PF Square Sans Condensed Pro Font Family
Square Sans Pro is one of Parachute’s most popular typefaces. It has been used by the likes of companies such as Samsung and organizations like the European Commission. Now a new version has been released. Square Sans Condensed Pro is a square-shouldered, modern and self-assured text typeface which lends style to a variety of projects. With its generous x-height, full-bodied counters and uniform stroke weight, it provides high legibility and uniform typographic color at all sizes. This is an exceptionally warm and comprehensive type family -with slightly rounded edges and softened curves- which possesses a robust and friendly appearance. The family consists of 12 fonts -from extrablack to thin- including true italics. It supports opentype features like small caps, fractions, ordinals, etc. and offers multilingual support for all European languages including Latin, Greek and Cyrillic.
OTF | 12 Fonts | JPEG Preview | 4.4 Mb RAR
Patriciana Font
OTF | 1 Font | JPEG Preview | 3.4 Mb RAR
Pasarela Font Family
The street is the new runway. Pasarela is a display typeface inspired by the new culture of fashion in the streets. A global phenomenon across continents, traveling through social networks, fashion bloggers and street style. Everything is possible, everything is combined. The new culture of fashion is eclectic with hints of each culture at miles away. The complexity generated by the start page of this mix styles is solved perfectly with his neutral and clean tone, streamlined structure and thin strokes. It has been designed in two weights plus a set of borders that can generate graphic compositions for application in blogs, magazines, posters and tv. No one needs to be a fashion victim to cross the pasarela.
OTF | 5 Fonts | JPEG Preview | 4.5 Mb RAR
Parfumerie Script Pro Font Family
Take a look at the User’s Guide at the Gallery section for technical information. After the success of Aphrodite Slim (One of MyFonts' best fonts of 2009, which was co-designed with Maximiliano Sproviero) Typesenses presents Parfumerie Script, designed by Sabrina Lopez. With more than 2500 glyphs, Parfumerie is unique amongst the others in its style because it is based on the author’s calligraphy. One of its variables is a Decorative option which combines Copperplate Calligraphy with an ornamental form native of Buenos Aires (where Sabrina lives), the ‘Filete Portenio’, which makes it look original amongst the other fonts. Sabrina has exclusively designed this font for two years, with an obsessive adjustment, in order to provide the world with one of the best scripts ever made. With the idea of ‘Endless way to write a word’, lots of glyphs were Open-type programmed so that users can dive into many alternates and ligatures according to their language.
OTF | 6 Fonts | JPEG Preview | 7 Mb RAR
Pancetta Pro Font Family
Pancetta Pro is a squarish sans-serif typeface with semi-closed aperture and pillow-shaped terminals. The shape of a pillow is furthermore used to enliven the boring horizontal stems which are very frequent in Cyrillic script, and get rid of the right angles.
TTF | 16 Fonts | JPEG Preview | 4 Mb RAR
Neuron Angled Font Family
Neuron Angled is based in the idea of Neuron, the original font designed in 2012 by Corradine Fonts' team, keeping from its predecessor the proportions and slight narrowness. In this version the rounded edges are replaced by sharp contours and flat endings. A broader typographic system is proposed in Neuron Angled to obtain a versatile and modern typeface without missing its original distinctive style. The neutral aspect of the family allows its application in a wide range of projects specially in those related with branding, signage and editorial design. The Neuron Angled family consists of four styles with eight weights each one, for a total of thirty two fonts. The different fonts of the family are not just complementary to each other, but can be used to complement the original version of Neuron. Its wide character map provides coverage for Western European, Eastern European and Cyrillic scripts.
OTF | 32 Fonts | JPEG Preview | 5 Mb RAR
Neue Aachen Font Family
Impressed by the quality of the Aachen typeface that was originally designed for Letraset in 1969 and extended to include Aachen Medium in 1977, Jim Wasco of Monotype Imaging has extended this robust display design to create an entire family.
OTF + TTF | 18 Fonts | JPEG Preview | 4.4 Mb RAR
Neubau Font Family
Neubau is a condensed geometric display typeface, designed in 2009. The inspiration for this face came from Joost Schmidt lowercase letters developed during 1925-28 in Bauhaus Dessau. Schmidt was one of the proponents of New Typography – a movement advocating the use of only lowercase letters which were constructed strictly geometrically using only ruler and compass. Neubau family consists of two subfamilies - Neubau Sans and Neubau Serif, each of them in three weights - light, regular and bold. Neubau typeface is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.
OTF | 6 Fonts | JPEG Preview | 4.1 Mb RAR
Neubau Grotesque Font Family
Neubau Grotesque is an upright italics variation of Neubau Sans and is built in three weights. The main difference of this typeface is that it presents a softer and more human look (less techno), while retaining the condensed geometric structure of its counterpart. Neubau Grotesque is recommended for use as a display font, and has been generated in a single OpenType format with Western CP1252 character set.
OTF | 3 Fonts | JPEG Preview | 4.1 Mb RAR
Neacademia Font Family
Neacademia is a Latin and Cyrillic type family inspired by the types cut by 15th century Italian punch-cutter Francesco Griffo da Bologna for the famous Venetian printer and publisher Aldus Pius Manutius. The family is designed for lengthy texts of an appropriate nature such as classical literature and art. Different versions of the typeface are optimized for specific point sizes as was traditional in metal type. Recent history of digital type left us surrounded by regularity and perfection in text fonts-- a trend that will only intensify with a switch to digital media. Contemporary luddites with their love for letterpress and hand-made materials are running out of suitable fonts. For that reason, the typeface was designed with specific allowances for letterpress photopolymer printing. When printed digitally, it can tolerate and even benefit from low resolution, rough paper, and low-grade presswork. Neacademia also has a more traditional approach to kerning and caps spacing. Instead of a multitude of kerning pairs, it makes use of alternative contextual letterforms to improve letter spacing. In many ways, it feels like using metal type again! This carefully crafted family already proved its qualities in the Modern Cyrillic 2009 competition where it was awarded in a the “type system” category. Rosetta will introduce the rest of the optical sizes in the course of the following year.
OTF | 4 Fonts | JPEG Preview | 4.3 Mb RAR
Nautica Font Family
Nautica is a new script typeface based on Copperplate’s ductus. High in contrast, it is a very original type with a strong character. With over 800 glyphs and extensive language support Nautica offers full professional typographic features. Ligature and swashes are more inspired by brush pen strokes. Nautica provides three weights and one set of usefull icons and knots to improve you graphics.
OTF | 4 Fonts | JPEG Preview | 21.4 Mb RAR
Naturalia Font Family
Naturalia font was designed by Carlos Fabián Camargo in 2012 and suggests an ultra-narrow, spontaneous and winding handwriting lettering, it is great for composing short and striking sentences. His idea behind not only alludes asymmetrical shapes but simple glyphs that compact vertical and tight proportions between lower case and upper case letters. Indeed, lower case letters have ascendant and descendant strokes shorter than the “x” height and width is generally condensed, saving horizontal space and supporting monolinear amount of contrast between thick and thin strokes accompanied by their sans serif endings. Most importantly, its full and empty arrhythmic areas consolidated variety of thicknesses simulating strokes that seem naive letters freehand draw.This lack of homogeneity is very useful for ranking words and phrases in eye-catching graphic design advertising events, culture, fun and entertainment. In that sense, his spontaneity is enhanced by OpenType features, “Swash” and “Titling” with decorated letters that move your baseline up and down as carousel. Finally, typographical and naif fusion holding Naturalia concept generates galloping reading useful for ranking short and folk sentences with calibers: Light, Book, Bold and Black. Thus, each “Pro” version has 350 glyphs with some features OpenType Swash, titling and Standard Ligatures. Naturalia also works in software without full OpenType functionality, for that it is recommended to use the remaining options. In order to emphasize the degree of hierarchy and as a special and distinctive feature, the variable Naturalia Black was designed with roundness and slight deterioration contours and also coated frames with zigzag edges that give the impression of black paper cutouts with white letters.
OTF | 13 Fonts | JPEG Preview | 4.9 Mb RAR
Narziss Pro Cyrillic Font Family
Since Mommie, I gradually got more into swirly ornaments. The massive contrast in the neoclassic style is perfect for thin swirly extentions to the characters. Even in an upright typeface. Narziss is very elegant in big headlinesizes. Use it only very big. What was the inspiration for designing the font? spencerian calligraphies and neoclassic contrast. What are its main characteristics and features? Narziss is very elegant in very big sizes. The Regular version is without any ornament. The Drops version has some character like the e and the k that are more unique. The Swirls version has got carefully added swirls, that come out of the basic stroke and flow into other characters. Usage recommendations: Big headlines in magazines, brochures and invitations.
OTF | 21 Fonts | JPEG Preview | 4.7 Mb RAR
Mrs Green Font Family
Mrs Green is a great typeface for short texts, invitations, headlines, logotypes and advertising. We’ve started with a heavy capital G and A. At the beginning it was supposed to be just one fat style (still our favorite). But after a few months we’ve ended up with a family of 20 styles. It has contextual alternates, fractions, four types of figures (old style, lining, superior and inferior), ordinals and a case feature.
OTF | 20 Fonts | JPEG Preview | 4.3 Mb RAR
Meritage Font
OpenType users benefit from alternate lowercase characters, crossbar ligatures for common letter pairings, case sensitive quotes and smart apostrophes. Other goodies include optional old style numerals and a few clip-on swash elements, accessible by keyboard or supporting application’s OpenType glyph menu. Meritage Pro extends the character set to support Eastern European and Baltic languages.
OTF | 1 Font | JPEG Preview | 17.1 Mb RAR
Memoriam Font Family
The tradition at the New York Times magazine has been to dedicate the year’s last issue to the people who passed away during the year, especially those whose lives have affected us. Art director Nancy Harris Rouemy, whose typographic design sense has earned her many prestigious awards over the years, decided on an all-type magazine cover for the 2008 issue, and commissioned Canada Type to do a new typeface especially for that project. Now Memoriam is finally here in retail form—not least because hundreds of people have asked for it. Though a few other Canada Type faces were used in the magazine with great results over the preceding months (mainly Ambassador Script and Sympathique), Nancy thought a some of the ideas in Jezebel's uppercase and Treasury's lowercase would be a good fit onto an all-type commemorative cover, but with a much higher contrast and the infusion of a more luxurious and elegant brand of poster calligraphy that doesn't date itself. After a few different attempts, the first shapes were born, and six weeks later there were enough forms to do the cover. The typeface was such a success with the editors and designers, it was used all over the magazine, instead of just the cover.
OTF + TTF | 4 Fonts | JPEG Preview | 4.4 Mb RAR
MB Noir Font Family
MB NOIR is a 4 weight with italics font family that visually has different layers of style, at first glance its a modern clean geometry based face with some nice retro touches, it also has hints of the vintage about it, with a nod to the art deco style, with alternates and ligatures it gives a lot of scope for its uses and works very well at large and small sizes.
OTF | 8 Fonts | JPEG Preview | 5.5 Mb RAR
Madurai Font Family
The rounded forms found in Chennai have proven to be one of insigne’s more popular designs for web-based company logotypes. Now, insigne’s new superfamily Madurai takes its popular predecessor to a new level, offering a wide range of complementary fonts. Madurai removes Chennai’s rounded stems and then adjusts the character width to account for its reduction in geometry, resulting in a balanced sans-serif face with humanist touches that works well for extended text. The Madurai family has a full range of six weights from thin to black and includes Condensed and extended options for a total of 36 fonts. All members of the Madurai series include a wide variety of OpenType alternates. Madurai is equipped for complex professional typography, including alternates, small caps and plenty of alts, including “normalized” capitals and lowercase letters that include stems. The face also has a number of numeral sets, including fractions, old-style and lining figures with superiors and inferiors. OpenType-capable applications such as Quark or the Adobe suite can take full advantage of automatically replacing ligatures and alternates. You can find these features demonstrated in the .pdf brochure. Madurai also includes the glyphs to support a wide range of languages, including Central, Eastern and Western European languages. In all, Madurai supports over 40 languages that use the extended Latin script, making the new addition a great choice for multi-lingual publications and packaging. For your next project, explore the fantastic potential of Madurai.
OTF | 36 Fonts | JPEG Preview | 3.8 Mb RAR
Lullaby Font
Lullaby is a display font that works great for headlines, posters or logotypes. With its regular rhythm, soft lines, some non-standard ligatures and two versions of each character (caps as alternatives), it gives many possibilities for any kind of typographic artworks. It works best with auto kerning in OpenType savvy applications.
OTF | 1 Font | JPEG Preview | 4 Mb RAR
Lettre Font Family
Lettre is a geometric serif font designed by Pablo Sinn. Thanks to its imperfections, this font looks like it is hand-lettered. Lettre brings back nostalgic feelings of mechanical typewriter characters and recovers the essence of the rustic and natural, what makes it a very modern typeface.
OTF | 2 Fonts | JPEG Preview | 4.3 Mb RAR
Lasagna Font Family
TTF | 2 Fonts | JPEG Preview | 4.5 Mb RAR
Lapis Pro Fonts Family
Lapis was Jim Rimmer’s venture into a territory he'd earlier explored with his Lancelot and Fellowship faces. This time he stayed much longer, dug pretty deep, and had plenty of fun in there. The end result is the kind of mosaic of influences only a guy like Jim could consider, gather, manage and apply in a way that ultimately makes sense and works as a type family. On the surface Lapis seems like something that can be billed as what Jim would have called an “advertising text face”. But under the hood, it’s a whole other story. On top of the calligraphic, nib-driven base Jim usually employed in his faces, Lapis shows plenty of typographic traits from a variety of genres, from Egyptian to Latin, from blackletter angularity to Dutch-like curvature, with an overall tension even reminiscent of wood type. There are some Goudy-informed shapes that somehow fit comfortably within all this. Then it’s all strung together with a mix of wedged, tapered and leaning serifs, placed with precision to reveal expert spontaneity and a great command of guiding the forms through counterspace.
OTF | 6 Fonts | JPEG Preview | 5.9 Mb RAR
Jubilat Font Family
Jubilat explores the history of the slab serif in six weights, with generous curves and efficient spacing in both dimensions. Its large lowercase and high contrast make it suitable for headlines, decks, and sidebars. Jubilat is our charter OpenType family, and employs three stylistic sets for hybrid, antique, and geometric alphabets. It also includes alternates, ligatures, case-appropriate punctuation, loose fractions, and broad language support. Developed with input from publication designers on four continents, Jubilat has also been field-tested in diverse circumstances, from dailies on newsprint in the Middle East to high-gloss fashion bibles in the subtropics.
OTF | 12 Fonts | JPEG Preview | 5.5 Mb RAR
Jolly Font
Jolly is a cheery, little display typeface that is suitable for headlines and informal body-copy. Being slightly slanted to the right, jolly has a fairly positive straightforward appearance which makes it pleasant to read. Its various Open Type features, such as swashy alternates for the capitals, ligatures and stylistic alternates as well as the small caps and the extended language support make it versatile and open for different applications.
OTF | 1 Font | JPEG Preview | 4.8 Mb RAR
Idea Font Family
OTF | 3 Fonts | JPEG Preview | 3.8 Mb RAR
Hiatus Font
Hiatus bridges the gap between formal scripts used for invitations and more classic settings and casual scripts that exude a warmer tone. Like many formal scripts, Hiatus is fully connecting. Its low body height combined with generous letterspacing adds an elegant profile to lines of text. Like casual scripts, Hiatus has a warm, hand-lettered appearance with great rhythm. Solid in structure; Hiatus also sets well at smaller sizes. Type enthusiasts will enjoy the variety of options. For optimal text flow, both letters and ligatures have alternate versions programmed to come in at the appropriate place for both beginnings and endings as well as in various contextual settings. In addition, there are variations and flourished versions of almost every letter and ligature. Some ligatures have as many as 12 variations. Also included are fractions, a set of old-style numbers, and a set of ornamental flourishes. Hiatus is a unique contemporary script with the strength of a time-tested classic. Please note that this version supports a wider range of languages compared with the lower-priced version available through other channels.
OTF | 1 Font | JPEG Preview | 1.2 Mb RAR
Haegtor Font
«HAEGTOR» combined a kind of lettering with a calligraphic touch. Beside the upper and lower case latin basic letters there are numerals designed, lining and also medieval, alternate letters, west european diacritics, ligatures, additional characters, lines and symbols, mathematic symbols, open type features ...
OTF | 1 Font | JPEG Preview | 5.5 Mb RAR
Globe Script Font
A casual semi-connected script, Eubie Script's letterforms rise and drop to create surprising word shapes, helped by position-specific ligatures and contextual alternates. With tenacious rhythm and dynamic connections, Eubie Script gives power to your headings and overlays.
OTF | 1 Font | JPEG Preview | 4.1 Mb RAR
Giorgio Sans Font Family
Giorgio Sans takes Giorgio’s elegance in new and unexpected directions, again being designed for Chris Martinez at T, the New York Times Style Magazine. With more style than the typical condensed sans, it features an alternate set of round titling capitals for a truly unique look. The Heavy and Black weights were added by Vincent Chan in 2012.
OTF | 12 Fonts | JPEG Preview | 8.6 Mb RAR
Gibbs Font Family
Gibbs is a tough, sophisticated sans, named for prolific maritime architect William Francis Gibbs and inspired by his greatest design, the record-breaking mid-century luxury liner SS United States. Taking various cues from the unique cast aluminum signs found on board, the result is truly transatlantic — somewhere in between industrial American vernacular lettering and the English humanist styles of Gill or Johnston. Both stylish and comfortable to read, and with an extensive list of OpenType features, Gibbs allows you to set quality type with ease at both text and display sizes. Built in 1952, the beautiful United States was the most revolutionary ship in the world when new. After a flawless 17-year career, she now sits unused and is in danger of scrapping. Her current owner, the non-profit SS United States Conservancy, wishes to restore the ship as a vibrant waterfront development and museum for future generations to enjoy for decades to come.
TTF | 12 Fonts | JPEG Preview | 7 Mb RAR
Gelder Sans Font Family
A clean modern sans serif typeface. The balanced proportions of each character demonstrate great legibility at both small and large scale. The distinctively open apertures further improves visibility when used across the web and hand held devices. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.
TTF | 18 Fonts | JPEG Preview | 4.3 Mb RAR
Geegantic Font
The rainforest of Borneo which has a wealth of big trees and lush is the basis of inspiration of the Geegantic font. Therefore Geegantic has little difference with a similar font that usually appear in the feminine form. As you can see, Geegantic has the form of contrast stroke, a thick and casual. As display fonts, Geegantic aims to touch the needs of the general usage of displays, branding and advertising. However, under certain conditions, it is also possible to fill the text area.
OTF | 1 Font | JPEG Preview | 5.7 Mb RAR
Formular Font Family
If you were a grotesque in mid-20th-century Switzerland, you were expected to be serious and proper, if a little dull. Unlike its dogmatic Modernist predecessors, Formular is a hip Swiss sans serif of the new generation. Inspired by the utilitarian 19th-century grotesques, its precision and and versatility are combined with a slightly eccentric character. A child of its time, it scoffs at the ideology of ?ideal” forms, yet it is every bit as functional for all its idiosyncrasies, as any self-respecting Swiss sans. Formular comes in five weights with corresponding italics and a monospace companion to the regular weight. Each weight includes special extra-light punctuation, lining tabular and old style figures, case-sensitive punctuation, and stylistic alternates.
OTF | 10 Fonts | JPEG Preview | 6.9 Mb RAR
FF Meta Font Family
German type designer Erik Spiekermann, created this sans FontFont between 1991 and 2010. The family has 28 weights, ranging from Hairline to Black in Condensed and Normal (including italics) and is ideally suited for advertising and packaging, book text, editorial and publishing, logo, branding and creative industries, small text as well as web and screen design. FF Meta provides advanced typographical support with features such as ligatures, small capitals, alternate characters, case-sensitive forms, fractions, and super- and subscript characters. It comes with a complete range of figure set options—oldstyle and lining figures, each in tabular and proportional widths. As well as Latin-based languages, the typeface family also supports the Cyrillic, Greek, and Hebrew writing systems. In 2011, FF Meta was added to the MoMA Architecture and Design Collection in New York.
OTF | 10 Fonts | JPEG Preview | 5.1 Mb RAR
Ferforje Font Family
In Turkish, Ferforje, is originally a French word and written as "en fer forgÈ", which means wrought iron. Nearly all over the world, the doors, the windows and many more parts of the houses are decorated with decorative wrought iron. The stylish and mysterious configuration of the wrought iron had been the source of inspiration for “Ferforje”. Ferforje had been built up with quite smart and unique borders and frames. With Ferforje borders and frames, unlimited variations can be created. With Ferforje, you can decorate your designs.
TTF | 2 Fonts | JPEG Preview | 5.2 Mb RAR