Graphic Downloads

Anne Bonny Font Family $299 | 14 x TTF and OTF

Anne Bonny is the comrade of Mary Read Type. It has the same proportions and nearly the same OpenType-Features. It is a Bodoni-inspired typeface with a sweet and female touch. You can choose between the swashes-feature, initials, final letters, many ligatures and ornaments. Highly legible.

ATC Rosemary Font

ATC Rosemary is a didone print-font comprised of over 315 characters, producing extreme contrast between abrupt and thin serifs at large sizes. The luxurious feel of Rosemary utilizes not only hairlines and ball serifs, but expresses similarities to Romantic fonts of the 18th and 19th centuries, while having a personality all it’s own. There are also some additional alternates and ligatures included in the font which can be activated as contextual alternates in OpenType.

OTF | WOFF | 1 Font | JPEG Preview | 3.5 Mb RAR

Belleville FY Font Family

Belleville FY is an original 16 retro and modern fonts family, inspired at the same time by New art mouvement, graffitis, 19th century wood type, and modern slab fonts. 

Each style has specific shapes and serifs which give it a special look, depending of the mood you choose. Because each of them is based on the same structure, you can easily mix them to create unique sets, offering you endless possibilities. Belleville is well suited for logos, headlines, packaging, posters, signage and every project you want.

OTF | TTF | WEB | 16 Fonts | 21.3 Mb RAR

Bold Pressing Pack Font Family

Fonts Cafe is offering a brand new pack of fonts and elements; The Bold Pressing Pack, full of bold, strong, powerful, vintage fonts which really stand out to make a strong impact. These fonts bring us back to a time when ink was placed onto wooden blocks, which were then pressed down onto the paper, creating big, bold letters, with the beautiful flaws of a time when things of import were given the due attention they deserved. This pack is designed to quickly capture the attention of anyone who sees it, while making a statement that says you mean business. It includes five different font styles, as well as two different element styles. There’s everything from a standard letterpress font, to a font which truly emulates the imperfections of those days, as well as one that stands out above the rest to make a truly bold statement, and more. Check below these powerful fonts in more detail.

OTF | 7 Fonts | JPEG Preview | 19 Mb RAR

Dulcet Font Family

Dulcet is a hand lettered, rough binding script with high ascenders & low-descenders. It is both elegant and grungy and will work wonders on your invitations or love letters, make beautiful posters, frightening t-shirt designs or logotypes. It is equipped with OpenType features such as common ligatures, double letter ligatures, contextual and stylistic alternates for a varied and hand drawn look. Access alternates by using the glyph panel in Illustrator and InDesign. Dulcet comes with several initial & terminal swashes that can be added to the beginning and/or end of any lowercase letter as well as different swashes for the upper case letters. Enjoy!

TTF | 2 Fonts | JPEG Preview | 3.1 Mb RAR

Fantasy Font Family - 5 Fonts $135

OTF | WOFF | 37.2MB

As Typesenses believes that “Letters need a touch of Magic”, Sabrina Lopez presents her new creation, a burst of innovation: Fantasy. This display font arises from the mix between Roman Style and Lombardic Decorations, with a little air of Medieval age.Fantasy works perfectly in book covers, greeting cards, invitations, weddings, posters, magazines, fashion world, logos, packagings, letterpress,etcLet your imagination fly and let’s play with all its Alternates, Ornaments, Frames, Caps y the exclusive set of Decorated Lombardic Initials. The Pro version has more than 1400 glyphs! Ornaments (Fantasy Ornaments), Caps (Fantasy Caps1) and Lombardic Initials (Fantasy Caps2) are sold in separated versions too. Additionally, there is a Standard Version (Fantasy Std) designed to be used in lines of text and smaller sizes.To make the most of the alternatives proposed, use applications that support Open Type.Get Fantasy and build a lovely world of Imagination!

Finding 57 Font Family

Finding 57 was inspired by the 45 degree geometric line grid, their connecting points and the negative spaces within the swiss typeface it was originally influenced by. It was created as a large display font for digital or graphic layouts. The font comes with Upper Case and Lower Case typesetting as well as a regular and a medium font weight.

TTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR

Keepsake Font Family

The tattoo script inspired Keepsake™ family has five members that can be combined to provide a range of creative options. Rich with OpenType features including discretionary and contextual alternate characters and ligatures, and other stylistic alternates. Each face includes three options for every capital letter and multiple lowercase options. All five fonts support Latin, Eastern European and Baltic languages. Other features include four decorative elements, and optional old-style figures accessible by supporting application’s OpenType menu.

OTF | 5 Fonts | JPEG Preview | 3.5 Mb RAR

Kostic Serif Font Family - 6 Fonts $300

OTF | WOFF | 30.4 MB

Kostic Serif is a classic transitional typeface (like Baskerville, Bookman, Caslon, Times) with tall, clean characters and a large glyph set to support all European languages - Greek and Cyrillic script included. Excellent for setting multiple pages of text and packed with OpenType features (proportional lining and oldstyle numbers, tabular figures, superscript and subscript, numerator and denominator figures, fractions and 31 ligature in 659 characters), it should meet the demands of even the most demanding typographic works. Kostic Serif is made with fairly large x-height, so the text is legible in very small sizes.Zoran began the work on Kostic Serif around 2002 and after completing Regular, Bold and matching italics, he wasn’t too pleased with the design, so he dropped further work on it to make other fonts. In 2010 Nikola came upon unfinished files for Kostic Serif, and decided to redesign the letters, while retaining basic proportions and widths that Zoran established earlier. When they were both pleased with the new look of the font, they made Medium and decided to add CE and Greek script to the glyph set, to make it pan-european.