Graphic Downloads

VMF Pure Black

OTF | 1 Font | JPEG Preview | 4 Mb RAR

Wilder Font

Wilder Typeface is another carefully hand-made font crafted with passion and love :) You can use this font as creative as you want.

OTF + TTF | 1 Font | JPEG  | EPS + AI | 31.2 Mb RAR

Zigarre Font Family

Though Zigarre can easily be categorized a brush script, Jim Rimmer actually drew it using a big marker. Jim’s original face, inspired by inter-war German poster lettering, was a rough one, with the marker’s juicy ink roughing it out all over the place. The smooth version, Zigarre Script, was produced as part of a major update and remastering the design underwent in 2012. Both Zigarre Script and Zigarre Rough come with extended Latin language support, as well as a few built-in stylistic alternates. 20% of this font’s revenues will be donated to a GDC scholarship fund, supporting higher typography education in Canada.

OTF | 2 Fonts | JPEG Preview | 1 Mb RAR

Yma Font

Yma is inspired by 80’s neonlight with an hand-written - brushpen style. Elegant & dynamic with a vintage look. There are also some interesting alternates glyphs.

OTF | 1 Font | JPEG Preview | 11.7 Mb RAR

Yaquote Script Font

OTF + TTF | 1 Font | JPEG Preview | 1.6 Mb RAR

Wallet Font Family

Wallet is an expressive handwritten font with loads of personality, suitable for many different projects. It comes in three styles: Felt, Felt bold and Chalk. Wallet has 391 glyphs and supports multiple languages. Opentype features, such as contextual alternates, for replacing beginning and ending glyphs as you type and double letter ligatures are also included. To make full use of its potential Wallet requires an opentype-savvy application.

OTF | 3 Fonts | JPEG Preview | 4.6 Mb RAR

Version 1 International Font Family

The Version 1 font family is a mannered geometric linear-grotesque, hand drawn and developed by Oliver Jeschke and Oliver Mayer at Tatin Design Enterprises in Basel, Switzerland and Berlin, Germany. It was created in a three-month training and was further developed in the later stages as OpenType font. This type is gone away from the regular tempo of design and for the individual, to decorate with it, to be used for the headline, title and/or award areas.

OTF | 7 Fonts | JPEG Preview | 5.5 Mb RAR

Vanyla 4F Font Family

OTF | 2 Fonts | JPEG Preview | 3.5 Mb RAR

Vandermark Font Family

Vandermark began as a simple daydream of what became the ‘n’ glyph. I considered the elegant balance of a terminal stroke that would never join its supporting stem. The premise was simple, but further experimentation was required for other parts of the alphabet. Vandermark follows a somewhat flexible array of structural rules and curve arrangements that called for considerable sketching to harmonize. The names I choose for my typefaces have to look decent when set in the signature type. Considering its improvisational development, it was only fitting that the namesake is a jazz musician and fellow Chicagoan, Ken Vandermark.

OTF | 2 Fonts | JPEG Preview | 1.3 Mb RAR

Vailsnick Italic Font

Vailsnick Italic is a new display font (2014) that has been designed by M Fairuzulhaq. It contains a combination of Sans, Italic, and Script designs with smooth flowing connections. It contains more than 1500 glyphs, supports multiple languages with Diacritical marks, and playful with Opentype features. Perfect for logotype, headlines, posters, or as a basic font to do custom branding and creative typography. Vailsnick Italic includes:Uppercaps, Smallcaps, Numerals (Modern & Oldstyle), Fractions, and Punctuations. Opentype Features: Stylistic alternates, Ligatures, Discretionary ligatures, Swashes.

OTF | 1 Font | JPEG Preview | 11.3 Mb RAR

Vaccine Font Family

Vaccine is a slab serif font family with a mixture of the usual and one-sided serifs. We call it ‘semi semi slab serif’. Serifs and terminals have soft rounded shapes, but stem junctions on the contrary use hard constructions. Such combination of basic design features makes the font distinct and strong in a setting and delicate and soft in appearance. This design peculiarity, together with low contrast and strong serifs, produces the qualities needed for using the font in small sizes, in low quality print, and in bad reading conditions. Vaccine got modern stylish design and has a prominent place in the set of popular faces. The family consists of 10 members - five weights with the corresponding italics. It can be used in a wide range of applications - magazines, advertising, corporate identity, urban navigation, packaging, children books, etc. Design by Manvel Shmavonyan with the help of Gayane Bagdasaryan as a consultant. Released by ParaType in 2013.

OTF | 10 Fonts | JPEG Preview | 5.4 Mb RAR

Univers Cyrillic Font Family

Univers was designed by Adrian Frutiger on Swiss principles for Charles Peignot at Deberny & Peignot. Frutiger imposed strict discipline across all elements of the series, from light to dark, extra condensed to extended, a concordance of design that was possible in the foundry type and photocomposition fonts. Any version may be mixed within a word with any other. It may be argued that the design of the most popular central series is limited by strict conformity to little used extremes. If Helvetica gives us the strongest central designs at some sacrifice in uniformity across the series, Univers gives us a uniform series by disciplining the central designs. Alteration of character widths required by the Monotype caster separates Monotype Univers from the original; the Linotype photocomposition version, designed by Frutiger, has a more even color across the series, achieved by relaxing the original rigid formula for stroke width.

OTF | 19 Fonts | JPEG Preview | 1.6 Mb RAR

Ultima Font Family

Ultima is a rounded geometric monoline typeface family, built in ten styles. The typeface is ideal for use in display sizes, though is quite legible in text. Ultima is released as OpenType single master with a Western CP1252 character set.

OTF  | 10 Fonts | JPEG Preview | 4.6 Mb RAR

Tushi Font Family

Tushi is a handmade fontface with twist in two styles: regular and italic. Tushi is recommended for use as a display typeface.

OTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR

Trump Soft Pro Font Family

Trump Soft Pro is the softer, round-cornered version of Trump Gothic Pro, the popular condensed gothic seen on films, magazines, book covers and frashion brands all over the globe. Trump Soft offers a friendlier grade of the same economic functionality, clear modular aesthetic and extended character sets as Trump Gothic. The sharper Trump Grothic series is a reconception of ideas from Georg Trump’s seminal 1955 Signum typeface and its later reworking (Kamene) by Czech designer Stanislav Marso. Originally cobbled together for a variety of film projects in the late 1990s and early 2000s, the Trump Gothic family was made available for the general public in 2005. Shortly thereafter, it became extremely popular. It continues to be used extensively today. In 2013, the typeface was redrawn, refitted, optimized and greatly expanded into a multiscript family of six fonts, each containing over 1020 glyphs and a wealth of OpenType features, including small caps, caps-to-small-caps, stylistic alternates, unicase/monocase alternates, fractions, ordinals, class-based kerning, and support for Latin, Cyrillic and Greek locales.

OTF | 6 Fonts | JPEG Preview | 3.1 Mb RAR

Transat Font Family

Transat is a geometric sans serif typeface, with caps inspired by Art Deco signage — found inside the “Gare Maritime” (literally “sea station”) ocean liner terminals in both Le Havre and Cherbourg, France, in the early 1930s. The name “Transat” is the common shortening of “Compagnie Générale Transatlantique,” the company that operated majestic ocean liners like the SS Normandie out of Le Havre from 1862–1974. (Transat also has a more rational text-friendly companion font, "Transat Text"). Transat includes many OpenType features, such as ligatures (ff/ft/fft), small capitals, case sensitive forms, stylistic alternates, arbitrary fractions, and a full complement of proportional, tabular, and oldstyle figures. Transat is released in 5 weights plus including optically-corrected obliques.

OTF | 10 Fonts | JPEG Preview | 8.3 Mb RAR

The Hand Font Family

The Hand is a handwritten font designed by Fanny Coulez and Julien Saurin from French foundry La Goupil Paris. We wanted to create the most generic, readable and balanced handwritten font, to work well in every kind of design. It’s an all-caps font with 5 weights and alternates : all the uppercase letters are different from the lowercase letters. We also designed a regular dotted version so you can vary your effects. Merci beaucoup!

OTF | 6 Fonts | JPEG Preview | 4.9 Mb RAR

String Font Family

Inspired by the sound of acoustic guitars, delicacy of harps and elegance of the engrossers script, String is a trendy monoline font which will for sure make unique layouts for your pieces of design. Combining String with String Hole in the same word is a good idea when a more playful rhythm is needed. The font works particularly well when standing on photographs, so be ready to use it in magazines with food, landscapes or super models. I like thinking of String as a distilled version of Erotica. A more “pure” relative of hers. When I designed Erotica, I was so in love with the spencerian style that I knew it'd be hard to just abandon it. With that in mind, this time my aim was to take the subtlety of it to the limit. So, in order to do that I had to find out what was actually the secret of its beauty. I found that the essence of Erotica, in other words, its ductus was the most responsible. The result is a font made of hairlines with a lot of emphasis on the pureness of the form and, (with a lot of inspiration in music) the sensation of continuity between its letters as if they were written with a string. Try String and its flowing melody.

OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR

Strima Font Family

Strima is a geometric sans serif typeface that stands for minimalism and legibility. With over 1000 glyphs and extensive language support Strima offers full professional typographic features. The Strima family consists of 4 weights: light, book, medium and bold.

OTF | 4 Fonts | JPEG Preview | 4.2 Mb RAR

Stay Gold Font

Stay Gold Script is a highly usable, powerful typeface. Perfect for everything from street wear brand to wedding invitations, sports team logos to band logos. Use it however you see fit. Just one thing - it’s not designed for all-caps settings.

OTF | 1 Font | JPEG Preview | 4.8 Mb RAR

Starburst Font

Starburst is a gestural light script, created initially with an oblique nib for Copperplate and pencil. The idea was to interpret a real expressive energetic and gestural calligraphy, playing with pressures and angles following always a very dynamic flow. Rhythmical and full of grace, Starburst is the best fusion between calligraphy and typography. Every stroke has been sketched first by Giuseppe Salerno.

OTF | 1 Font | JPEG Preview | 10.4 Mb RAR

Stag Dot Font Family

Commissioned for Las Vegas Weekly, these two variants on the Stag original capture the unique spirit of Las Vegas. The two weights use very different approaches to the idea of building type out of dots: the Bold follows a strict grid, while the Thin faithfully follows the contours of the original Stag Thin. Designed by Christian Schwartz, 2008

OTF | 2 Fonts | JPEG Preview | 5.3 Mb RAR

Spoon Font Family

Spoon is a fresh and contemporary sans-serif that can be used in wide range of project. Its skeleton of letterform is geometrically-based and minimal but the body was designed with a touch of humanistic outlines as though they were handwritten. This not only make the font clean, legible and functional, but also make it possible to give natural, friendly and soft impressions. Spoon comes in seven weights with matching italics and includes diacritics for most European in each weight.

OTF + TTF | 14 Fonts | JPEG Preview | 4.4 Mb RAR

Sparkle Script Font Family

Sparkle is an expressive yet legible monoline font, benefiting from OpenType with nearly 800 glyphs for alternate letterforms, smooth ligatures, complimentary sans-serif small caps, accents, and a variety of swashes.

OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR

Sparhawk Font Family

Sparhawk in its obvious form is a 3D layered display font, but it’s packed with over 300 swashes, extremely rare in the 3D font world. Every single swash is hand-drawn for extreme organic realism. The lowercase are small caps and the swashes are designed to be used mostly with the lowercase letters (top and drop swashes), but the drop (bottom) swashes also work well with all caps. Sparhawk’s large character set and plethora of alternates makes it perfect for logo type, birthdays, weddings, bands… the list goes on. All features include: 8 Awesome Layer Styles, 15 sets of Stylistic Alternates (over 300+ Individually Drawn Swashes), Double-Letter Ligatures for upper and lowercase, and Contextual Alternates.

OTF | 9 Fonts | JPEG Preview | 4.7 Mb RAR

Spacelord Font Family

Spacelord is inspired by vintage toys from the 1950s and 1960s. It refers to the box art of robots, spaceships, x-ray-guns and other cosmic trash treasures of this golden science fiction age. Aboard the lord: four, three, two, one, zero!

OTF | 5 Fonts | JPEG Preview | 7.1 Mb RAR

Solido Compressed Font Family

Solido is a very versatile and usable type system with five widths: Solido, Solido Constricted, Solido Condensed, Solido Compressed and Solido Compact, in a total of 35 fonts with many of alternate characters.

OTF | 6 Fonts | JPEG Preview | 4.1 Mb RAR

Softipen Script Font

OTF | 1 Font | JPEG Preview | 5.2 Mb RAR

Social Gothic Font Family

When Social Gothic first launched in 2007 as a basic single font, it became an instantaneous branding and advertising favorite. It saw wide use by a few fashion outlets and department stores, then soared to new heights of exposure when it became the main face for Sears and the billboard cause standard for a few charity outfits and political organizations throughout Canada’s major urban centres. Social Gothic is a monocase font that combines standard sans serif elements with some distinct “wooden” shapes and oval lowercase components, to make for a totality that achieves a handmade look while maintaining a message delivery that is clean, legible, understated and easy on the eyes. It is a gothic with strongly humanist leanings, something seldom found in the sans serif genre. And now, this newly released Social Gothic family is the re-conceptualized, refined and optimized redux of the many bespoke versions that were commissioned and customized for various proprietary brands and projects over the years. The remastered set consists of four multi-script weights, rough and soft variations, and a very unique stencil treatment. Each of the Social Gothic fonts contains over 550 glyphs and supports over 45 languages.

OTF | 7 Fonts | JPEG Preview | 4.5 Mb RAR

Sketch Caslon Italic Font

Sketch Caslon Italic is a hand-rendered display typeface with its formal base in the structure of the types of William Caslon.

OTF | 1 Font | JPEG Preview | 1.1 Mb RAR

Seravee Font Family

Seravee was inspired by the significant style of Modern (Didone) Typography. The bolder they become, the more exquisite and stylish along with excellent legible at the same time. Designed by Stawix Ruecha, Bangkok based type designer. Rather than programing process, geometric forms as they were, each weight was well-crafted manually by hand as a result of humanistic sense. Through various weight ranges (Black, Bold, Regular and Light), to ensure that Seravee will perfectly cover all aspects of usability in every layout.

OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR

Sensational Sans Font Family

Sensational Sans is an original design by Alex Kaczun. The inspiration started with the shape of a paper clip. Simple and elegant. A condensed sans serif that’s, well... just sensational! It’s a delight to use and view. Great for advertising, large headlines, web applications, and well... just about anything. Works equally well in a broad range of text point sizes. Comes in 4 delightful flavors—Light, Regular, Medium and Bold.

OTF | 8 Fonts | JPEG Preview | 4.5 Mb RAR

Selfie Font Family

Selfie is a connected sans serif based in vintage signage scripts seen in Galerías of Buenos Aires. These places are, in general, very small shopping centres which pedestrians sometimes use as shortcuts to get to other parts of the city. Their dark corridors take you back in time, and all of a sudden you are surrounded by cassettes, piercings, and old fashioned cloth. For some reason, all these shops use monolined geometric scripts. Surely, neon strings are easier to manipulate when letterforms have simple shapes. My very first aim with Selfie was to make a font that would serve as a company to those self-shot pictures that have become so popular nowadays. However, the font turned into something more interesting: I realised it had enough potential to stand-alone. Selfie proves that geometry itself can be really attractive. In this font, elegance is not achieved with the already-known contrast between thicks and thins of calligraphy, but with the purity of form. Its curves were based in perfectly shaped circles which made the font easy to be used at different angles (some posters show it at a 24.7º angle) without having problems/deformities. In addition to its nice performance when used over photographies; the font can be a good option for packaging and wedding invitations.

OTF | 5 Fonts | JPEG Preview | 13.5 Mb RAR

San Rafael Font Family

Clear skies. Crisp air. Ripe organic produce. Artisan bread at the farmer’s market. Olives. Fragrant bouquets. Guernseys in the meadow. Glimpses of the Golden Gate and the city on the bay. Afternoons in the forest, foraging mushrooms. Day trips to wine country. Toasting to love, peace & hope with good friends. Dungeness crab fresh off the boat. Walks to the Mission with fair-trade coffee in hand. Sharing buttery homemade cupcakes. San Rafael lives the good life! A flirty, sweet hand lettered font, San Rafael strikes just the right balance between sophisticated and casual. San Rafael Mission is perfect when you desire a more generous open breezy feel. San Rafael and San Rafael Mission have a lovely collection of alternative glyphs & ligatures accessible in any OpenType aware application. They are perfect for labels, packaging, logotypes, book titles, gifts & stationery goods. San Rafael pairs beautifully with other Tart Workshop fonts, especially Carrotflower and Sugarplum.

OTF | 2 Fonts | JPEG Preview | 4.4 Mb RAR

Saline Font

Saline is a angular and bumpy brush script. It includes set of nautical ornaments as a OpenType feature.

OTF | 1 Font | JPEG Preview | 5.3 Mb RAR