Graphic Downloads

Gill Sans Nova Font Family - 43 Fonts

TTF

The Gill Sans® Nova typeface, by Monotype Studio designer George Ryan, expands the much-loved Gill Sans family from 18 to 43 fonts and features a coordinated range of roman and condensed designs. Several new display fonts are available, including a suite of six inline weights, shadowed outline fonts that were never digitized and Gill Sans Nova Deco that was previously withdrawn from the Monotype library.
A variety of OpenType® features are supported that make it possible to include experimental characters from different points in Gill Sans’s long history, including pointed diagonals on ‘A’, ‘V’ and ‘W’ and alternatives for ‘b’, ‘d’, ‘p’ and ‘q.’ Proportional figures are also available as an alternative to the tabular designs.
The Gill Sans Nova family has a large character set that supports Latin, Greek and Cyrillic languages. The display weights support Latin only.
“Gill Sans was fast to strike a chord with people after its initial 1928 release and quickly became popular,” explains Ryan. “It’s been adapted for every publishing technology, from mechanical typesetting to digital imaging – always receiving the best treatment from Monotype in each iteration. This is especially true with all that we’ve added to the new series, while still retaining the familiarity of Gill Sans. My goal was to ensure clarity across digital environments, add missing weights, and bring more personality to the family with new display fonts, as well as Gill-inspired alternate characters.”
The Gill Sans Nova typeface family is part of the new Eric Gill Series, drawing on Monotype’s heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The Series also brings to life new elements inspired by some of Gill’s unreleased work, recently discovered in Monotype’s archive of original typeface drawings, designer correspondence and documents from the last century.

CM Rough Brush Script! 399455

OTF | TTF 

Introducing a font that I am particularly proud of, Rough Brush Script. An authentic brush font that is true to its nature. Full of personality, texture and so raw, it's practically breathing.
This font is handcrafted, multilingual and comes packaged in both TTF and OTF formats. There are over 1000 kerning (the space between two particular letters) pairs to ensure that the flow of the font is natural and easy to work with!

CM Chameleon Font Family 397238 - 16 Fonts

OTF | TTF 

Chameleon consists of 16 fonts based on 3 completely different designs. Different but specially designed to complement each other. Together they form a well balanced design kit suitable for many different projects, e.g. invites, menu's, magazines, brochures, packaging, etc.
Chameleon comes in three styles: 2 outline versions and a basic (solid) version. To combine Chameleon with Chameleon Fill, you will need an application that allows you to stack text frames. Once you start layering different fills, like a true chameleon, you can change colors and patterns. Simply place several layers on top of each other, choose from 7 fills to determine your pattern and assign a color to the fill. Always place one of the outline versions of Chameleon on the top layer.
Chameleon Pen was added to give you the possibility to spice up your design with a personal touch. It is a charming handwritten font, which was first written out with a dip pen and ink, then scanned in and digitalized. It comes in regular and italic.
And then there is Chameleon Sketch for a bit of nonchalance to add to your designs. The Outline, Hatch and Solid version can be used separately, or stacked to create a shadowy or multi colored effect. On top of that, you'll find 102 glyphs of extra fun to play with in Chameleon Sketch Extra.

CM Sharka Font Family - 14 Font

OTF | TTF 

Sharka is heavy sharp condensed system of 7 display typefaces widths, plus 7 italics and 7 alternative version on each family member, inspired on dangerous personality and aggressive reputation of the great white shark, it was thought to create the feel of high impact, high risk action on extreme situations, polemic public scandals, financial advertisement alert, the italic version specially creates the feel of velocity, powerful mechanical energy and related similar topics. Recommended to use in big headlines, magazine covers, advertisements, robust public visual calls, but also, if it applied with good taste and good typographical skills, could be a good choice not only for prints but also for web and digital media devices.

Maga Font Family

OTF | 10 Fonts | JPEG Preview | 4.6 Mb RAR

Maga shares the skeleton with one of our first typefaces (Quaestor, from 2004), but we didn't want to simply expand an existent design, so we took a step forward—not just with improved features and new weights, but also making the italics more usable than its predecessor. The balance between the counters and the space between letters makes this a very space-saving typeface with plenty of legibility, yet stylish enough for contemporary magazine design.

Predy Font

OTF | 1 Font | JPEG Preview | 8 Mb RAR

In the era of digital types, the round handmade cursive continues to intrigue many type designers, probably by their beautiful and graceful calligraphic origins. However, what is certainly true, is that all good traditional pen-formed script may be suitable for a wide range of fine graphic works. The Predy typeface is based on the famous style of the 19th Century: The English handwriting made by pen. It is a connected cursive in the tradition of the “ronde”. This typeface is constructed upon their vigorous ascenders with loops, two times the lengths of the descenders with an extremely short x-high. The uppercase is a classical modern roman typeface (Didona) that are accompanying with a set of accurate flourished capitals as alternates of the calligraphic style. Predy font comes with a set of decorative glyphs including old style figures, terminal letters, ligatures, alternates and swashes. This font will lend elegance and sophistication to a wide variety of design projects like wedding, invitations cards, logotypes, packaging and posters.

Domani CP Font

OTF | 1 Font | JPEG Preview | 4.2 Mb RAR

Domani from CounterPoint is a faithful digital revival of an old photo-typositing face called ITC Didi. Originally designed by Herb Lubalin and Tom Carnase, Domani brings to life a font that has been somewhat neglected by the digital era until now. Brought to the attention of Jason Walcott by graphic designer Rob King, this font immediately captured Jason with its 1970s high contrast Didone style, typical of that time period. It has some unique design details that set it apart from other didone style typefaces. “Domani” is the Italian word for “tomorrow”. The name was suggested by Rob King, and Jason felt it was perfect for this revitalized design. Walcott has created a professional quality digital version that is both faithful to the original design while expanding the character set to make use of OpenType features. A full set of swash capitals and several swash lowercase, designed by Walcott, has been added, as well as support for Latin-based and Eastern European languages.

Quijote Sauvage Font Family

OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR

It was in the beginning of 2008 when I designed a font named Quijote, its predecessor. In the middle of 2009, I looked at it again and thought it could be a good idea to make an update of it. Variables and Features: Quijote Sauvage Pro is the most complete variable. It includes all the ligatures, alternates and swashes. It has the OpenType function in order to alternate glyphs easily when running applications which support this. The font is also offered separately. Quijote Sauvage Standard has the right glyphs to get an equilibrium between wildness and softness. It includes standard and discretionary ligatures. Quijote Sauvage Stylistic has the sharpest glyphs. Its decorative traces are discreet in order not to have problems as regards legibility. Its upper case are less wild than the other variables. Quijote Sauvage Text is the most discreet of its partners. This one was thought in order to improve legibility. Its ascenders and descenders are shorter, so the words are easier to read in small sizes. Quijote Sauvage Contextual, Swash and Titling, are the ones with wonderful terminals. They decorate words, adding a wonderful look of wildness or passion.

Joanna Sans Nova Font Family - 16 Fonts $800

TTF

The Joanna® Sans Nova family is the only typeface in the Eric Gill Series that was not initially designed by Gill. Created by Monotype Studio designer Terrance Weinzierl over a three-year period with digital applications at the forefront of the design criteria, Joanna Sans Nova is a humanist sans serif based primarily on Gill’s original Joanna. The design comprises 16 fonts, from thin to black, each with a complementary italic.
Joanna Sans Nova has a larger x-height to ensure high levels of legibility – even on small digital screens. Due to its inherent humanist proportions, Joanna Sans Nova is surprisingly comfortable for longer form reading. Its low contrast in character stroke weights also improves imaging in a variety of environments. In addition, the calligraphic and fluid details enable the roman and italic designs to shine in headlines and other display uses.
Joanna Sans features a robust range of OpenType features for fine typography, including small caps, old style figures, proportional figures, ligatures, superscript and subscript figures and support for fractions. With over 1000 glyphs per font, Joanna Sans supports more than 50 languages – in Latin, Greek and Cyrillic scripts.
“I've always been a fan of Gill’s work, explains Weinzierl, and found the simple, humanist qualities of Joanna really fitting for a sans serif design. I wanted to make something with Gill flavor, but with more harmony in the extreme weights than Gill Sans – and with my twist on it. I went through six or seven different italic designs before landing on the current direction.”
“The original Joanna had a very distinct italic, Weinzierl continues. “It’s very condensed, and has a very shallow angle. I wanted to have an italic that stood out, but in a different way. I took a cursive direction for the italic details, which are wider and slanted more, both improving character legibility.”
The Joanna Sans Nova typeface family is part of the new Eric Gill series, drawing on Monotype’s heritage to remaster and expand and revitalize Eric Gill’s body of work, with more weights, more characters and more languages to meet a wide range of design requirements. The series also brings to life new elements inspired by some of Gill’s unreleased work, discovered in Monotype’s archive of original typeface drawings and materials of the last century.

OTF, TTF | 376.19 KB

Fantasia Monoline Calligraphy And Bonus Suitable for design, element design, wedding, event, t-shirt, logo, badges, sticker, and awesome work, etc...

Swiftel is a Layered Script font. Bring and Unusual Modern feeling. You can play the Base layer as a Regular then you can add depth font by using Shine, fill and outline layers and shadow solo. Of course the fonts is Equipped with opentype features. The OpenType features can be accessed by using OpenType savvy program such as Adobe Illustrator CS, Adobe Indesign & CorelDraw X6-X7

Shadow Fighter is a Display Font that looks good

CM - Milagros Script 428566

OTF, TTF | 376.19 KB 

Milagros Script is handwritten stylish modern calligraphy fonts, combines from copperplate to contemporary typeface with a dancing baseline, modern and elegant touch. Can be used for various purposes.such as headings, signature, logos, wedding invitation, t-shirt, letterhead, signage, label, news, posters, badges etc.

Retrica, a new handmade vintage typeface, simple, elegant and more handrawn taste. was completely with some alternate characters. 

CM - Barstilla Handpainted Typeface 428550

Barstilla is a handpainted font, semi-script font with tight kerning, and a fun. It’s nice and bold, Perfectly fit for your wedding card design, some handcrafted products, typography on products, branding, invitations, fliers, posters and more! hope you enjoy

CM - Somehand Family 426158

Handsome in its own way, More versatile than one could say. Four alternates to each letter, Because in this family Spontaneity does matter. (And just in case someone wonders, Yes, there are alternates for numbers!) Seven cuts the family holds. Six of them Are for saying with words. And the very last, (Before someone asks) Holds some very cool dingbats! ?Books, app?s?, ?mags, To just name a few, ?Now go with Somehand And try something new? :D

Born Serif Font

OTF | 0.19 Mb

Abys Brush Font
OTF | 1.95 Mb

Spirals Decorative Font + Textures

TTF, OTF, WOFF, JPG, TIF | 345 Mb

OTF, TTF,PSD | 505 MB 

Watercolor alphabet , all letters, numbers and punctuation marks - all shown in previews. It can be used to create different texts on invitations, greeting cards , scrapbooking, on the fabric , printing on the production of consumer , etc. ZIP contains: The alphabet is divided into 5 files - AJ, KT, U-Z + signs, signs, 1-0. Each file is represented in the following formats - PSD, JPEG resolution of 300 dpi, PNG with a transparent background and vector EPS 10 , AI 10 . Total - 25 files in various formats. NOTE - traced into a vector with autorouting ! The result is shown on the last preview. Enjoy using ! Be creative !

Collection of children's clothes labels 5x EPS

5 EPS | 3 MB

T-shirt Prints - 23 EPS

 23 EPS | PREVIEW | 59 MB

Beautiful japanese girl in kimono vector, 15 x EPS

15 EPS |  142 MB

Tattoo element vector 12X EPS

 12 EPS | RAR 4 MB

Pirate Skull and Bones Set - 9 EPS

9 EPS | PREVIEW | 72 MB