Afrobeat Font Family $39 | 1 x TTF and OTF
The pounding tribal rhythms of Afrobeat music is expressed through this psychedelic brand new font, Afrobeat. Every letter becomes art as every letter is elegantly placed side by side, like music notes, creating music for the eyes. Afrobeat is a musical style performed by many African artists such as Fela Kuti, Femi Kuti, Antibalas and many more, which is a fusion of jazz,funk, and psychedelic rock, originating from the 60s and was based on the political movements of Nigeria.
Chianti BT Font Family $480 | 20 x TTF and OTF
Chianti was designed at Bitstream by senior designer Dennis Pasternak in 1991 and initially released in 1995. The intent behind the design was to provide a humanist sanserif of high readability at a wide range of sizes and weights.
Attica RSZ Font Family $42 | 3 x TTF and OTF
Attica is a slab typeface with inverted contrast that was inspired by Caslon’s Italian type and by Aldo Novarese’s Estro, published by the turinese foundry Nebiolo. We wanted to develop a wood type typeface and we designed the complete alphabet with a flat long brush and slowly we did the whole character set.
Anne Bonny Font Family $299 | 14 x TTF and OTF
Anne Bonny is the comrade of Mary Read Type. It has the same proportions and nearly the same OpenType-Features. It is a Bodoni-inspired typeface with a sweet and female touch. You can choose between the swashes-feature, initials, final letters, many ligatures and ornaments. Highly legible.
ATC Rosemary Font
ATC Rosemary is a didone print-font comprised of over 315 characters, producing extreme contrast between abrupt and thin serifs at large sizes. The luxurious feel of Rosemary utilizes not only hairlines and ball serifs, but expresses similarities to Romantic fonts of the 18th and 19th centuries, while having a personality all it’s own. There are also some additional alternates and ligatures included in the font which can be activated as contextual alternates in OpenType.
OTF | WOFF | 1 Font | JPEG Preview | 3.5 Mb RAR
Belleville FY Font Family
Belleville FY is an original 16 retro and modern fonts family, inspired at the same time by New art mouvement, graffitis, 19th century wood type, and modern slab fonts.
Each style has specific shapes and serifs which give it a special look, depending of the mood you choose. Because each of them is based on the same structure, you can easily mix them to create unique sets, offering you endless possibilities. Belleville is well suited for logos, headlines, packaging, posters, signage and every project you want.
OTF | TTF | WEB | 16 Fonts | 21.3 Mb RAR
Bold Pressing Pack Font Family
Fonts Cafe is offering a brand new pack of fonts and elements; The Bold Pressing Pack, full of bold, strong, powerful, vintage fonts which really stand out to make a strong impact. These fonts bring us back to a time when ink was placed onto wooden blocks, which were then pressed down onto the paper, creating big, bold letters, with the beautiful flaws of a time when things of import were given the due attention they deserved. This pack is designed to quickly capture the attention of anyone who sees it, while making a statement that says you mean business. It includes five different font styles, as well as two different element styles. There’s everything from a standard letterpress font, to a font which truly emulates the imperfections of those days, as well as one that stands out above the rest to make a truly bold statement, and more. Check below these powerful fonts in more detail.
OTF | 7 Fonts | JPEG Preview | 19 Mb RAR
Dulcet Font Family
Dulcet is a hand lettered, rough binding script with high ascenders & low-descenders. It is both elegant and grungy and will work wonders on your invitations or love letters, make beautiful posters, frightening t-shirt designs or logotypes. It is equipped with OpenType features such as common ligatures, double letter ligatures, contextual and stylistic alternates for a varied and hand drawn look. Access alternates by using the glyph panel in Illustrator and InDesign. Dulcet comes with several initial & terminal swashes that can be added to the beginning and/or end of any lowercase letter as well as different swashes for the upper case letters. Enjoy!
TTF | 2 Fonts | JPEG Preview | 3.1 Mb RAR
Fantasy Font Family - 5 Fonts $135
OTF | WOFF | 37.2MB
As Typesenses believes that “Letters need a touch of Magic”, Sabrina Lopez presents her new creation, a burst of innovation: Fantasy. This display font arises from the mix between Roman Style and Lombardic Decorations, with a little air of Medieval age.Fantasy works perfectly in book covers, greeting cards, invitations, weddings, posters, magazines, fashion world, logos, packagings, letterpress,etcLet your imagination fly and let’s play with all its Alternates, Ornaments, Frames, Caps y the exclusive set of Decorated Lombardic Initials. The Pro version has more than 1400 glyphs! Ornaments (Fantasy Ornaments), Caps (Fantasy Caps1) and Lombardic Initials (Fantasy Caps2) are sold in separated versions too. Additionally, there is a Standard Version (Fantasy Std) designed to be used in lines of text and smaller sizes.To make the most of the alternatives proposed, use applications that support Open Type.Get Fantasy and build a lovely world of Imagination!
Finding 57 Font Family
Finding 57 was inspired by the 45 degree geometric line grid, their connecting points and the negative spaces within the swiss typeface it was originally influenced by. It was created as a large display font for digital or graphic layouts. The font comes with Upper Case and Lower Case typesetting as well as a regular and a medium font weight.
TTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR
Keepsake Font Family
The tattoo script inspired Keepsake™ family has five members that can be combined to provide a range of creative options. Rich with OpenType features including discretionary and contextual alternate characters and ligatures, and other stylistic alternates. Each face includes three options for every capital letter and multiple lowercase options. All five fonts support Latin, Eastern European and Baltic languages. Other features include four decorative elements, and optional old-style figures accessible by supporting application’s OpenType menu.
OTF | 5 Fonts | JPEG Preview | 3.5 Mb RAR
Kostic Serif Font Family - 6 Fonts $300
OTF | WOFF | 30.4 MB
Kostic Serif is a classic transitional typeface (like Baskerville, Bookman, Caslon, Times) with tall, clean characters and a large glyph set to support all European languages - Greek and Cyrillic script included. Excellent for setting multiple pages of text and packed with OpenType features (proportional lining and oldstyle numbers, tabular figures, superscript and subscript, numerator and denominator figures, fractions and 31 ligature in 659 characters), it should meet the demands of even the most demanding typographic works. Kostic Serif is made with fairly large x-height, so the text is legible in very small sizes.Zoran began the work on Kostic Serif around 2002 and after completing Regular, Bold and matching italics, he wasn’t too pleased with the design, so he dropped further work on it to make other fonts. In 2010 Nikola came upon unfinished files for Kostic Serif, and decided to redesign the letters, while retaining basic proportions and widths that Zoran established earlier. When they were both pleased with the new look of the font, they made Medium and decided to add CE and Greek script to the glyph set, to make it pan-european.
Kris Font $25
OTF | WOFF | 44 MB
Kris is a powerful typeface based on humanistic minuscule with a touch of Uncial script. An alphabet with an unusual appearance. It is based on the paradigm of classical handwriting.
Kris is handwritten with a broad nib pen and ordinary black ink. The somewhat fanciful shapes are created by lifting the pen randomly left and right. This causes unpredictable frayed edges that make the typeface exciting. It bursts with character and is very versatile.Kris is written by the Dutch calligraphy artist Corrie Smetsers. Corrie threw all basic characters in a plastic bag and René Verkaart built the typeface and created all remaining characters.
“Most special about this project was collaborating with Corrie. She’s an expert in handwriting and has developed writing systems for the educational sector for decades”, René says.
Local Market Font Family - 9 Fonts $55
OTF | WOFF | 31.3 MB
Local Market is wonderful handmade font and art collection. Local Market comes in three font styles, multiple weights, extras, labels and banners. The handwritten font styles include Local Market Basic, Display and Script. Extras come with hand-drawn market animals, market food, catchwords, numbers, symbols, kitchen tools, farm icons, leaves and ornate.Local Market works perfectly for restaurants, catering, markets, cafes and marketing.
Marintas Font Family - 16 Fonts 352$
OTF | WOFF | 13.6MB
Marintas is a sleek upright italic that offers you a modern look and feel. This elegant sans serif comes across as lively, yet comfortable. Some semi slab characteristics of the font give it a face-forward momentum. These semi slabs, even with their geometric construction, are fluid shapes with a soft hint of brushstroke. The soft curves of Marintas paired with its playful but geometric semi slabs or ending strokes give the face its spirited--though friendly--eye-catching appearance.The Marintas family is comprised of 8 variants, ranging from Thin to Ultra. Its incredible versatility ranges from the delicate hairline to the extreme ultra weight. The heavier weights show some similarity to Antique Olive, and the face has an exuberant South American or Latin feel. This type of family is well-suited for advertising, retail, food and beverage products as well as for use in magazines, logotypes, and books. The fonts lend themselves to display settings, but are still very usable for longer copy. Because of its large x-height, the typeface is legible at very small sizes and as a webfont.Marintas has support for extended Latin character set. A wide range of Western languages are also supported, including Central, Eastern and Western European languages. In all, Marintas supports over 40 languages that use the extended Latin script, making Marintas a great choice for multi-lingual publications and packaging.All insigne fonts are fully loaded with OpenType features. Marintas is also equipped for complex professional typography and includes ligatures, alternate characters and fractions. The face includes a number of numeral sets, including old-style and lining figures with superiors and inferiors. OpenType-savvy applications such as Quark or the Adobe Creative Suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Check out the informative .pdf brochure to see these features in action.
Merel Font Family - 6 Fonts 38$
OTF | WOFF | 40.2 MB
Merel is a modern geometric typeface with humanist attributes. Geometry and logic are at the heart of this 6 weight font family. Humanist touches give it a number of distinctive characteristics, as well as aid legibility. Despite being rational and function driven in its nature, Merel has a soft and gentle touch. It was designed to tackle both print and onscreen challenges of the modern environment. Details include reduced x-height, mild stroke contrast and vertically sheared terminals with cushioned finish across the typeface. Merel features a number of alternative characters, manually edited kerning and Opentype features.
Moho Condensed Font Family - 20 Font $500
OTF | WOFF | 26 MB
“Moho” is inspired by the Victorian sans shapes, movements and expressions of modernism art deco and constructivism, conceiving a decorative and elegant font, modern and readable display. This provides a retro look style of elegance of the 30s. Moho Condensed font family is straight, vertical, with joints and links or curvilinear or angular. Moho provides an innovation in the form of letters, to replace traditional forms of curves by straight or vice versa. Condensed Moho is a category of square letter, has an efficient OpenType programming for Moho OT Condensed, and basic for Moho Std families to compose texts in European languages ??of East and West, having wide set of over 610 glyphs. Designed to hold and typesetting over 14 pts or less increasing readability depending on the tracking. Moho Condensed is ideal for publishing newspaper and magazine design, convenient for the design covers and labels due to its space saving. Moho Condensed typefaces are closely related to the arts and fashion are very useful in creating logos and brands.
Moskau Grotesk Font Family - 14 Font $546
OTF | WOFF | 26.3 MB
The design of the typeface Moskau Grotesk is based on the signage created for the Café Moskau in Berlin by the graphic artist Klaus Wittkugel in the beginning of the 1960s.The Café Moskau, across from the Kino International on Karl-Marx-Allee in Berlin Mitte was one of the prestige edifices of the former DDR (German Democratic Republic). Built in the early 1960s, it advanced over the years and changing social developments to a trademark building of the capital. The lettering display on the roof was created by the graphic artist Klaus Wittkugel (October 17, 1910 – September 19, 1985). He had been Professor at the School for Applied Arts in Berlin, and, in addition to the creation of many posters, book covers and postage stamps, he was responsible for the signage of the Kino International as well as for the complete graphic treatment for the Palace of the Republik.The signage for the Café Moskau with the words »RESTAURANT«, »CAFÉ«, »KONZERT« and »MOCKBA« set in capital letters, becomes the basis for the Moskau Grotesk which was developed by Björn Gogalla in 2013. This face should not be seen as an imitation. A few shortcomings were »fixed«. In favor of maintaining the core characteristics some unique features were, however, not relinquished. Lower case letters and the missing capital letters were designed from scratch. It is not surprising that the plain, unassuming geometrical direction of the basic character style forms a bridge to the architecture of the 1960s. Inspired by the then favored, diverse possibilities inherent in the architectural example and wall reliefs, two complimentary pattern fonts emerged.
Port Font Family - 6 Font $150
OTF | WOFF | 17.4 MB
Port is an experimental Didone typeface with a modern twist, inspired in the well known forms of typography masters such as Bodoni and Didot and the exuberance and elegance of calligraphy typefaces.Port melds the straight lines and strong contrasts of the Didone typefaces with the elegant lines of calligraphy in a geometric way, resulting in exuberant characters with geometric swashes that can be combined in countless ways.The result of this experiment is Port, an unique and rich display typeface meant to be used on big sizes and it’s main perk is the amount of alternative characters it features. Port is Open-Type programmed and includes hundreds of alternates, from swashes to titling alternates, ligatures and stylistic sets with each character having a thin version of itself, giving complete freedom to all your creative needs.Port is available in several flavours: Port Regular, being the base version and featuring the whole base character set; Port Regular Decorated, featuring richer forms and containing more ornamentated and more extravagant characters; Port Medium and Port Medium Regular, designed for the occasions you need a bit more thickness and the decoration variants: Port Ornaments, containing a wide set of elements meant for the creation of fillets, vignettes and fleurons, resulting in an almost infinite number of possible combinations to embellish your designs and Port Words, a set of some of the most common words used in English, Spanish, French, German, Italian and Portuguese.It’s strongly recommended that you use it on big sizes, for better performance you can also set the Photoshop text anti aliasing settings to Strong when you type, for a better understanding of all the uses of Port and the full character list I recommend the reading of the manual.
Posterface Font Family 6 Fonts $100
OTF | WoFF | 1 MB
Sirin Font - 1 Font 25$
TTF | WOFF | 2.45 MB
Modern display font Sirin. The font contains more than 8000 ligatures. Based on the aesthetics of the Ligature.
Tolyer Font Family
TTF | 50 Fonts | JPEG Preview | 10.6 Mb RAR
Tornac Font - 1 Font 81$
OTF | WOFF | 33.1 MB
Tornac is casual and informal, with a personality ideally suited to packaging, in-store labelling or even titling in magazines and books. On the surface the font looks casual and jaunty, but this is the controlled movement of a trained calligraphic hand. The characters are carefully designed to always create a flowing handwritten rhythm. Subtle emphasis in stroke width and termination creates the illusion of pressure on the pen.Alternate characters are designed to harmonize with their preceding and following letterforms in various contexts. When used in an application which supports OpenType features, the alternate characters are automatically fully utilized in any text you set. The Standard Edition includes a complete Latin A Extended character set.
VMF GoldMiner Font
In Adobe Illustrator , to use Alternate Character you can open the glyph panel on adobe illustrator and than replace character you want with alternate character. do same in adobe or export file from adobe to another aplication.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Snappy/ Font Family 5 Fonts $175
OTF | WOFF | 1 MB
Snappy is a friendly and curly font. It is influenced by the typical coffee house typefaces in france. It comes along with four weights and one outline font.
Punkerro Crust Font Family 1 Fonts $30
OTF | WOFF | 1 MB
Old Opera Font Family 2 Fonts
OTF | WoFF | 45.8 MB
Linguine Font Family 4 Fonts $80
OTF | WOFF | 1 MB
Linguine is a flowing script family with plenty of automatic ligatures, Swash initials, Small caps and Ornaments. You can easily access these features in any Opentype savvy program.
Letterhead Fonts Foundry Bundle
35 Font Family | 127 Fonts | $9250
Graphique Pro Next Font Family 8 Fonts $160
OTF | WOFF | 1 MB
The original Graphique Pro was designed by the famous Swiss designer Hermann Eidenbenz in 1945 and included one outline shadow style. His idea of a very narrow, very economic headline font became increasingly more popular over the last decades and since the recent trend of layered fonts his idea is more up-to-date than ever. profonts studio now took the idea of the Graphique Pro to its next level: Graphique Pro Next. This layered type family consists of 8 styles which can be combined in plenty of ways to create unique designs. The fonts thereby preserve the outstanding and timeless drawings of the original Graphique Pro font and will add an aesthetic and fresh look to every project.
Please have a look at the Graphique Pro Next Type Specimen for more details about the language support and font layer combinations.
FontFabric Mega Font Bundle
60 Font Family - 474 Fonts 14500$
Fontfabric is an independent type foundry, which was launched at the close of 2008 by type designer Svet Simov who is based in Sofia, Bulgaria. Our goal is to create high-quality fonts which stand in a unique class of their own, and which will serve as a good base for any designer project whether it be web, print, t-shirt design, logo etc.
In less than three years, our Fontfabric collection has grown to almost thirty type families, many of which have become top sellers. Our typefaces are in perfect tune with the current revival of 1970s geometric lettering and ornamentation, a style of graphic design which we loves and admires, while adding subtle new flavors to the repertoire of available fonts.
Demis 2 Fonts $50
OTF | WOFF | 1 MB
Clear Sans Text 10 Fonts $200
OTF | WOFF | 1 MB
Clear Sans™ is a… wait for it… rational geometric sans serif. It is intended to fill a niche… to provide an alternative to the somewhat based-on-vernacular signage, somewhat geometric sans. I hear the word vernacular thrown around too much and too loosely. If a typeface is based in the vernacular, based on hand-painted or hand-crafted signage, then it should be based on the movements of the hand, retain that warmth and not on a pretty geometric model. For me, clean, geometric and precise doesn't have to be cold and expressionless.The original skeleton was hand-painted in 2008 to help determine and inform my decisions going forward. The typeface was completed shortly afterwards at the behest of an old friend for their identity. As usual, I expanded it, but considered retiring it since there were so many things similar out there. Years later, I had a chance to rediscover it and came to the conclusion that it could be improved, expanded in a logical and useful way, and introduced.I would be lying if I didn't admit that the rise of webfonts and embedded type in applications influenced many of the decisions I made about reworking Clear Sans™. Completely new Text and Screen fonts were developed that utitlize larger x-heights, space-saving widths, logical (and simplified) weight offerings… to name a few alterations. Even the pricing of each variant was considered to produce a more reasonable and simple solution for the developer, designer, professional and novice.Clear Sans™ is a departure from my previous sans serifs, but the influences of Aaux Next, Akagi Pro and Halogen are evident.