh Pressed Fonts Bundle 698794
Introducing the Fresh Pressed Fonts Bundle! In this bundle you will find all 14 fonts from the Fresh Pressed Fonts library. Each one comes with all weights and styles that you would find when purchasing the fonts. This bundle is coming in at 75% OFF! Fonts Included: • Sourdough • Mylodon • Animus • Octomorf • Hickory • Brassie • Grip2X • Landscaper • Parliament • Cracker Jack • Privateer • Calvaux • Fairtrade • Seaside
OTF,ZIP | 450 KB
Academy Font Family
Academy was designed circa 1910 at the Berthold type foundry (St.-Petersburg). It was based on Sorbonne (H. Berthold, Berlin, 1905), which represented the American Type Founders rework Cheltenham of 1896 (designers Bertram G. Goodhue, Morris F. Benton) and Russian typefaces of the mid-18th century. A low-contrast text typeface with historical flavor. The modern digital version was designed at Poligrafmash type design bureau in 1989 by Lyubov Kuznetsova. Corrections and additions were done later in ParaType in early 2000th. Reworked version with Bold Italic style was released in 2009.
TTF | 3 Fonts | + JPG Preview
Rough Diamond 341053
It's characteristic lustre pearled out and hidden by cuts nobody made. A Rough Diamond drawn whole from the earth by pain hardened hands, a surprising bit of pressure hardened carbon.
Gumption - handwritten font 759137
TTF OTF | 68 KB RAR
Gumption was hand-crafted with paper and pen, then extensively cleaned up to have smooth curves and lines, while maintaining the flair of brush script handwriting.
Asmila Script 763297
TTF OTF | 108 KB RAR
Asmila Script is a font that has a modern rhythmic base is varied, delicious views and elegant touch. Can be used for various purposes. such as title, signature, logo, wedding invitations, t-shirts, letterhead, signage, labels, newsletters, posters, badges etc.
Asmila Script features a 400+ glyphs to 140 characters alternatives. including initial and terminal letters, alternates, ligatures, and multiple language support.
Wildbelle Font 748535
OTF | 46 KB RAR
Wildbelle Font is a meeting of mother nature and a jar of japanese ink. This new brush script contains 138 characters with language support.
Camp Kids Font
OTF,TTF | 150 KB
Chill Script Font
OTF | 70 KB
Zilap Natural Font
5 TTF | 368 KB RAR
Meadowbrook Font
TTF | 152 KB RAR
Westchester Font
2 OTF | 284 KB RAR
Boba Font
TTF OTF | 130 KB RAR
Bunya Font
5 TTF | 1.41 MB RAR
Baron Neue Typefamily
6 OTF | 1.77 MB RAR