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Antihistory Font Family - 2 Fonts 60$
OTF | TTF | 176 KB
Aderyn Font Family - 12 Fonts 360$
OTF | TTF | 686 KB
JesayaFont Family - 7 Font 210$
OTF | TTF | 750 KB
Grumpy Font Family - 6 Font 240$
OTF | TTF | 181 KB
Chinese Rocks Font Family - 11 Font 330$
OTF | TTF | 369 KB
Cinecav X Font Family - 7 Font 210$
OTF | TTF | 458 KB
Great Escape Font Family - 28 Font 840$
OTF | TTF | 830 KB
Uniwars Font Family - 13 Font 390$
OTF | TTF | 666 KB
Pakenham Font Family - 32 Font 960$
OTF | TTF | 1.42 MB
Movatif Font Family - 7 Font 210$
OTF | TTF | 584 KB
Llandru - 1 Font 30$
OTF | TTF | 23 KB
Transmute Font Family - 3 Font 81$
OTF | TTF | 572 KB
Dirtstorm - 1 Font 30$
OTF | TTF | 572 KB
Zocalo Text Font Family
Eduardo Danilo’s dramatic redesign of El Universal, a leading Mexico City daily, introduced Cyrus Highsmith’s Zocalo. The original text, and display series was tuned for distinct character frequency and repetition when set in Spanish. Nicholas Kis’s oldstyle and Chauncey Griffith’s classic newsface Ionic No. 5 inspired the sturdy text while the “energetic character of Mexico City” influenced the display. Among other uses, Zocalo Text is recommended for Newspaper, Magazine and Custom use. Zocalo Text is provided as premium OpenType fonts with professional OT layout features, including both lining & oldstyle figures and small caps, plus extended language support.
OTF | 12 Fonts | JPEG Preview | 10 Mb RAR
Yellow Design Studio's Gist Family - 20 fonts ( only $49! )
Gist from Yellow Design Studio is an inline slab serif with a retro yet modern vibe. It’s a collision between monoline slab and indie script. With 627 glyphs per weight, it’s highly customizable…either keep it simple with the base character set or use ligatures, alternates and swashes for extra flair. All-caps typesettings have an especially retro edge. Also included are line layers for adding color to the inline areas.
OTF | 20 Fonts | JPEG Preview | 5.6 Mb RAR
Decima Nova Pro Font Family
Decima Nova Pro is a geometric sans serif typeface family, built in eight styles. The typeface is ideal for use in display sizes, but also is quite legible in text and is well suited for editorial and brand design. Features include extended language support, small caps, multiple numeral styles, slashed zero, ligatures. Decima Nova Pro is released as font family in OpenType format with a Latin Western 1252, Eastern European 1250, Baltic 1257, Turkish 1254 and Cyrillic 1251 character set.
OTF | 8 Fonts | JPEG Preview | 3.4 Mb RAR
PF Synch Pro Font Family
An industrial strength slab-serif typeface which performs equally well with headlines as well as longer text. It differs from the stiff almost mechanical structure of other slabs, by introducing distinct letterforms in characters like ‘f’, ‘r’ and managing at the same time to combine effectively the typeface’s round parts with deep cuts and sharp inner corners, which add an interesting character to this otherwise contemporary series. PF Synch Pro consists of 4 fonts from black to regular. It is loaded with 3 special OpenType features and offers multilingual support for all European languages including Greek and Cyrillic.
TTF | 4 Fonts | JPEG Preview | 6.3 Mb RAR
Lytiga Pro Font Family
Lytiga Pro is a modern sans-serif typeface with a pronounced techy feel. The family contains 48 fonts: 8 weights from thin to black, 3 widths, and italics. Each font includes a variety of OpenType features: four sets of digits, superior and inferior digits, slashed zero, and a full set of small caps. Rich language support includes all the main Latin-based languages as well as Cyrillic script. The rhythm and character of the typeface makes it suitable for both display and text use.
OTF | 48 Fontrs | JPEG Preview | 4.8 Mb RAR
Leto Sans Font Family
OTF | 6 Fonts | J{EG Preview | 5.1 Mb RAR
Eco Coding Font Family
Eco Coding is a sans-serif monospaced font, especially designed for programmers. This font is optimized for programming (coding) environment. Eco Coding’s neutral and open shapes will make your eyes comfortable to read any source codes and text on screen. The appearance of Eco Coding is neutral, but it has distinctive shapes enhance legibility and readability on screen.
TTF | 9 Fonts | JPEG Preview | 4.4 Mb RAR
Charcuterie Font Family
A large and rare undertaking, Charcuterie is a family of ten distinct yet related typefaces, many of which have their own font families, and three decorative/ornamental typefaces. While most of the Charcuterie typefaces are outfitted with a standard character set, Charcuterie Engraved features 135 swash alternates and Charcuterie Cursive boasts 275. Charcuterie Frames offers a broad and endless approach to creating frames of any width, height and style. Featuring 60 corner elements and 20 top, bottom and side pieces along with a detailed User’s Guide in the ‘Gallery’ on how to construct the frames. Charcuterie Catchwords features nine different styles for a total of 82 glyphs. Charcuterie Ornaments is very practical and features 100 glyphs a vast array of arrows, brackets, rules, icons, ribbons and more. This ambitious, yet accessible, set offers a virtually endless series of combinations, allowing each designer to form a tasty platter of ingredients, one that is uniquely theirs, for each project. Used solo or blended with other fonts from this large family, elements of Charcuterie are well suited for headlines, titling, logos, display, packaging, signage, or advertising. Dig deep into each typeface to find a rich set of fonts (the number depending on the typeface), revealing variations upon variations. The word charcuterie means the preparation of meats. Today, it often refers to a wide and varied selection of meats served together, listed as a single, beautiful, and complex menu item. Charcuterie celebrates the personally crafted -- the sense of the human touch giving it a slightly rough edge that only adds to its charm. The ‘roughness’ derives from a slight stressing and small irregularities in some fonts. This bit of unevenness doesn't dominate the look -- it’s simply the personality and humanity of the type designer cooked into the final piece. Charcuterie is an homage to the inventiveness, passion, and care of peasants who proudly handed down recipes through generations. Their humble fare is used by bistro chefs to create masterpieces by ever so slightly transforming the simple into the sumptuous. Similarly, with Charcuterie the designer can employ the handcrafted look of the many letters within these font families to create a project that is jaunty, quirky, and juicy or one that is a gloriously rich and varied feast for the eyes.
OTF | 22 Fonts | JPEG Preview | 29.3 Mb RAR
Barbieri Font Family
Barbieri is a casual sans type family, based on a German lettering style from the 1960s. The original hand-drawn alphabet was used in a rather peculiar edition of Der Barbier von Bagdad, an opera composed by Peter Cornelius. Our efforts to identify the cover designer have been, so far, unsuccessful. As fans of informal typography and popular lettering styles, we thought these few thin letters deserved a re-incarnation as a complete type family. Andrés Torresi and Marta Sánchez Marco were in charge of the production work. Now Barbieri has 6 weights suitable for packaging, posters, and music covers. It resembles a certain ‘Americana’ spirit, though with a Germanic twist.
OTF | 6 Fonts | 3.7 Mb RAR
Arame Font Family - 8 Fonts for $160
OTF | 8 Fonts | JPEG Preview | 6.3 Mb RAR
Turnip Font Family
Where classic serif faces are urbane and well-mannered, Turnip is coarse and down-to-earth — the kind of type that feels completely at home with salty language. David Jonathan Ross crafted an energetic tension between Turnip’s inner and outer shapes to give it vigor, while strong strokes and sturdy serifs yield dense paragraphs with a horizontal emphasis. This ain’t your grandpa’s book face, but it reads just as well!
OTF | 12 Fonts | JPEG Preview | 5.3 Mb RAR
Shentox Font Family
During a visit to London in 2008 I fell in love with the square font used on the British car number plates. I was immediately inspired to start working on this font and have been developing it intermittently ever since. Several more trips to London and the project evolved before it finally took off and became Shentox. Despite the starting point being inspired by simple, everyday car plates, the font soon evolved into something fine and very rich in detail. Even though the square genre is very restrictive, Shentox is a highly legible contemporary font with a full range of weights, useable not only as a display family for headlines and posters, but as a distinct, clean font family for branding and general editorial use (Especially magazines). It has been carefully drawn paying extra attention to the details, high end finishes that makes Shentox a safe font for use in large scale work. For example, the curves of every individual corner have been adjusted character by character to avoid the common problems encountered with square fonts (Eg. darker corners between weights or a visually inconsistent radius between the Upper and Lowercases as a result of copy/paste). Shentox italic, which has a 12 degree slant, has been corrected to avoid distortion when slanted. The radius of the upper-right and lower-left corners are more pronounced, giving it a more fluid Italic feel. Shentox is available in Open Type format and includes ligatures, tabular figures, fractions, numerators, denominators, superiors and inferiors. It supports Central and Eastern European languages. This type family consists of 14 styles, 7 weights (Thin, UltraLight, Light, Regular, Medium, SemiBold and Bold) plus italics.
OTF | 14 Fonts | JPEG Preview | 5.2 Mb RAR
PF Haus Square Pro Font Family
The minimal character of this typeface with its direct reference to Bauhaus, manages to keep the balance between strict geometric structure and elegance. It strays from monotonous repetitions and works equally well with Latin and Greek, while it really hits home with Cyrillic. Now, in its 3rd major upgrade comes equipped with all that’s needed for an international career. In total 602 characters offer support for all European languages in six different variations. Finally, five special OpenType features offer typographic solutions which includes a stylistic alternate set for Greek and Cyrillic.
TTF | 6 Fonts | JPEG Preview | 4.38 Mb RAR
Love Story Font Family
Love story is a display hairline typeface for use in big sizes and short texts, inspired in all kind of love, specially designed for Valentine’s day. Its soft curves and sweet style give it a lovely personality. Designed by Luciano Vergara and his wife Guisela Mendoza who has been studied the world of ornament since 2007 and has put this interest in each project, you can see in her dingbats specially Printa and Abel designed for generate patterns. Now she integrated her passion by the ornament in a clean set includes dingbats, ornaments and patterns. Luciano Vergara has designed very strong fonts with a particular work in the line study and close to the geometry since 2005, getting a structure style, you can see in his fonts specially Regia and Kahlo. Now he integrated his study of line, in a hairline font delicate, continuos and beautiful. In this story both designers, been merged his worlds creating a gorgeous product. This is a romantic type story, a love story.
OTF | 2 Fonts | JPEG Preview | 4.9 Mb RAR
Los Niches Font Family
Los Niches is a stylized sans serif typeface that combines modern, monoline characters with strokes and loops reminiscent of manuscript lettering. With a consistant, harmonious style Los Niches takes on a youthful flair when presented in bright colors, but is elegant and contemporary when dressed all in black. The flexible personality of Los Niches makes it ideal for catalogs, magazines or product packaging.
OTF | 2 Fonts | JPEG Preview | 3.9 Mb RAR
Lith Font Family
Lith is a hand-drawn headline typeface inspired by Alice In Wonderland and the Brothers Grimm fairy tales. “Flawed” comes with a lot of alternate letters, ligatures, beginnings. “Mad” contains icons with catch-words, card- & chess symbols and other gimmicks.
TTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR
Harmonia Sans Font Family
OTF | 27 Fonts | JPEG Preview | 10.4 Mb RAR
DIN Next Rounded Font Family
The name DIN refers to the Deutsches Institut für Normung (in English, the German Institute for Standardization). The typeface began life as the DIN Institute’s standard no. DIN 1451, published in 1931. It contained several models of standard alphabets for mechanically engraved lettering, hand-lettering, lettering stencils and printing types. These were to be used in the areas of signage, traffic signs, wayfinding, lettering on technical drawings and technical documentation. Rooted in earlier designs for Germany’s railway companies, the alphabets were based on geometric shapes in order to be easily reproducible using compass and ruler. In post-1945 West Germany, the DIN alphabets were widely used, for instance on most road signs. They became available as fonts that were appreciated by designers for their industrial, somewhat quirky and “non-typographic” look and feel. From the 1990s onwards, more refined versions became available for use in book and magazine typography. DIN Next is a typographically corrected and expanded version of this quintessential 20th-century design. DIN Next Rounded is its softer, friendlier version.
OTF | 4 Fonts | JPEG Previe | 3.9 Mb RAR
Black No.7 Font Family
Inspired by the famous Tennessee whiskey logo from 1866, the Black No.7 has over 400 glyphs including ligatures, alternates and special characters. Note: If you plan on using the logos from the font for any commercial purpose then it is recommended that you contact those companies and request guideline information along with their official artwork. The Black No.7 has not been approved as official artwork by the company.
TTF | 2 Fonts | JPEG Preview | 4.6 Mb RAR
Avenir Next Pro Font Family
In 2004, Frutiger, together with Linotype in-house type designer Akira Kobayashi, reworked the Avenir family to address on-screen display issues. The result was titled Avenir Next. The typeface family was increased to 24 fonts: 6 weights, each with a roman and italic version, in 2 widths: normal and condensed. Frutiger’s numbering system was abandoned in favor of more conventional weight names. The glyph set was expanded to include small caps, old style figures, subscripts and superscripts, ligatures.
OTF | 17 Fonts | JPEG Preview | 4 Mb RAR
XXII Mescaline
OTF | 1 Font | JPEG Preview | 4.3 Mb RAR
Scout Font Family
Cyrus Highsmith drew Scout and related logotype for Geraldine Hessler’s redesign of Entertainment Weekly. The large family marks the magazine’s first significant typographic update in a decade. Captions and sidebars are set in Regular and Bold; Light, Black, and Condensed styles form the backbone of the display. Scout’s form derives structural elements from both new and old: DIN, Venus, and Cairoli. Among other uses, Scout is recommended for Newspaper, Magazine, Book and Corporate use.
OTF | 24 Fonts | JPEG Preview | 11 Mb RAR