Graphic Downloads

Umbria Font Family

Umbria is a decorative display typeface ideal for use in titles, logos, magazines, posters, as well as short text paragraphs.

OTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR

YWFT Trisect Font Family

The visual design of YWFT Trisect was inspired by retro soccer/football jerseys and their triple line, number style. We spent many years in the early 90‘s dreaming of creating this face, but each attempt brought on numerous challenges until we finally achieved a working version around 1998-1999. Multiple clients and customers have used YWFT Trisect since its inception in 1999, including Architecture Magazine, MTV (on air), Wired Magazine, Computer Arts Magazine, the hat store Lidz (signage), along with numerous other companies. YWFT Trisect was converted to opentype format in 2010.

TTF | 8 Fonts | JPEG Preview | 4 Mb RAR

Antlers Font

OTF | 1 Font | JPEG Preview | 1 Mb RAR

Alternate Gothic Font Family

OTF | 3 Fonts | JPEG Preview | 1 Mb RAR

Albion's Americana Font Family

Albion’s Americana is a fun display family and a tribute to our transatlantic friends. The stars and stripes motif is applied to an American inspired all capitals Roman display face, producing something that is bold and boisterous and well...American. The regular face is intended for conventional use, while the ‘Black’, ‘Red’, ‘White’ and ‘Blue’ faces are designed to facilitate patriotic multi-coloured lettering (of course, you can use other colours as well). It’s worth trying out different combinations here- Black and White alone work well, as does read, white and blue minus black. Albion’s Americana Companion is also offered, intended as a small or all capitals face for subsidiary lettering. Next time you need some graphic typesetting with that American feel, this is your answer!

TTF | 6 Fonts | JPEG Preview | 9.2 Mb RAR

Albert Font

TTF | 1 Font | JPEG Preview | 4.4 Mb RAR

Akzidenz Grotesk BE Font Family

OTF | 22 Fonts | JPEG Preview | 1.8 Mb RAR

Adobe Garamond Font Family

Adobe Garamond™ was designed by Robert Slimbach in 1989. The roman weights were based on the true Garamond, and the italics on those of punchcutter Robert Granjon. This font has been expanded to include small caps, titling caps, expert fonts, and swash caps, which were typical in the fifteenth and sixteenth centuries.

OTF | 21 Fonts | JPEG Preview | 1.2 Mb RAR

Adobe Garamond Pro Font Family

An Adobe Originals design, and Adobe’s first historical revival, Adobe Garamond is a digital interpretation of the roman types of Claude Garamond and the italic types of Robert Granjon. Since its release in 1989, Adobe Garamond has become a typographic staple throughout the world of desktop typography and design. Adobe type designer Robert Slimbach has captured the beauty and balance of the original Garamond typefaces while creating a typeface family that offers all the advantages of a contemporary digital type family. With the introduction of OpenType font technology, Adobe Garamond has been reissued as a Pro type family that takes advantage of OpenType’s advanced typographic capabilities. Now this elegant type family can be used with even greater efficiency and precision in OpenType-savvy applications such as Adobe InDesign.

OTF | 6 Fonts | JPEG Preview | 1 Mb RAR

Accord Alternate Font Family

The main difference between Accord Alt and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”. The Italics are designed at an italic angle of 10 degrees. All the letter forms have been kept similar while designing italic instead changing the form e.g. ‘a’ remains same double story in italic also instead changing it to single story. The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.

OTF | 7 Fonts | JPEG Preview | 4.6 Mb RAR

ABTS Oklahoma Font Family

OTF | 4 Fonts | JPEG Preview | 1 Mb RAR

Abstrak BF Font

A delightfully odd assortment of characters: some letters are futuristic in design, while others are derived from classical Greek forms.

OTF | 1 Font | JPEG Preview | 1.2 Mb RAR

Avenir Font Family

Avenir was designed by Adrian Frutiger and released by Linotype-Hell AG in 1988. The design is based on two earlier sans serif typefaces, Erbar and Futura. Avenir is unusual in that it has weights that are similar, but each is designed for a different purpose. For example, the Light and Book weights are similar, but Book is most appropriate for text blocks while the Light is better for adding a contrasting element (perhaps a heading) to a heavier weight. These weight selections also allow for optimal results under varied printing conditions. Use the bold and extra bold weights of Avenir for emphasis with the light, book, and medium weights.

OTF | 12 Fonts | JPEG Preview | 1 Mb RAR

Aya Script Font Family

Be connected. Create ribbons of flowing text with Aya Script Ribbons. Warm, cheerful and handlettered in pen & ink, Aya Script Ribbons is an OpenType font with a healthy collection of alternates & ligatures. The ribbons automatically connect and mirror each other upon entry & exit or you may select individual ribbons segments to create a random look. Be free. Use Aya Script when your words need to stand alone. Aya Script is a friendly opentype font handlettered in pen & ink with a healthy collection of alternates & ligatures. She’s easy to read and loves stationery, books and logos.

OTF | 2 Fonts | JPEG Preview | 2.7 Mb RAR

Bell Centennial Font Family

Matthew Carter designed Bell Centennial in 1978 specifically for AT&T Corporation (the name honors their 100th anniversary) to use in telephone books. Carter developed it to have high legibility at small sizes, and for composition on high-speed, cathode-ray-tube composing machines. (Bell Gothic, the typeface originally designed for telephone books in 1937 and for composition on the hot metal Linotype machines, was no longer usable in the new technology.) Bell Centennial is a sturdy, condensed sans-serif design that achieves great economy of space while being highly legible. Bell Centennial can be used for modern display purposes and, of course, for small print and lists. The Alternate version of Bell Centennial Bold Listing sits on a standard baseline; the original version sits far below the baseline, and cannot mix properly with other fonts on the same line.

OTF | 5 Fonts | JPEG Preview | 1 Mb RAR

Bembo Font Family

OTF | 24 Fonts | JPEG Preview | 1 Mb RAR

Brave Font

A handmade, Brave New Font.....sketchy, illustrated, and hand-drawn with love. This is more than just a typeface - this is a pack, and it allows you to be even more creative than you would have been with just the font :) 

OTF | 1 Font | JPEG Preview | 4 Mb RAR

Casually Font Family

Casually is a fun and flowing handwriting script that giving the feel of natural writing and hand-made. You can use it to make an impression in a variety of designs such as invitations, greeting cards, logos, headlines, t-shirts, etc. Casually contains 122 beautiful alternative characters which can be combined to fit your design. The alternate characters divided into several OpenType feature such as Ligature, Stylistic Alternates, Contextual Alternates, and Stylistic Set. You can access all the characters by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign.

OTF + TTF | 2 Fonts | JPEG Preview | 4.23 Mb RAR

Cirque

Cirque is a lively Western/Circus/Victorian/Whatever font—it'll fit in wherever you want to stick it to old Tschichold and make something cool instead. Mix up caps and lower case for curious results.

TTF | 1 Font | JPEG Preview | 4.5 Mb RAR

Clarendon Font Family

A square-serif type is called a slab serif or Egyptian, but when the serif is bracketed (the curved linking stroke between the stem and the square serif), the type is sometimes referred to as a Clarendon. Originated in England by the Fann St. Foundry in 1845, these types are named for the Clarendon Press in Oxford. Clarendon was originally designed as a heavier complement to ordinary serif designs, and is used frequently in dictionaries and headline applications.

OTF | 3 Fonts | JPEG Preview | 1 Mb RAR

Courier Font Family

Courier is a monospaced typeface for use in tabular material, technical documentation, and word processing. It was designed in the mid-1900s by Howard Kettler of IBM as a typewriter face, and was later redrawn by Adrian Frutiger for the IBM Selectric series.

OTF | 4 Fonts | JPEG Preview | 1.4 Mb RAR

Excelsior Font Family

Excelsior was produced in 1931 under the supervision of Chauncey H. Griffith of Linotype. Like Corona, Excelsior was one of the five typefaces in Griffith’s Legibility Group, types that were designed specifically to remain legible under the poor printing conditions that are a matter of course in newspaper printing. Excelsior is still used for that purpose by many European daily newspapers. Excelsior is excellent for newsletters, reports, and proposals.

OTF | 3 Fonts | JPEG Preview | 1 Mb RAR

FF Chartwell Font Family

American type designer Travis Kochel created this pi and symbols FontFont in 2012. The family has 7 weights and was designed to create simple graphs. Primarily suitable for Adobe Creative Suite, FF Chartwell for print uses OpenType ligatures to transform strings of numbers automatically into charts. The data remains in a text box, allowing you to update it easily. Just simply type a series of numbers like: “10+13+37+40”. Turn on ligatures and a graph is created. Turn off ligatures to see the original data. FF Chartwell has received several awards including the CommArts award in 2011, the Letter.2 award in 2011, the Information is Beautiful award in 2012, and the Fast Company Innovation By Design award in 2012.

TTF | 7 Fonts | JPEG Preview | 5.9 Mb RAR

Harry's Brush Font

OTF + TTF | 1 Font | JPEG Preview | 2.1 Mb RAR

Heyzilla Font Family

Heyzilla is a multipurpose script font that suitable for any kind of project. It contains 379 glyphs in total and 187 alternate characters that divided into several OpenType features such as Ligature, Contextual alternates, swash, stylistic sets and stylistic alternates that allows you to mix and match pairs of letters to fit your design. You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator and Adobe InDesign.

OTF | 4 Fonts | JPEG Preview | 4.6 Mb RAR

Insurance Maps Font

This font was inspired by the Sanborn Map Company's 1909 insurance map catalog.

OTF + TTF | 1 Font | JPEG Preview | 6.5 Mb RAR

Jongleur Font

Jongleur is a multifaceted hand-drawn display typeface based on a Maury Nemoy lettering from 1957. Packed with handy OpenType features, the font makes automatic substitutions when you turn on the contextual alternates, creating an interesting hand-lettered feel. If you're in a messy mood, use the stylistic alternates instead! The font also brings an extra set of alternate letterforms you can pick by hand to spice up your compositions. Great choice for titles and small amounts of text, perfect for posters, book covers and a wide range of applications.

OTF | 1 Font | JPEG Preview | 3.1 Mb RAR

Le Beaune New Font

OTF | 1 Font | JPEG Preview | 3.7 Mb RAR

Leksa Sans Font Family

Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extralight to Black). Designed as a sans-serif companion for Leksa, Leksa Sans works perfectly either with it or alone. It is suitable both for text setting and for short inscriptions. One of the main features of the typeface is its professionally-designed Cyrillic which (together with serif companion Leksa) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.

OTF | 14 Fonts | JPEG Preview | 3.2 Mb RAR

Marian Font Family

Marian imagines the classics of the typographic canon reinvented for the contemporary world: Garamond, Granjon, van den Keere, Kiš, Fleischmann, Fournier, Baskerville, Bodoni and Austin restyled and revived. These aren’t strict revivals, for they are not accurate recreations, nor are they interpretations per se. Instead they reduce the historical models to their basic skeletal forms. Nine serrifed typefaces and one Blackletter reduced to their basic structure. This reduction strips them to their core, whilst at the same time retaining the life and spirit of the letters.

OTF | 18 Fonts | JPEG Preview | 3 Mb RAR

 Parqa Font

Parqa is a wild display typeface in two styles. This typeface is generously spaced to increase readabity and viewing pleasure. Suited for display settings.

TTF | 1 Font | JPEG Prevuiew | 3.3 Mb RAR

Pragmatica Font Family

The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva. A spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Inspired by Helvetica (Neue Haas Grotesk) of Haas typefoundry, 1957 by Eduard Hoffman and Max Miedinger. Based on the 19th century Grotesque designs, Helvetica brought a new level of mathematical accuracy to the sans serif category. Widely used for many applications, from magazines and books to advertising and headlines. Four basic styles of Pragmatica were developed in 1989 by Vladimir Yefimov. Eight additional styles were developed in 2003 by Olga Chaeva. Condensed styles were developed in 1993-2004 by Vladimir Yefimov, Alexander Tarbeev and Manvel Shmavonyan, with participation of Dmitry Kirsanov. Extended styles were developed in 2004 by Olga Chaeva and Manvel Shmavonyan.

OTF | 44 Fonts | JPEG Preview | 6.7 Mb RAR

Purista Font Family

Purista is a strict, orderly typeface based on a well-tried principle of geometric sans serifs from mid-20th century. Its obsession with technological precision makes it perfect for use in corporate systems and visual communications of technocratic businesses. Thanks to its broad range of cuts, it is also ideal for display advertising.

OTF | 10 Fonts | JPEG Preview | 2.9 Mb RAR

Sabon Font Family

In the early 1960s, the German masterprinters’ association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design the most faithful version of Claude Garamond’s serene and classical roman yet to be cut. The boldface and particularly the italic are limited by the twin requirements of Linotype and Monotype hot metal machines. Bitstream’s Cursive is a return to the form of one of Garamond’s late italics, recently identified. Punches and matrices for the romans survive at the Plantin-Moretus Museum. The name refers to Jacques Sabon, who introduced Garamond’s romans to Frankfurt, although the typefaces that Sabon himself cut towards the end of the sixteenth century have a faintly awkward style of their own.

OTF | 8 Fonts | JPEG Preview | 1 Mb RAR

Signo Font Family

Signo is a dynamic sans serif with reverse contrast, designed for editorial and branding. Signo is a charismatic typeface for headlines, but its tall x-height and open counters also make it perform well in small sizes, resulting in a versatile typeface across weights. The cursive italics are a good complement to the roman fonts and will add variety and warmth to the page. The Signo family comes in six weights, from Thin to Bold, and includes two weights for text: the Book and the Regular.

OTF | 12 Fonts | JPEG Preview | 4.1 Mb RAR