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Madurai Slab Font Family
Chennai’s market-tested type styles have taken new form once again. The geometric forms of Chennai and its derivant Madurai, both successful in web-based applications and logotypes, have now been adapted for the superfamily Madurai Slab, a potent, square slab serif ideal for headlines and posters. Under the surface of Madurai Slab’s straightforward geometric structure, the font’s exaggerated vertical serifs provide the face with an extra chunk that commands the reader’s attention and gives the font more impact in its heavier styles. The extra-fortified forms are anything but monotonous, though. The bolder structure of the slab is instead rational, diligently thought-out, with minimally contrasting strokes, making the sturdier look particularly legible in shorter textual content blocks. This child of Madurai contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of fifty-four fonts. All users of the Madurai Slab collection can access numerous OpenType alternates. Madurai Slab is furnished for experienced typographers, together with alternates, compact caps and many alts like “normalized” capitals and lowercase letters that come with stems. The typeface also contains a range of numeral sets, together with fractions, old-style and lining figures with superiors and inferiors. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Madurai Slab also features the glyphs to enable all Central, Eastern and Western European languages. In all, Madurai Slab supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. This richness of options makes this the best slab serif family for websites as well as for print, motion graphics, logos, t-shirts and the like. Madurai Slab is a great choice when looking for a Neo-Grotesque slab serif font. In the hands of a learned designer, this new slab offers the potential for beautiful and well-blended layouts. With its widths adjusting to compact and extended content blocks, this typeface is perfect for the headings, captions and other brief, immediate messages that you need to drive your message home.
OTF | 54 Fonts | JPEG Preview | 8.3 Mb RAR
Maestrale Font Family
Maestrale is a paradigm-breaking new take on calligraphy, built around a compact, serif-style core and outrageously long, flamboyant extenders. At large sizes, its confident, charismatic lettershapes are ideally suited for branding and decorative uses, whereas longer texts at smaller sizes naturally weave themselves into a flowing texture. The font comprises 1299 glyphs, including many stylistic alternates, ligatures, small capitals, and initial, terminal, and linking forms, and offers extensive OpenType programming to support them. The calligraphic form of Maestrale is complemented by a matching text font (Maestrale Text) with short extenders, available in three cuts (a serif-style Roman, an upright Cursive, and a tilted Italic).
OTF | 5 Fonts | JPEG Preview | 5.1 Mb RAR
MB Empire Font Family
MB Empire is a font that like MB vintage has its roots in early 20th century design, It has a distinctly english feel with its style references to the classic Gill Sans. It has a very traditional look whilst still maintaining its own modernist individuality. It comes in six weights with italics and has extended language support. With many opentype features including oldstlye & lining figures, automatic fractions and more its a font family that will work for almost any application.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Bourgeois Font Family - 40 Fonts $1200
OTF | 989 KB
Bristles Font - 1 Fonts $30
OTF | TTF | 973 KB
Graphik Font Family
The dominant trend of the mid twentieth century simple sans serifs still reverberates in visual culture. Graphik proves that it is still possible to create something refreshing inspired by this era. Taking cues from the less-known anonymous grotesques and geometric sans serifs, Graphik is perfectly suited for graphic and publication design. Originally designed for Schwartz’s own corporate identity, it was later finished for Conde Nast Portfolio and then expanded for Wallpaper* and later T, the New York Times Style Magazine.
OTF | 18 Fonts | JPEG Preview | 10.9 Mb RAR
Intro Font Family
The Intro font family consists of 50 unique font styles and weights. The family is characterized by excellent legibility both in print and on the web, a well-finished geometric design, optimized kerning, etc. Intro is most suitable for headlines of all sizes, but it does well in a variety of text lengths as well. The font’s various styles give it the versatility necessary to meet any type of graphic design challenge — web, print, motion graphics, etc. — and make it perfect for t-shirts, posters, and logos.
OTF | 51 Fonts | JPEG Preview | 6 Mb RAR
Journal Sans New Font Family
The Journal Sans typeface was developed in the Type Design Department of SPA of Printing Machinery in Moscow in 1940–1956 by the group of designers under Anatoly Schukin. It was based on Erbar Grotesk by Jacob Erbar and Metro Sans by William A. Dwiggins, the geometric sans-serifs of the 1920s with the pronounced industrial spirit. Journal Sans, Rublenaya (Sans-Serif), and Textbook typefaces were the main Soviet sans-serifs. So no wonder that it was digitized quite early, in the first half of 1990s. Until recently, Journal Sans consisted of three faces and retained all the problems of early digitization, such as inaccurate curves or side-bearings copied straight from metal-type version. The years of 2013 and 2014 made «irregular» geometric sans-serifs trendy, and that fact affected Journal Sans. In the old version curves were corrected and the character set was expanded by Olexa Volochay. In the new release, besides minor improvements, a substantial work has been carried out to make the old typeface work better in digital typography and contemporary design practice. Maria Selezeneva significantly worked over the design of some glyphs, expanded the character set, added some alternatives, completely changed the side-bearings and kerning. Also, the Journal Sans New has several new faces, such as true italic (the older font had slanted version for the italic), an Inline face based on the Bold, and the Display face with proportions close to the original Erbar Grotesk. The new version of Journal Sans, while keeping all peculiarities and the industrial spirit of 1920s-1950s, is indeed fully adapted to the modern digital reality. It can be useful either for bringing historical spirit into design or for modern and trendy typography, both in print and on screen. Designed by Maria Selezeneva with the participation of Alexandra Korolkova. Released by ParaType in 2014.
OTF | 6 Fonts | JPEG Preview | 5 Mb RAR
Kandel 205 Font Family
Kandel 205 is a geometric, tri-line, display and headline font available in a family of three weights. Its bold, graphic styling gives it great stand-out qualities and a highly individual look. It’s particularly well suited to bringing energy to designs, or for designs with a sporting theme.
OTF | 6 Fonts | JPEG Preview | 5.5 Mb RAR
LunchBox Slab Font Family - 4 Fonts $100
OTF | TTF | 10.3 MB
The Ultimate Font Collection 10,000+ Commercial Use Fonts
10.499 Fonts | TTF | 793 MB
Vinkel Font Family - 16 Fonts $1152
OTF | 1.85 MB
Zennat Pro Font Family
This font is inspired by the compact, high-impact design aesthetic of the 1990s in Chile, which was defined by the use of very heavy fonts to create eye-catching graphic pieces. With this idea in mind, Zennat Pro was born, a “semi-slab serif” that takes advantage of OpenType features which rotate in alternate characters to best fit the design. Zennat pro comes in 10 weights, and is ideal for magazine design, motion graphics, trademarks, logos, posters, etc. ...
OTF | 8 Fonts | JPEG Preview | 14.3 Mb RAR
Brand Font Family - 11 Fonts $278
OTF | TTF | 3.57 MB
Carter Sans Pro Font Family - 8 Fonts $432
OTF | 696 KB
Fiance Font - 1 Font $59
OTF | 594 KB
Four Seasons Font Family - 11 Fonts $429
OTF | 1.97 MB
Harry Pro Font Family
This revival of Harry is based on the original design by Marty Goldstein (and C.B. Smith). Goldstein, born in Chicago in 1939, was the co-founder of the groundbreaking Creative Black Book. He graduated from the Pratt Institute in 1960. Harry, first published by VGC in 1966, was named for his father. ITF has added four new weights to the original six.
OTF | 10 Fonts | JPEG Preview | 5 Mb RAR
Jabana Font Family
Jabana - a font for menu cards and more. It was developed in 2013 by Nils Thomsen to be his first release at MyFonts. Inspired by having a beer at Hamburgs coffee bars. Super compressed letter shapes, smooth handwritten marker curves and especially a wide range of opentype features define the large character set of Jabana. Jabana is composed of only uppercase letter shapes. Each letter and punctuation got three simple varieties of alternates. This gives a nice looking handwritten nature to the font. They will be randomly chosen by the contextual alternates feature or even by hand via stylistic set (ss01, ss02). The whole characters for serious western european typography comes along Jabana. Beside the standard accented letters, fractions, mathematical glyphs, superiors and inferiors you will find alternates, extra bullets, different arrows, negative figures and roman numerals. Another reason for the amount of 1450 glyphs are the numerator and denominator letters which came from A-Z, punctuation and the extra bullets (ss09-16). They are meant to be used for decoration or distinction. Especially an opentype stylistic set gives an extra touch to it while putting a dot/line above denominators or underneath numerators (ss03+numr/dnom). Naming: Jabana/Jebena is a container used to brew coffee in the Ethiopian, Eritrean and Eastern Sudanese traditional coffee ceremony. It is usually made of pottery and has a spherical base, a neck and pouring spout and a handle where the neck connects with the base.
OTF | 4 Fonts | JPEG Preview | 10.5 Mb RAR
Jeanne Moderno Font Family
Jeanne Moderno is a revisionary type family. A synthesis of Bodoni Italic and 19th Century Ultra-Bold “Fat Faces”—distilled with personality taken from early 20th Century Modernists; the Futurists, Dadaists, Suprematists, Constructivists. Historically, Jeanne Moderno could have appeared on the scene around 1918—after the First World War—when new cultural movements, manifestos, theories and countertheories shaped art, industry and society. Spatter in a few later influences—from De Stijl, the Bauhaus, the types of Herbert Bayer, Josef Albers, Paul Renner—plus a twist of Art Deco and High Fashion—Jeanne Moderno is a remanifestation of 19th + 20th Century Modernist thinking; traditional + revisionist, raw and elegant! Jeanne Moderno can best be used for magazines, advertising, posters, flyers, fashion reports, letterpress experiments, silkscreen endeavors, exhibitions, DMV signage, paper money, revolutionary political statements as well as formal declarations of peace or war. Jeanne Moderno is about the future, the past. The Avant-Garde. Humanist geometry + vintage footwear. Form, function, style, art and life.
TTF | 9 Fonts | JPEG Preview | 4 Mb RAR
Kautiva Font Family - 5 Fonts $495
OTF | 904 KB
Modernica Font Family
Modernica is an excellent tool that provides a large range of possibilities in design work. It is a sans serif font that contains eight weights plus matching italics. All Modernica typefaces include a set of small caps, ligatures, contextual alternates, modern and old style figures, superscript and subscript, numerators and denominators, among other OpenType features. Modernica is the extension of the Mazurquica family, a condensed grotesque font created to be used in titles looking for impact. Based on the Mazurquica structure, it was designed as a new font for both headlines and continuous text. Modernica seeks to go beyond the grotesque style, — a style that perhaps looks coarse on occasions, maybe for its excessive geometric feel — and instigate a more fluid and friendly structure while remaining solid in its use.
OTF | 16 Fonts | JPEG Preview | 4.2 Mb RAR
Nanami Rounded Family - 18 Font $405
OTF | 680 KB
Nexa Slab Font Family
Nexa Slab is a geometric slab serif font whose design is based on the already popular best-seller Nexa. The font family contains 3 basic forms: italics, obliques and uprights, each of which has 8 different weights. This visual richness makes it the ideal slab serif font family for the web as well as for print, for motion graphics, logos, t-shirts and so on. It is also great for headings, fitting nicely with both small and large typesetting text blocks. Nexa Slab draws from the rich traditions of the classic Neo-Grotesque slab serif fonts such as Lubalin Graph, Rockwell and Memphis, which conceal the richness of typesetting text in its crucial advertising function. Just like these fonts, it’s design is subject to rational, carefully thought-out, thick and thin bars with a low contrast between them. The letters are characterized by the strict geometry and square proportions of the original, extra-fortified by suitably balanced slab serifs. Nexa Slab is serious without being rigid and inflexible, finished and lacking in nothing, systematic without being monotonous, and though it may seem at first glance to be more suitable for short, direct messages; in the hands of a master designer... it can build and create exquisite and harmonic designs.
OTF | 24 Fonts | JPEG Preview | 9.5 Mb RAR
Parachute Ultimate Bundle
118 Font Family 875 Fonts $20000 (With Lost Fonts)
OTF | TTF | 168 MB
Rock and Cola Font Family
Rock and Cola’s design is clearly inspired by the sinuous shapes of the world’s most famous drink’s logo. It however does not pretend to copy it faithfully or to serve as a platform to generate the logo itself. Rock and Cola is a very elegant Script font with great weight and contrast. Its OpenType features include ligatures, swashes, alternative characters, ornaments and accents in order to support many foreign languages. It has huge possibilities for application in logos, titles and short texts by generating in them great impact and recalling. Use Rock and Cola in your projects and enjoy it!
OTF | 7 Fonts | JPEG Preview | 4.2 Mb RAR
Tabac Font Family - 48 Fonts
OTF | 3.35 MB
Semilla Font - 1 Font $79
OTF | 2.52 MB
Mingray Mono Font Family - 4 Fonts $156
OTF | 891 KB
Sina Nova Font Family - 12 Font $588
OTF | 1.66 MB
Quench Fonts - 4 Fonts $140
OTF | 389 KB
Peaches and Cream Font Family
Peaches and Cream is a bold brush style script family of three weights, ornament set and an all caps font. Peaches and Cream is equipped with plenty of OpenType features: To activate the alternates click on Swash, Stylistic or Titling Alternates in any OpenType savvy program or manually select the characters from Glyph Palette. Combine Peaches and Cream with Peaches and Cream Ornaments and Peaches and Cream Caps to complete your designs. Peaches and Cream is an effective font for creating ambitious headlines, logos & posters with a custom-made feeling.
OTF | 5 Fonts | JPEG Preview | 13.9 Mb RAR
Newslab Font Family
Newslab is a slab serif font – designed by Daniel Hernández –which is the result of the combination of three different typefaces: Andes, Sánchez and Roble. Harmony among every feature of the typefaces makes Newslab a neutral but imposing font. The Newslab font family consists of 16 variants and 8 weights, with italics. Well-suited for editorial projects, logotypes, posters, etc.
OTF | 16 Fonts | JPEG Preview | 6 Mb RAR
Kiro Font Family
Kiro is a minimal, simple condensed sans-serif family designed by Ryoichi Tsunekawa and the whole family consists of 12 style: six weights from Thin to ExtraBold and their matching Italics. The range of styles provides flexibility for title, headline and body text. And the large x-heights gives them legibility and readability. The basic skeleton was designed semi-modularly and the letterform was minimalized by removing their unnecessary stems. Their corners were finished with subtle rounded effect. The minimalized semi-modular design gives this family contemporary urbane taste and rounded corners make this family warm and friendly. Kiro supports almost all European languages: Western, Central, South Eastern Europeans and afrikaans. And superior figures, inferior figures, denominators, numerators and fraction can be accessed by using OpenType features.
OTF | 12 Fonts | JPEG Preview | 12.2 Mb RAR
Kengwin Font - 1 Font $30
OTF | 121 KB