Graphic Downloads

Kwokwi Font
Kwokwi is a drop-shadow pub font, loosely based on Mikadan’s letterforms.

OTF | 1 Font | + JPG Preview

Black Future Font Family $37
| 1 x TTF and OTF
Black Future typeface is a new calligraphy script font combined with street art calligraphy and blackletter, that results in a wide range of calligraphy brush to achieve a typeface with sharp edges that looks brave. Contains almost 480 glyphs with opentype features. Stylistic alternates, swash and more. Can be used for various purposes.

Deadpool Movie Font
OTF | 432 KB RAR

Hammerhead Font

OTF | 69 KB RAR

Pricedown Black Font

TTF | 429 KB RAR

BlackRock typeface

OTF | 86 KB RAR

Acute Font

OTF | 1.15 MB RAR

Allison – Handwritten Typeface

OTF | 1.32 MB RAR

Audrey Font

6 OTF | 558 KB RAR

Cerbon Typeface Indonesian Heritage

TTF | 2.82 MB RAR

Moody Spaghetty Font

TTF | 3.77 MB RAR

Long Shot font

TTF | 339 KB RAR

Mi Teiyng Script Font

TTF | 1.61 MB RAR

Kicker Font

2 OTF | 309 KB RAR

Nantucket Typeface

TTF | 272 KB RAR

FF Danubia Script Font
Austrian type designer Viktor Solt-Bittner created this script FontFont in 2002. The font is ideally suited for advertising and packaging, festive occasions, film and tv as well as logo, branding and creative industries. FF Danubia Script provides advanced typographical support with features such as ligatures and alternate characters. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths.

TTF | 1 Font | JPG Preview | 1 Mb RAR

Pusia Font 20 Fonts
OTF
Pusia is a versatile font family with a lot of character and warmth. It is a professional, contemporary sans serif with original letter forms, friendly and dynamic feel. Its subtle curved shapes and attention to details give Pusia a very distinctive look. Its proportions and optimized kerning make it a very clean and legible in all sizes.
Pusia is a great choice for all kinds of design work, both print and on-screen. It is perfect for display use in headlines, advertising, logo design and branding as well as long and short paragraphs of text.
Pusia consists of 20 fonts - 10 weights and their corresponding italics. It has extended language support including cyrillic and true italics, as well as broad number of OpenType features, such as small caps, case sensitive forms, ligatures, stylistic alternates, contextual alternates, lining, oldstyle, tabular, small cap and circled figures, slashed zero, fractions, superscript and subscript, ordinals, currencies and symbols.

Reardon AOE Font
OTF
Disco lives on in the alphabet stylings of Reardon AOE
From its uber-fat letterforms to its hole punched counters, Reardon AOE started as a digitization of a film typeface called Joyce Black by LetterGraphics. This flashback typestyle was taken from its limited A-Z and numerals set and fleshed out to include an expanded language glyph set.
Reardon AOE finds itself thrown into a late 70’s-early 80’s flashback frame of mind, appealing to all of the disco and video game typography of that time, ready to throw down the vibe for your designs

Rondana Font Family
Rondana is a rounded character family in the style of VAG Round.

OTF | 4 Fonts | + JPG Preview

Pleuf Pro Family 8 Fonts
OTF
Friendly, warm and quirky, yet with a certain elegance, Pleuf Pro is a hand-drawn rounded serif family with extensive language support and a bunch of OpenType features.
Great for projects which need a handcrafted, homemade, friendly, warm, personal vibe; it’s individualistic without being overly eccentric, and quirky without being illegible. The clean, delicate lines of the lighter weights convey a graceful elegance without losing warmth.
Ideal uses would include bar and café menus, greetings cards, food and drink packaging, and anything aimed at kids.

Bobo Font $50
| 1 x OTF
Bobo is a great hipster sans. It is caps-only, but it contains a lot of variety. Don’t miss its Stylistic Set feature, which contains a completely new set of capital letters, their accented variants, and an even more dynamic range of numerals (0–9). Some of Bobo’s letterforms have strokes that have been doubled; others are missing typical elements. Repetition is a key feature of the design. Some are unicase-looking, while others are compressed. Other letterforms are mirrored. Bobo even included several “jewelled” letterforms, with circles in their centers – reminiscent of medieval illuminated manuscript lettering and 18th-century ornamented typefaces.

3D Fox Furry Letters Pack 618630
36 PNG PSD | 908 MB RAR
High resolution letters and numbers to make your words more cute! You can use this letters to create your own furry messages. These hi-quality 3D alphabet letters are perfect for spelling out your words, slogans, phrases, short text and headlines.
You can put letters on a background of any color and repaint the letters in different colors. All elements of the same size. You can easily make from these letters text.

RNS Sanz 602975
RNS Sanz is a rational, neutral and aseptic typeface, with generous spacing and open counterforms. Designed for use in signage systems and headlines. RNS Sanz has a neutral legible look to achieve an aseptic style and to cover a wide number of design styles. The family contains 14 fonts in 2 styles with 7 weights each, going from light to Black. It includes a set of arrows adapted to the weight and a useful set of figures for use in specific cases of design.
OTF | 209 KB

Marthina Script - Two Style 612750

3 OTF TTF 12 EPS 9 Ai 6 PNG 6 PSD | 49 MB RAR

Eskapade Font Family
The Eskapade family is the result of research confronting Roman and German blackletter forms, mainly fraktur letters. The idea is to adapt these broken forms for a contemporary use instead of creating a faithful revival of a historical typeface. On one hand, Eskapade is conceived for continuous text in books and magazines with a good legibility in smaller sizes, and on the other hand Eskapade – especially the Fraktur – directs the readers attention in headlines with its mixture of round and straight forms, like in ‘e’, ‘g’ and ‘o’. It can also be used for visual identities, logotypes and packaging. Eskapade Roman adapts a humanist structure, but keeps it more condensed than other old-style serifs. The reason behind this stems from the idea to resemble closer the Fraktur style and to create a balanced harmony in mixed text-settings. Legibility is enhanced by a rather low contrast between thick and thin strokes and tall x-height. With its smooth design Eskapade offers an airy and light typographic colour. Eskapade italic is based on the Cancellaresca script and shows some particularities in its condensed and round forms. Its structure provided the base for Eskapade Frakur italic. Eskapade Fraktur is more contrasted and slightly bolder than the usual darkness of a regular weight. The innovative Eskapade Fraktur italic, equally based on the Cancellaresca script, is secondarily influenced, especially the capital letters, by the Sütterlin forms. A unique script practiced in Germany in the short period between 1915 and 1941. Although there are many typefaces in the fraktur style available, only a few of them include true italic forms. Those are more slanted uprights though, rather than proper italics. This motivated and made extensive experimentation with the italic shapes possible and resulted in some unusual and interesting solutions. In addition to standard capitals, Eskapade Fraktur regular and italic offer a second set of more decorative capitals with double-stroke lines for amplifying experimental use and creative application.

OTF | 4 Fonts | JPG Preview | 1 Mb RAR

Luminance Font Family $89
 | 5 x TTF
As a result of fascination for East European type design, MRF couldn’t resist to make a unique interpretation of a typeface named Pracht. Originally made by the Czech type designer Carl Pracht in 1941–43. Having a rather calligraphic style both in regular and italic, MRF preferred it to be more straightforward and modern-looking. The italic version was executed with traditional italic letters (a, f, g, k, v, w and y). The numerals were made in a classic manner as old-style figures. Can be treated as both a text and display font.

FF Dagny Font Family
Swedish type designers Örjan Nordling and Göran Söderström created this sans FontFont in 2009. The family has 12 weights, ranging from Thin to Black (including italics) and is ideally suited for editorial and publishing, logo, branding and creative industries, poster and billboards, software and gaming as well as web and screen design. FF Dagny provides advanced typographical support with features such as small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with proportional lining, tabular oldstyle, and tabular lining figures. In 2011, FF Dagny received the ISTD award.

OTF | 12 Fonts | + JPG Preview

FF Clifford Font Family
Japanese type designer Akira Kobayashi created this serif FontFont in 1999. The family has 6 weights, (including italics) and is ideally suited for book text, editorial and publishing as well as small text. FF Clifford provides advanced typographical support with features such as ligatures, small capitals, case-sensitive forms, fractions, super- and subscript characters, and stylistic alternates. It comes with a complete range of figure set options – oldstyle and lining figures, each in tabular and proportional widths. FF Clifford received several awards: the U&lc Type Design NY award in 1998 and the TDC2 award in 2000.

OTF | 25 Fonts | + JPG Preview