Seconda Font Family $279 | 16 x TTF and OTF
Wait a second... Seconda. A sans serif with its own individuality. A typeface which combines character with legibility. A typeface which combines business with pleasure. Its moderate contrast and narrowing terminals give this typeface a gentle and sophisticated nature. Use it for books, reports, magazines, business letters - and relax. Use it for brochures, posters, signs, corporate identity projects - and enjoy.
Seconda has sixteen styles, extensive language support, eight different kinds of figures, sophisticated OpenType features - so it’s ready for advanced typographic projects.
Clonoid Font Family $190 | 12 x TTF and OTF
Inspired by and tribute to arcade game logos in 80s and 90s. Clonoid can give futuristic, sci-fi and mechanical impression by its geometric framework but its rounded bowls and semi-rounded edges can make natural and soft impression too. And its orthodox letterform make it possible to use this font for all uses.
Clonoid family consists of 12 styles, 6 weights (ExtraLight, Light, Regular, SemiBold, Bold and Black) & italics and it’s available in OpenType format
Akagi Pro Font Family $340 | 22 x TTF and OTF
Akagi Pro is a complete rebuild and expansion of my popular Akagi typeface. Contemporary, clean, simple and friendly continue to serve as the adjectives for an expansion that includes 250+ additional characters per weight, many new ligature options, expanded stylistic alternates, 4 sets of figures, new symbols, case-sensitive punctuation, superscripts, subscripts, ordinals, expanded language support and two new styles that provide even more flexibility within the lighter weights of the family. When I designed Akagi in 2007, I wanted this new sans serif to “smile” at you — with this new expansion, I hope you smile back.
Akagi Pro is economical while keeping a distinctive, expressive personality on the page that distinguishes it from among many of the mechanical/rigid/emotionless sans out there without becoming cliché. Perfect for the page and the screen, the flexible weights available allow for pinpoint selection at whatever size.
Rotis Semi Serif Font Family $290 | 12 x TTF and OTF
Roos Font Family $249.50 | 10 x TTF and OTF
The Roos family is a digitization and expansion of the last typeface designed by Sjoerd Hendrik De Roos, called De Roos Romein (and Cursief). It was designed and produced during the years of the second World War, and unveiled in the summer of 1947 to celebrate De Roos’s 70th birthday. In 1948, the first fonts produced were used for a special edition of the Dutch Constitution on which Juliana took the oath during her inauguration as the Queen of the Netherlands. To this day this typeface is widely regarded as De Roos’s best design, with one of the most beautiful italics ever drawn.
Rleud Font Family $800 | 164 x TTF
Finally in 2014 “RLEUD” [Pronounced Loyd] is now finished and ready for your design. It was started in 2012 by using DIN as inspiration with the mood of industrial design and combination of humanist style from Dax. The idea is to make this a multifunction font be used in any situation such as digital device and print matter, even headline or small text on the page. This is an answer for your need and you don't have to spend on other fonts for a while.
OL America The Beautiful Font Family $240 | 6 x TTF and OTF
“Oh Beautiful, for Spacious Skies, for Amber Waves of Grain”
This font was designed to honor the Land of My Birth, The United States of America, a Nation that has given me the Freedom to be what I want to be, to Create what I feel fit to create and to Live in Peace.
Nudista Font Family $285 | 10 x TTF and OTF
Novel Sans Rounded Pro Font Family $199 | 6 x TTF and OTF
Novel Sans Rounded Pro is the humanist grotesque typeface family within the largely extended award winning Novel Collection, also containing Novel Pro, Novel Sans Condensed Pro, Novel Mono Pro, Novel Sans Rounded Pro and Novel Sans Office Pro.
Novel Sans Rounded Pro has a carefully attuned character design and a well balanced weight contrast. Classic proportions and the almost upright italic makes Novel Sans Pro being a modern humanist. Many similarities with the other typeface families within the Novel Collection enable designers to combine the families and reach highest quality in typography.
Genius Font Family $79 | 14 x TTF and OTF
Genius is a clean, geometric typeface with great legibility and modern look, which makes it a perfect typeface for any kind of use. It’s especially suitable for branding, advertising, magazines, web design and so on.
Created by Ceyhun Birinci, the Genius family consists of 7 weights from thin to bold along with their italics, including hundreds of kerning pairs.
Cyntho Pro Font Family $280 | 16 x TTF and OTF
Cyntho Pro is a modern geometric sans with eight weights varying from Thin to Black and featuring Cyrillic and Greek scripts.
Unlike most geometric sans faces, it offers optional upright and real italics, wrapped in OpenType ‘stylistic alternates’ features, or stylistic set #02, where sets can be applied separately. Small caps are included as well. This typeface can be used in magazines, posters, advertising, corporate identity, and more.
I revisited one of my best sellers from 2013 (Avera) and gave it some extra attention. What was a single weight font has now been transformed into a collection of 12 fonts. This particular collection includes all of the Sans serif alternatives (6 fonts).
Oxymora Font Family
A little while ago, Birgit did some work for a client and started to play around with Eschers impossible shapes. In the end Birgit got so addicted by the system that she made a complete font, based on impossible shapes. The name Oxymora: An oxymoron is a term for a figure of speech. It is made up of two or more words that seem to be opposite to each other, or actually are opposite.
OTF | 2 Fonts | JPEG Preview | 6.5 Mb RAR
Mandinor FY Font Family
Customize your alternates! Mandinor FY is a victorian modular family of 3 different typefaces very contrasted: Modern, Gothic & Italian. Perfect for headlines and any other titling creations, this font family feels very good when used in super poster size. Ornaments, letters (and even animals (miaou)!) can be mixed all together to build original alternates. Now its on you to play and build your own glyphs! Mandinor FY was created by Julien Priez & Fontyou Team on co-create.fontyou.com, the first collaborative type foundry.
OTF | 4 Fonts | JPEG Preview | 4.9 Mb RAR
LoveChristmas Font
Following the success of our LoveHearts, valentine inspired ornaments, we decided to show our love for Christmas. With more than 170 hand drawn unique designs, LoveChristmas is the perfect choice for designing Christmas greeting cards and gift wraps as well as letter signatures and accessories.
OTF | 1 Font | JPEG Preview | 8.9 Mb RAR
Cordale Font Family
If you are looking for a font family that simply gets on with the job, Cordale is the right choice. It is a workhorse font with strong features that do not easily tire, whatever the workload, whatever the challenge. Cordale has no frivolous features. Its slightly condensed proportions and tall x-height make it ideal for use in body copy and where space is at a premium, such as magazines and newspapers. Its serifs are strong and defined, to withstand the challenges of even the harshest of printing processes. Its open character shapes enhance legibility in all media. The Standard Edition font includes a complete Latin Extended A character set, but please see the corporate Edition for a character set including Latin, Greek and Cyrillic alphabets.
TTF | 4 Fonts | JPEG Preview | 5.1 Mb RAR
Official Site
Canada Type is a digital type solutions company based in Toronto. We were founded in 2004 by Rebecca Alaccari and Patrick Griffin, as a means to perform professional type solutions to creative indviduals and departments all over the world. Since then, Canada Type has brought forth a comprehensive and popular library of typefaces that accommodate a variety of aesthetic tastes. Alongside Rebecca's and Patrick's original designs and historical revivals, the Canada Type library features typefaces by eminent American calligrapher Philip Bouwsma, Dutch science writer and lifelong type enthusiast Hans van Maanen, American expat writer and classicist Bill Troop, and Canadian type designer Kevin King. We also perform project-specific type solutions to a variety of clients, including large publishing houses, telecom and media companies, film production studios, design agencies, ad firms, and government agencies. Among our clients are instantly recognizable names like the BBC, Disney, ABC, Pixar, New York Times, Newsweek, Wall Street Journal, MacLeans, Bell Canada, Rogers, Rethink, Reactor, Leo Burnett, Shaw Communications, Cafe Press, Sobeys, the Canadian Ministry of Transport, the Canadian Armed Forces, and the Vancouver 2010 Winter Olympics. The Canada Type font packages are available for licensing and secure electronic delivery through this site and a variety of quality type distributors worldwide.
OTF + TTF | 225 Font Families | 84.7 Mb RAR
Big Lodge Font
Big Lodge Custom Type, is a vintage and retro style font, fit for a logotype, band logo, or apparel design.
OTF + TTF | 1 Font | JPEG Preview | 3.6 Mb RAR
Baskerville Original Pro Font Family - 12 Fonts $828
OTF | WOFF | 47 MB
When digitizing the typeface, we did not have at our disposal a complete alphabet – partly because Baskerville did not solve some of the characters (some of them did not even exist at the time), partly because we were loath to go to Cambridge where the greater part of the original punches is deposited. But there was no need to do this. For inherent in every fragment of any typeface is the principle, according to which it is possible, with a little bit of natural feeling, to complete the set of characters. An analytical transcription is also to remove any potential shortcomings of the source of inspiration and must not take over mechanically all details of the design. Even creators of genius, however, make mistakes sometimes and, therefore, in spite of the fact that we officially speak about “a transcription”, what was involved in the case of all complementary designs was a fairly fundamental reworking. Our aim was not so much to be reverently faithful to the original, as to preserve the spirit of the typeface and to breathe new life into it. Baskerville is a typeface with the character of a gentleman, a typeface of sober elegance and clear design. Its nature is remote from dramatic contrasts, as we know them from the Continental typography of the Late Baroque period. A project of a typeface family which includes twenty designs cannot rely on a single pair of tired eyes; that is why we are again grateful to Otakar Karlas for his valuable advice, especially when putting the finishing touches to the typeface. It was upon his recommendation that, among other things, the anatomy of the basic (original) design was reinforced, the rhythm of the italics in text sizes was made more tranquil, the balance of the “&” sign form and the colour of the small caps were improved. The result is an absolutely ordinary and inconspicuous typeface – a worker in the service of literature. The softness of its design predetermines it for every type of fiction and poetry, while its rational construction makes it useful also for scientific publications. Having worked on Baskerville’s typeface for more than a year, when we see it now, it feels like meeting an old friend.
Ahlan Font Family
"Ahlan" is a an Arabic typeface with an individual anatomy based on common hand writings, reshaped and reconstructed to meet the new media demands. It suits short passages, poetry, corporate greetings beside other applications. Font family consists of Regular, Italic, Bold and Italic Bold weights.
OTF | 4 Fonts | JPEG Preview | 5 Mb RAR
Accelerator Font Family $25 | 1 x TTF and OTF
Accelerator is a custom made typeface for a clients' package line. Since the product never hit the market, Accelerator has been made public. It’s a 100 procent power generator for the NXT generation of designers. Accelerate your design to the NXT level.
Astoria Font Family $320 | 12 x TTF and OTF
Based heavily on Gill Sans especially in the mid weights, Astoria has a subtle top left serif which makes it not quite a Roman and not quite a Sans. Designed specifically as a text face it still works very well as a headline font.
Beaufort Font Family $299 | 10 x TTF and OTF
This type is almost a sans serif. It has legibility proportions, and a very large, useful family with specially adapted condensed and extended sub-families.
Compared with type set by older technologies, PostScript type, imageset and printed by high-resolution offset lithography, has a remarkable clarity — at any size. While many types, old and new, benefit from this level of definition, few designs specifically exploit it. Beaufort does. Its pointed serifs introduce a sharpness of reproduction that was difficult to achieve, at any size, prior to PostScript. This means that small sizes of Beaufort will combine a high word count with good legibility, while large sizes will always display very fine detail. Optical scaling is not required.
Directors Gothic Font Family $900 | 90 x OTF
Handcrafted by Lettering Inc as part of its core library of typefaces in the 1930s, Directors Gothic was dramatically expanded throughout the lifetime of the company and remains a timeless classic. Inspired by the Art Deco movement popular at the time of its creation, Directors Gothic was designed with an eye toward expanded utility for use in advertising headline and smart corporate materials.
Directors Gothic was painstakingly developed from the original font glass masters from the 1930s and includes a full international character compliment, automatic fractionals, ordinals, and an impressively large assortment of alternate characters in dynamic OpenType format.
Filson Pro Font Family $249 | 16 x TTF and OTF
Designed by Olivier Gourvat in 2014, Filson Pro is a new geometric sans serif family with versatility in mind. With its 575 glyphs and its round aspect, this typeface covers all kind of graphic and web design projects. This font family contains 16 fonts from Thin to Black with a professional range of Opentype functions such as pro kerning,lining and oldstyle figures, stylistic alternates, case sensitive forms, localized forms and f-ligatures. For better typographic control, Filson Pro also includes Opentype class kerning with thousands of kerning pairs.
Motiva Sans Font Family $189 | 14 x TTF and OTF
Motiva Sans is the chosen typeface for Valve’s Steam web and UI/UX design, a 50.000.000+ users gaming platform.
With 7 weights and matching italics (a total of 14 fonts), it comes with essential Open Type features such as small caps, caps to small caps, tabular, lining, oldstyle figures, fractions as well as extended language support and alternate characters in the italic weights.
It performs well in printed and digital environments. The italics are more cursive than the average sans serif design and provide very good contrast to the their roman counterparts
Kulturista Font Family $285 | 10 x TTF and OTF
Kulturista is related to our Nudista typeface. Both faces share the elementary shapes, proportions and weight alternatives. While Nudista is a sober display face, Kulturista is a distinct linear typeface with sturdy serifs. Kulturista is a display typeface well suited for use in magazines and certain newspapers; five available weights are a perfect for the layout of various columns, titles, and supplements. The face may also work well as a basis a corporate style, it may be used on heavy machinery and equally well on the cover of a book dedicated to graphic design.
Anna Clara Font - 1 Font 30$
TTF | OTF | 30MB
Anna Clara can be dressed up or down, as fancy as you wanna be. On its own, it’s an organic script, with the fine hairlines, thick swells, and slightly undulating baseline found in modern casual calligraphy.Add swashes, and Anna Clara becomes a bit more playful and festive. Each capital letter has a flourished alternate- great for displays or headings, or to add emphasis to a particular section of text. For OpenType-aware software users, Anna Clara also features ten pairs of swashes that can be added to the beginning or end of any lowercase letter, for a custom flourished look.Illustrator and InDesign users can access extra swashes and banners by using the glyph panel.Photoshop users: These characters can be accessed via the “Ornaments” feature in your OpenType panel - try non-numeric punctuation marks and accents for swashes. For banners, type catchwords followed by an asterisk. “Asterisk asterisk” will produce a blank banner that you can use to create your own. Included catchwords are “and”, “at”, “by”, “for”, “from”, “of”, “the”, “to”, “with”, "l'", “le”, “la”, “el”, “et”, and “y”. Roman numerals can be used in the “Ornaments” feature by typing their respective keyboard characters “I”, “II”, “III”, etc. - followed by an asterisk. An ampersand (&) followed by one or two asterisks produces two special “and” characters.
Monroe Font Family - 147$
OTF | WOFF | 29 MB
Fashionable and Rocker, Monroe is a font that can be given different uses for its wide variety of alternate types, which makes it an ideal font for titles, magazines, posters, logos, etc. Its main virtue is the endless number of possibilities that the font gives to write a word, text or paragraph.
Duotone Font Family - 150$
OTF | WOFF | 29 MB
Duotone is a layered font system that allows you to title two-tone headlines. This classic two color lettering style requires no font editing. The regular weight acts as a perfect font pairing to match the titles featuring two-shaded headlines. The shaded weights “Shade One” and “Shade Two” work together to compose instant titling effects that are perfect for advertisements, products, album art, logos, invitations, scrapbooking, wedding announcements, or whatever project you are working on.Duotone’s unique effect is best achieved in a graphics application that allows you to use layers so that you may stack these fonts and assign different colors to them. The regular weight allows you to plot out titles, kerning, and leading. Copy and paste this layer in place. Change the color and font style in the new layer and repeat the process until you have “shade one” and “shade two” assigned with different colors. Hide or delete the regular layer to remove any unwanted aliasing.