User Panel
Kurilian Font
A very unusual type based on wooden type designs of the 19th century, lacking lower case which may not have been designed for this font.
TTF | 1 Font | JPG Preview | 1 Mb RAR
Square Peg Font
This happy font is great for scrapping and casual situations.
TTF | 1 Font | JPG Preview | 1 Mb RAR
RoadRage Font
TTF | 1 Font | JPG Preview | 1 Mb RAR
Ruthie Font
TTF | 1 Font | JPG Preview | 1 Mb RAR
Afternoon Edition JNL Font
Afternoon Edition JNL is another classic typeface (with Caslon influence) re-drawn from screen captures of vintage newspaper headlines.
TTF | 1 Font | JPG Preview | 1 Mb RAR
Contribute Font
The Contribute font is one that takes you back to the days of the fountain pen. To those who are old enough to remember, fountain pens were tiresome to fill and use – but also a pleasure to own, something to cherish that became so much a part of your daily life, a symbol of etiquette and sometimes even a style statement! Our Contribute fonts will definitely remind you of that, and everything else to do with a touch of vintage class. This 30s-like font is sure to become one of your favorite cursive fonts, be it for use on a poster or a web page. This font is ideal for those situations where you need your viewer to connect on a more personal level than formal.
TTF | 1 Font | JPG Preview | 1 Mb RAR
Calligri Font
Someday, as computers become the new medium for writing, the art of cursive handwriting will slowly become a lost art. Calligri seeks to preserve this endangered style with tastefully drawn letters that connect with each other in classical artistry. Calligri includes a full character set (UPPER and lower case), all punctuation, all special characters, Euro symbol, and all Latin Extended-A characters, making this font a perfect match for any project including personal messages or notes, holiday cards and newsletters, and wedding invitations and announcements.
OTF | 16 Fonts | JPG Preview | 1 Mb RAR
I'm Fashionista! Font
We’re delighted to bring you ‘I’m Fashionista,’ which simply oozes trendiness, style, glamour, and of course high fashion! This is a font that sings out ‘elite’ in the design sense of the word. Its sophisticated sensibility sets it apart from any other font you may have used. If you’ve ever needed to create your own fonts to use on a fashion flyer, you can already appreciate the value of having ready-to-use fonts such as ‘I’m Fashionsita’ in your bag of tricks! Anything to do with fashion and glamour needs to have that touch of delicacy, charm, beauty, and exclusivity to it, and we find the ‘I’m Fashionsita’ a perfect fit for such jobs. ‘I’m Fashionista’ is a must-have for any designer, especially those working with modern and upmarket designs.
TTF | 1 Font | JPG Preview | 1 Mb RAR
Marmellata Jar 02 Font
So you just designed a night club brochure, and now need to change gears to help you make a design that oozes with love and togetherness? Let our Marmellata fonts help you get into the mood! A part of our Marmellata package and also available individually, the Jar 02 is something to be tried to be believed. This font takes you to that special place in your heart, reserved for your most cherished memories... It is great because of its simplicity, very much like all things from childhood! Don’t get us wrong though, this is not just a ‘childish’ font. While it would work great for children’s designs, we believe it would also be very fitting in designs that call for a touch of nostalgia, love, comfort, well-being and happiness. And yes, we agree that all children remind us of all of the above!
OTF | 1 Font | JPG Preview | 1 Mb RAR
Marmellata Jar 01 Font
When you think of marmalade or jam (that’s Marmellata in Italian), images of a happy breakfast table are conjured up into the mind, with of course the unforgettable emotive response accompanied. These emotions are exactly what our Marmellata fonts can conjure up for your designs as well (we agree, nothing can beat marmalade on a hot toast)! Our Jar 1 is ideal for all designs where you need to send across a feeling of care, childhood, comfort, motherhood or friendship...amongst all those ideas you will get on your own! With that classic breakfast table feel, you are sure to connect on a very comforting level with all those who view your designs using these fonts. May we suggest, these fonts go very well with unusually dull colours, and can add a spark of life to the most mundane of words! Try getting a taste of our Jar 2 if you want even more of the classic taste (sorry, touch!).
OTF | 1 Font | JPG Preview | 1 Mb RAR
Casino Hand Font
TTF | 1 Font | JPG Preview | 1 Mb RAR
1968 GLC Graffiti Font
This font was inspired by the paint brushed letters in use in the 60 - 70s for protest slogans tagged on the cities walls. In those days, we didn't commonly use aerosols like today, so we used paint brushes, with paint or tar cans, drew the letters, and ran away quickly! Capitals and lower case have the same size, and a lot of alternates characters or ligatures allows the user to vary each letter (until tree alternates for single letters) in each word of a text . Likewise, the words may be easily underscored or intersected by a few stains looking like paint spots, substituted to the following standards characters: [greater], [less], [dagger], [backslash], [bullet], and [underscore].
TTF | 1 Font | JPG Preview | 1.3 Mb RAR
Eplica Font Family
Austrian designer Yvonne Diedrich created Eplica as a comprehensive series comprising three roman weights and one italic, all of which have an abundance of ligatured characters. All weights includes Small Caps fonts with additional old style numerals and ornaments, and the complete family provides an excellent tool for the most demanding of typographic requirements. Such has been the success of the Eplica series that Letraset have now added Medium and Bold Italic weights to the family. The style of Eplica has been influenced by the particular historical periods of serif typefaces. This is no more apparent than within its bilateral serif construction, in which one side reflects Old Face style and the other Modern Face style. The overall appearance, in which the letters have a strong vertical stress and pronounced contrast between lineweights, serves to evoke a clean cut style that is definitely 21st century. Yvonne Diedrich has used her extensive knowledge of all forms of roman typeface styles in order to fulfil her objective for Eplica which, in her words, “attempts to form a versatile symbiosis of classical elegance and high legibility with a contemporary calligraphic approach”.
OTF | 9 Fonts | JPG Preview | 1 Mb RAR
Haussmann Font
Haussmann is a geometric typography by La Goupil Paris. It’s an Art Deco font rehabilitated with contemporary layouts. Merci beaucoup!
TTF | 1 Font | JPG Preview | 1 Mb RAR
Expreso Font Family
EXPRESO was inspired by the extinct art and craft of urban Lettering applied to buses and other kind of cars for public service of transportation. Since the mid of last century, main cities of Colombia - as Bogotá, Medellín and others - were growing in population and brought urban area expansion with it and serious traffic problems due to the lack of political will and urban planning. The problem of urban transport in Colombia’s largest cities has not yet been resolved, despite adopting some examples of mass transit system in other cities in the region. Before these actions, public transport in cities such as Bogotá was quite varied, leaving space for popular culture that survived for a couple of decades, until the massive dieback of these old buses early this decade, either by practices associated with Lettering it was displaced by some technological, some expressions of art street and city that evolved or disappeared. EXPRESO can be used mainly in titles and display texts. You have a multitude of options using combination of layers from the basics of the font family to the various textures and shades. Supports East Europe languages.
TTF | 23 Fonts | JPG Preview | 11.9 Mb RAR
CreativeMarket Sirugino Font 492353
OTF | TTF
Finally! Introducing "Sirugino" Typeface, the another combination of gothic and black-letter style. feel the gothic with that simple metrics adjustments and utilize your design with this one. recommended for your sticker, key-chain, patches or another cutting stuffs also looks good for your display, title, headline, subheadline, in your artworks. Available in regular (clean) and ornate style!
CreativeMarket Food Craft Font 493160
OTF | TTF
Made for Titles, Logos, Restaurants, Bars, Cafe etc.
Globa Font Family
Globa is a low contrast round typeface that resembles American ‘Sign Painting’. The upper portion of the characters is bigger than the lower one, what gives the font a more playful and friendly personality. Another remarkable feature is its hooked terminals in characterssuch as C, G or S, heightening the differences between similar characters.The Globa Family is composed of 9 different weights ranging from Thin to Extra Black plus a full set of Dingbats. Globa was designed by Pedro González, under the supervision of the Latinotype Team.
OTF | 9 Fonts | JPG Preview | 1.4 Mb RAR
Ywft Cam Font Family $80
| 8 x TTF
It ain’t good for some fonts to live too long, pilgrim. That’s why YWFT Cam was designed, as a fresh and unique wood-type typeface option for designers. YWFT Cam is a uni-case typeface design but also uses the lowercase to offer alternate design options for your project. The overall style contains a woodblock feel but can be used in more elegant and fashionable projects as well. YWFT Cam was converted to opentype format in 2010.
TT Firs Font Family
OTF | 18 Fonts | JPG Preview | 7.8 Mb RAR
Austin Hairline Font Family $75
| 2 x TTF | Turkish Support
Originally designed for British style magazine Harper’s & Queen, Austin is a loose revival of the typefaces of Richard Austin of the late 18th century for the publisher John Bell. Working as a trade engraver Austin cut the first British modern and later the iconoclastic Scotch Roman. Available in a single weight that perfectly balances the thick and thin, Austin Hairline pushes the high contrast of the original to new extremes. Drawn by Berton Hasebe for Alex Grossman at WSJ, the weekend fashion and lifestyle magazine of the Wall Street Journal Austin Hairline is intended strictly for use at 100pt and above.
Angelova Script
WOFF OTF TTF | 402 KB RAR
Angelova Script is a new modern calligraphy Typeface Fonts collection from Ianmikraz studio, combines from copperplate to contemporary typeface, classic, beauty and elegant touch.
Ministry Font Family $394
| 14 x TTF | Turkish Support
Scrapbooker Font Family
TTF | 6 Fonts | JPG Preview | 57 Mb RAR
Bemis Font Family $30
| 1 x TTF
I accidentally fell in love with type design, and more specifically, the inscription on the historic Bemis building in Seattle. A high waist and great contrast are characteristics of this classic caps lettering that inspired my debut typeface, with additions of 3/4 caps and ornaments to boot.
Austin Text Font Family $325
| 10 x TTF | Turkish Support
Although Austin was first designed for the expressive display typography of a fashion magazine, Paul Barnes had long wanted to augment the display face with a text version that would be more faithful to the original types cut by Richard Austin in the late 18th century for the printer John Bell, that had inspired the family in the first place. The result is a highly personable text face firmly in the English tradition. While Austin has a slightly narrow proportion, Austin Text matches the comfortable proportions of Austin’s text faces, and the elegance of his italics. The italics have the same set of swashes as the display, and the romans feature small capitals.
Publico Headline Font Family $300
| 12 x TTF | Turkish Support
Structurally, Publico takes many cues from contemporary type design, with its narrow proportion, consistent character widths, square, sturdy skeleton, and a pleasant openness. The balanced interplay between sharp serifs and soft ball terminals and lack of fussy details gives the face a clean, contemporary look and a quiet elegance, and the wide range of weights makes Publico Headline well-suited to any kind of publication design.
112 Hours Only Numbers Font Family $490
| 119 x TTF
Rian Hughes’ 15th collection of fonts, “112 Hours”, is entirely dedicated to numberCulled from a myriad of sources – clock faces, tickets, watches house numbers – it is an eclectic and wide-ranging set.Each font contains only numerals and related punctuation – no letters
Allioideae Font Family $100
| 4 x OTF | Turkish Support
This fine lined display type face was named Allioideae because of the ascenders of the lower cases. They are rising upright with a single stroke and are ending - depending on the font style - into a spherical blossom. The name was chosen concerned to the plant allium, that forms an umbel at the top of a leafless stalk, when it is blooming. Allioideae is the name of a subfamily of monocot flowering plants in the family Amaryllidaceae. The name is derived from the generic name of the type genus, Allium. The wide and round capital letters are showing a nice contrast to the lower cases and giving the font a kind of female feeling. That provides a functional and lovely use in headlines for all beauty and cosmetics issues.The typeface appears in 4 different styles. a plain style – Allioideae, a stencil style - Allioideae Stencil, a (dotted) style for both - Allioideae Dot and Allioideae Stencil Dot. It supports multi language as it covers all the latin diacritics and a cyrillic character set. Lots of numbers as monospaced, lining figuers, old styles, sub- and superscript and many fractions in two different styles are giving a nice finish to that font. Also some matching ornaments are included
Marvaloha Font Family
Marvaloha is based on the handwriting of an Advertising creative director. The casual but powerful strokes he uses for sketching are also visible in his writing. The Marvaloha font family consists of the original Marvaloha Regular and a Bold version. Both have matching Italics. All four styles have double letter ligatures and a set of symbols and catchwords to give your design some extra power.
TTF | 3 Fonts | JPG Preview | 4 Mb RAR
Neutro Font Family
Neutro is a neutral, multi-purpose font family. It is Aspira made more neutral, by removing angled terminals. Neutro’s subtle, fresh geometric personality, makes it ideal for any use where the content is more important than the font used to display this content. As neutral as it may be, its presence is always pleasant in an inconspicuous way. Neutro is well suited for both text and display use — for graphic design, corporate identity design, magazines, newspapers, books, reports, editorials, web, advertising, signage, etc. Neutro includes eight uprights and matching italics. Neutro includes nine numerical styles: lining and oldstyle figures (proportional and tabular), small cap figures, superiors, inferiors, numerators, and denominators. Neutro includes small caps, arbitrary fractions, and extensive language support.
OTF | 16 Fonts | JPG Preview | 2.7 Mb RAR
Wittingau Font Family $100
| 4 x OTF | Turkish Support
Wittingau is the original German expression for “T?ebo?”, which is a beautiful town near my studio in South Bohemia. I love it for its calm and inspiring atmosphere and rich cultural past dating from the 12th century. The present typeface family is released as homage to T?ebo? in the style of its greatest glory – Gothic Revival with classicistic decorativeness. Wittingau is excellent for music covers, book and catalogue jackets, invitations and posters. Contains many ornaments for creating decorative wallpapers.
LHF Nugget Font Family $59
| 3 x OTF
Modeled after early 1900's Tuscan style lettering & perfect for recreating old Show Cards and posters. Features decorative caps to compliment your designs. Set includes 3 fonts: Regular, Shadow & Inset.
Khang Font Family
Khang is a sans serif family that is part of Shiva Nalleperumal’s investigations into monolinearity in type design. In this typeface, he fuses a monolinear sans’s structure with a kind of stroke modulation more common to broad-nib calligraphy. The Khang family has six weights that range from Extralight to Bold; even in the Extralight weight, the design’s stroke contrast is maintained. Khang is suitable both for long, comfortable reading and interesting display use. Its lowercase letters have a tall x-height, most strokes end with either horizontal or vertical lines, and all letters have open counterforms. Khang offers a few OpenType features that may prove helpful for Corporate Identity and Editorial designers: each font includes alternate single-storey “a” and “g” forms. These are accessible via a stylistic set in InDesign or in CSS, or as via the stylistic alternates feature in Illustrator. Khang also includes 15 f-ligatures, plus a “tt” ligature.
TTF | 6 Fonts | JPG Preview | 5 Mb RAR
Catesque Font Family
After several months discovering and developing the traits and personalities well balanced typefaces such like Frutiger and the other identical typefaces, Catesque was born as the new typefaces. The vocal flourish yet harmonious shapes not purely geometrically, it has imperfect rounded characters such as “O” “C” and “G”. Catesque can make some distinctness for large scale design as well as small text. The traits versatilities usable for many design applications, it’s comes with five weights from light to black plus mathcing italics.
TTF | 10 Fonts | JPG Preview | 2.3 Mb RAR