Graphic Downloads

Kaiju Font by Anthony James 

KAIJU is a sans serif typeface. Its simplicity makes it a very legible display font, perfect for editorials. The equal emphasis on thick and thin allows for both bold and subtle aesthetics.

TTF | 1 Font | JPG Preview | 5.3 Mb RAR

Morenita Font Family

Morenita is a script letter style, very basic geometric construction which refers to the style and the Art Deco glory, designed to provide a highly readable. It comes in two weights, Regular and Bold, italic versions both comes equipped with terminals and final words or tails in ways very easy to apply glue. Ideal for creative banner ads, versatile and readable form makes it’s ideal to creating logos or marks or create modern invitations, children’s publications or interesting or video or film credits. His look goes from vintage to contemporary.

OTF | 2 Fonts | JPG Preview | 14.9 Mb RAR

Nudely Font Family

Nudely is a geometric display font. The Nudely font family at this time have 8 weights. The Nudely Duo is optional of the Nudely One font, you can see the most striking difference anathomy at the 'shoulder' and arch of stem in the letters A G M Q S W a b d g h m n p q r u w 5 7. Every fonts have cahracter sets Uppercaps, Smallcaps, Numerals, Punctuations, Fractions, Currency, Ligatures, Discretionary Ligatures, and Diacritical Marks (Foreign Accents). Support languages: Basic Latin, Western European, Central European, Euro, Catalan, Baltic, Turkish, Pan African Latin, Dutch, Afrikaans, etc. The ligatures and discretionary ligatures is: fb, ff, fh, fi, fj, ffi, fk, fl, ffl, ft, fu, fv, fw, fx, fy, fti, ti, tj, tf, tfi, tt, tti, tu, tv, tw, ty. Please Note: You can access the discretionary ligatures only use the program which support with Opentype features like as Adobe photoshop and Adobe illustrator. 

OTF | 8 Fonts | JPG Preview | 5.3 Mb RAR

Numina Font Family

Numina is an elegant, dignified, highly condensed modern display family comprising two complementary faces. Numina Glory capitalizes on the family’s strong, relentless vertical texture, eschewing diagonals in favor of robust pillars, whereas Numina Glamour opts for more traditional letterforms for improved legibility and a classy, airy grace. Both faces are well-suited for headlines, logos, block quotes, and editorial work.

OTF | 8 Fonts | JPEG Preview | 3.1 Mb RAR

Paris Pro Font Family

Paris Pro, inspired by the Fashion world is the new and improved version of the popular Paris Typeface. Paris pro provides many more exciting ligatures than the first version, Amazing swashes, super cool open type features, fashionable custom ready made words for sexy headlines, multiple glyphs for letters along with many options writing the same word in different manners. Paris Pro Designs are geared towards upscale worldwide Fashion Magazines, promoting the ideal combination of Typography and Fashion, taking Fashion magazines to the next level. Paris Pro consists of 13 styles: Paris pro regular, Paris pro regular exit, paris pro regular strip, paris pro regular white, paris pro bold, Paris pro bold exit, Paris pro bold strip, Paris pro bold white, Paris pro hairline, Paris pro ultra extra light, Paris pro ultra light, Paris pro light & Paris pro light book. Paris Pro designs unique logos, combined with contemporary and Luxurious look and touch. Paris Pro, the ultimate typeface for Fashion and Luxury.

OTF | 13 Fonts | JPEG Preview | 8.4 Mb RAR

Rubrik Font Family

Rubrik was designed to describe a softer and more natural use of technology, and was inspired by the helpful feel of a manual typewriter. The typefaces on those old machines were designed to be proper, practical and popular. Rubrik’s simplified open forms resurrect that tone in a clear and modern way. Rubrik has been created by Miles Newlyn, an internationally respected designer, having created identities for some of the world largest organizations, including Honda and Unilever. Newlyn is also an expert in corporate typography, designing typefaces for clients such as Citibank, British Telecom, and the Tate Gallery.

OTF | 12 Fonts | JPEG Preview | 3.2 Mb RAR

The Empire Wars Font Family

The Empire Wars was inspired from lettering on medieval age. Its really great font for your band, label, clothing company, etc.

OTF | 5 Fonts | JPG Preview | 4.3 Mb RAR

Tulipan Broken Caps Pro Font

Tulipan Broken Caps Pro is new variable/complement of Tulipan Broken Caps, it includes 200 interesting ligatures, specially designed for games, apps, books, logos and packaging. Its bold structure is perfect to give great effects.

OTF | 1 Font | JPG Preview | 6.2 Mb RAR

Forgotten Futurist Font Family $360 | 19 x TTF and OTF

Forgotten Futurist is a serious, sleek futurefont. The letterforms were derived from 1960s American car advertising but with a 1940s industrial twist.

Future Bugler Upright Font Family $95 | 3 x TTF and OTF

Future Bugler Upright is a non-slanted version of Future Bugler, a font based on the second logo created by Harry Warren in early 1975 for his sixth grade class newsletter, The Broadwater Bugler, at Broadwater Academy in Exmore, Virginia, on Virginia’s Eastern Shore.

This font can convey several perspectives or moods. It can suggest a space-age vision of the future, or an art-deco perspective of the future as in the movie Captain Sky and the World of Tomorrow. It also communicates the idea of high performance, or extreme sports, without the grunge. 

Idealista Font Family $285 | 10 x TTF and OTF

Most of all, Idealista relishes juicy magazine titles, typographic logotypes and propagandist posters. Yet it works equally well in places where you need to stick a label onto that gardening tool, computer box, or spaceship.

Unlike cold, technicist typefaces, it has great zest for life, so there’s no wonder that in each of the letters, intuition wins over intellect. Owing to this, the text set in Idealista has a special, voluptuous quality and unmistakable temperament – in a single typeface, Idealista combines the best of sans-serif, blackletter, as well as geometric and calligraphic construction principles, coming down to one impressive, expressive cocktail. 

Karnak Pro Font Family $720 | 12 x TTF and OTF

Based on the original design by Robert Hunter Middleton. Digitally engineered by Steve Jackaman and Ashley Muir from the Ludlow drawings, circa 1931–1942. 

Kathleen Sans Font Family $153 | 6 x TTF and OTF

Kathleen Sans is a geometric sans-serif display font and works best in text and display applications, such as posters, headline, magazine, logos, titles, product branding, corporate branding and publishing.

The Kathleen Sans font family has three weights: Light, Regular, and Bold, each available in italic, making a total of six styles. Each style has a full upper and lower-case, accents, punctuation and a selection of monetary symbols. 

Avante Font  

  OTF | 9.75 KB

Non Solus Font Family $80 | 8 x TTF and OTF

Non Solus, the first digital version of Eric Gill’s ‘Solus’ of 1929, is now offered in four weights, each with an Italic included. The typeface is uncluttered and elegant, more modern and less fussy than Joanna, Gill’s other slab serif, and also possesses greater warmth. The Non Solus family brings a forgotten classic back to active service.

The Regular weight has been fine-tuned slightly lighter. Many outline, spacing and kerning refinements have been made, and Western European accented characters added. The new release adds three new weights, Light, Medium and Bold, and all weights are accompanied by free Italics that are only gently inclined and are noticeably condensed in keeping with other Gill faces.

Gill’s alternative M is located at the µ key (Alt M on a Mac, Alt-0181 on a PC). 

Konsens Font Family $702 | 18 x TTF and OTF

Germany has a strong heritage of industrial typefaces. These fonts seem like being constructed by engineers.

The shapes seem to be built with circles and squares. DIN Mittelschrift is one very famous example, or the font on the old German car number plates. 

Since the Romain du Roi we know that it is tricky to draw a geometrical typeface. 

For optical reasons you have to go away from circles and lines with exactly one weight.

Therefore the aim is not to construct a typeface but to draw it the way it seems constructed finally. The design of a typeface is like stage production. Like heavily made up actors the characters of a typeface must be exaggerated to work well. Particularly in small sizes. 

Jackham Font Family

Jackham is a handmade typeface with approachment to the oldschool tattoo hand lettering feel, with handmade jaggy feel and the impefections on it, comes with 2 styles, clean and rough. Good for your flash tattoo design concept, or the art concept with illustration stuff on it.

OTF | 2 Fonts | JPG Preview | 5.4 Mb RAR

Halogen Font Family

Who doesn't want or need an expansive contemporary extended sans that has a sense of style and swagger… what if it had a lowercase, small caps and various numeral options… how could you say no? This was the foundational argument I made for myself when I drew the initial alphabet on my birthday last year (something I do each year, draw a new font, kind of a fun OCD thing). I wanted to see a wide, utilitarian sans that had more to it than just a basic character set and didn't resemble standard geometric models. As I continued sketching, the letterforms were being influenced more by my ‘lettering tendencies’ than the normal mechanical trappings of drawing flat, wide letters. The letters have retained aspects of letters created by hand — stresses, modulation, naturally ending terminals. Truncation and quick clipping of strokes became antithetical to the letterforms I drew, so I continued this once I brought the design into the computer. I kept it precise and dependable, but made every attempt to keep a conscientiously crafted typeface and not let it devolve into a grid-based drone. As such, it works just as well looking back in time as much as it does assuming a lead role in a sci-fi movie.

OTF | 14 Fonts | JPG Preview | 3.7 Mb RAR

Wasabi Font Family

24 x TTF and OTF

Wasabi is the re-imagining of my very first release, Iru. Like Iru, Wasabi was heavily influenced by the monument lettering style, Vermarco.

The simple, geometric forms allowed for small lettering sizes to be sandblasted cleanly and has been a monument lettering workhorse for decades…the only issue centered around the lack of a lowercase or any other letters beyond the 26 uppercase glyphs and the numerals. Wasabi solves this with the same simple, efficient line reminiscent of the old Vermarco while bringing it into the 21st century. Visual and optical incongruities of the original uppercase were replaced with new interpretations for the capital letters, a new lowercase and small caps was produced and the original single weight alphabet was replaced with six new weights.

Rhythm Font Family $110 | 4 x TTF and OTF

http://www.myfonts.com/fonts/positype/rhythm/

I hate the idea of revivals. I have publicly said I choose not to do revivals because they make me uncomfortable. This is as close as I have been to crossing my own line. To be direct, Rhythm is based on the ATF typeface, Ratio (I just recently learned the foundry of origin). I came across this typeface from a printed specimen years ago when I was in school and held onto it. It was unique and I loved how well integrated the inline worked within both the flourish and serif of the glyphs—it was old, but not, reminiscent, but fresh.

My specimen was limited in the glyph offering (it was c. 1930ish) and I realized a lot would need to be done to ‘finish’ it and bring it to contemporary expectations. I didn't want to do ‘retro’ and tried to avoid the visual trappings associated with it. What I did want to do is interpret what I had in the specimen and reinterpret it digitally, refining its construction and extending its typographic equity along the way. 

Necia Font Family $150 | 8 x TTF and OTF

http://www.myfonts.com/fonts/graviton/necia/

Necia Stencil Font Family

Necia font family has been designed for Graviton Font Foundry by Pablo Balcells in 2014. It is a modular, geometric and slightly condensed typeface which has been conceived to be primarily a display typeface, but given its clarity it can also be used for composing short and intermediate length texts.

Necia consists of 8 styles. Each containing small caps and several alternate characters.

LHF Dark Horse Font Family $52 | 2 x TTF and OTF

http://www.myfonts.com/fonts/letterheadfonts/lhf-dark-horse/

 LHF Dark Horse is not your normal Calligraphic typeface. Its unexpected striking curves give it an aggressive, yet graceful look. Set includes 2 fonts: Dark Horse 1 (Regular) and Dark Horse 2 (Decorative uppercase with flourishes). Also includes 19 bonus alternates and ligatures.

Diamond Ring Font Family

Diamond Ring is an Art Deco font inspired by Japanese designs for cosmetic packaging and posters used from the end of the 19th century to the early 20th. The most distinguishing characteristic is the diagonal parts of the glyphs. All diagonals have the same degree of the angle. By this elements, whole design of this font and typography with this font look like the shining of diamond ring during total solar eclipse.

OTF | 4 Fonts | JPG Preview | 3.6 Mb RAR

Alipe Script Font Family

Alipe Script is a new script typefaces family. Alipe Script family has light, medium and bold fonts, all with ligatures, alternates and a set of ornements. It can be use for text as for titling applications.

OTF | 3 Fonts | JPG Preview | 3.7 Mb RAR

Adget Sans Font Family $50 | 4 x TTF and OTF

Adget Sans, a modern, strong statement typeface with clean lines and big curves.

Kyoto Font Family $25 | 2 x TTF and OTF

Kyoto is a polluted and grunge typeface. It works well for titles and logos or good for using it in crowded sentences. It comes with two uppercase styles and also comes with an X version, full of stains, markings and other things which will make your font look even more dirty.

Baka Expert Font Family $25 | 1 x TTF and OTF

There’s actually a simple answer. The original Baka was done as an experiment of sorts. I wanted to quickly capture a rough, frenetic handwriting style that broke normal conventions. Commercially, it was successful, received some accolades ... but I wasn’t completely satisfied, so I went back to the master art and the lettering explorations and produced Baka Too. This addressed some of the line items I wanted to refine in Baka. I liked it.

Each font has been out for a few years now, and I have seen them in use. I’m very critical of my work, and I could still see things—modulations of strokes, angle of the nib, ink swell, and so on—that I wanted to change, refine, and reorder.

Romp Font Family $30 | 1 x TTF and OTF

With all ego aside, Romp was designed and influenced by my daughter, Angel. For some time now, she has wanted me to design a font based on her handwriting. But each time I sit down to do it, I run into more that she needs to do and redo. On a recent attempt, I ran into the same situation again. Instead of moving on to something else, I decided to whip out a sumi brush and start making letters...for me, type design is something a little ‘serious’ and never a time to just have fun. This typeface proved that notion wrong—it really was fun. As a result, each letter encouraged another and the design grew...and grew!

The happy result spawned 3 separate sets of letters & numerals (small caps and some ligatures too!). Using the beauty of OpenType, these 3 sets have been fused into one, randomly generating font set.

If you are using any type of OpenType enabled application, then the Romp Pro typeface is the way to go. They include everything found in the 3 separate variants for each style as well as entirely expanding offering of additional small cap and ligature sets.

Mercy Font Family $39 | 6 x TTF and OTF

This Ladies' Hand Style font is very (somewhat) similar to ornamental penmanship, but uses slightly longer ascenders and descenders and a modest shading. Originally the Ladies' Hand had less flourishings, which was ideal for writing long letters. Even though its name suggests it was a feminine writing style, it was widely used by most male penmen and even Spencer reserved the use of the Ladies' style to write to his close friends and relatives, as he considered it a more sincere and heartfelt style.

This present typeface is not restricted to the simplicity of the original Ladies' Hand Capitals, and has several OpenType features and flourished capitals which create a very versatile typeface, while maintaning the elegance of its style.