Graphic Downloads

Calissa Pro Font

Calissa Pro is a multilingual, handwritten stylish copperplate calligraphy font, a sort of upgrade to issued earlier this year Calissa font. This file contains over 1800 glyphs and has many open type features including: fancy swashes, alternates, ligatures and lettering - all easily available at the click of a mouse. To make the most of this font an open type aware software is required.

OTF | 1 Font | JPEG Preview | 5.1 Mb RAR

Cillop Font Family

Cillop is a common word in Turkish spoken language that means good, perfect, great and also smooth. Like its several meanings, Cillop Font Family has several characteristics. It has good, cute, different and smooth design. To increase the font’s legibility, the heads and the ends of the small tailed letters as l,p,t etc. were beveled. The font family characterized by its manual kerning and it is multilingual. CILLOP Font Family comes in three weights; normal and italic. A lot of perfect works as posters, affiches, t-shirt prints, logos, magazine texts can be created. It is very useful both on the web and in prints.

OTF | 6 Fonts | JPEG Preview | 1.4 Mb RAR

Elizabeth Script Font Family

Elizabeth a script that carries the imperfections of a hand written brush script. It includes regular and discretionary ligatures, as well as stylistic alternatives and swashes. If you are working in a program that supports Open Type, I would suggest purchasing the Pro version as it includes all the features Elizabeth has to offer. If you are not working with Open Type but want to have the option of the swashes are stylistic alternatives, then you can buy both the regular Elizabeth and the swashes version. It will allow you to have most of the functions of Open Type.

OTF | 2 Fonts | JPEG Preview | 6.9 Mb RAR

Foros Font Family

Foros(tm) is a modern humanist sanserif font family of 8 styles. Each style contains beside many other alternatives of upper and lowercase letters a ‘unicase’ character set. Foros is a development of a modern pattern of rough geometric shapes in combination with open humanistic forms that produces a mixture of obstinacy and delicacy. Quadratic shapes of ovals bring stability and firmness, but angular terminals of diagonals in several letters together with curved junctions of bowls with verticals stems add emotions and elegance. Such variety in image make it possible to use the fonts in different kinds of display typography. Foros type family was designed by Oleg Karpinsky. Released by ParaType in 2013.

OTF | 8 Fonts | JPEG Preview | 4.6 Mb RAR

Foverdis Font Family

Foverdis is a versatile and powerful ornate script face. Foverdis features flowing hand lettering with tall and graceful ascenders. The face offers a wide array of weights, from the powerful Black weight to the graceful Thin to unique Hairline. Foverdis can get the job done for many unique design tasks. Its wide range of weights at a great price, and OpenType alternates make it a very valuable font for your design toolbox. Foverdis OpenType features include a set of non-connecting alternates, 20 ligatures, and two types of ending letterforms. OpenType features include ornaments, a full set of swashes, swash endings, ending contextual alternates, discretionary ligatures, ligatures and twelve different stylistic sets filled with alternates. In total, there are over 150 alternate letterforms and ornaments. Please see the sample .pdf to see these features in action. OpenType capable applications such as Quark or the Adobe suite can take full advantage of the automatically replacing ligatures and alternates. This family also includes the glyphs to support a wide range of languages. Foverdis is great for a professional designer that wants to maximize design capabilities.

OTF | 6 Fonts | JPEG Preview | 3.4 Mb RAR

Francker Font Family

Francker is a sans-serif, based on clean and simple design principles that betray its Danish origin. Its curves are based on the “super ellipse”, a mathematical shape about half-way between an ellipse and a rectangle. Francker’s lowercase lettershapes a, b, n, and u, have no spurs, emphasizing the simplicity of their construction. The Francker family is available in two widths, normal and condensed, each in nine weights, from extra light to extra black. Use Francker for signage, posters, magazines, advertisements, or corporate identity projects—wherever an industrial, contemporary look is needed. The Francker type was developed and designed by Anders Francker, an engineer and designer living in Denmark.

TTF | 9 Fonts | JPEG Preview | 4.6 Mb RAR

Goudy Trajan Pro Font Family

Goudy Trajan Pro is based on the drawings by F.W. Goudy of his rendition of the capital letters inscribed on the Trajan column in Rome, rather than on his subsequent metal type, Trajan (Title), released in 1930. Goudy Trajan Pro includes almost 1500 glyphs in each of three weights, including: uppercase, alternates, swash caps, small caps, vertically centered small(er) caps, dozens of fleurons, and much more. Supports Latin, Cyrillic and modern Greek scripts. Many thanks to Krassen Krestev, Sergiy Tkachenko, and Adam Twardoch for their suggestions for improving the Cyrillic glyphs; and to Alex Sheldon for his suggestions for swash caps and improved OpenType features.

OTF | 3 Fonts | JPEG Preview | 7.1 Mb RAR

Omar Font Family

The Omar Font was completely created by graphic tablet.Omar font family comes in two weights; Normal and Italic. They're all capital but lowercase and capital letters are different from each other.It is legible in small type sizes. With its decorative view, you can get matchless products in typographic works, t-shirt prints, posters, logos and every kind of graphic works.

OTF | 4 Fonts | JPEG Preview | 2.5 Mb RAR

Progressiva Font Family

Progressiva is a sans serif type family for text and display usage. With some unique playful forms and a little bit condensed structure, the family is ideal for texts that require some personality and titles with great visual presence. Progressiva family is composed by 11 roman styles, from Thin to UltraBlack, giving a lot of space for visual variance. Each font includes some standard and discretionary ligatures as well as some alternative letterforms included in stylistic alternates and stylistic sets OpenType features. It’s suitable for magazines, posters, packaging, advertising, signage systems, corporate material and so on.

OTF | 11 Fonts | JPEG Preview | 3.3 Mb RAR

Reckless Font

Reckless is hybrid connected geometric typeface between script, blackletter and tattoo feel, it can be used in logos, games and graphic related to cars, automotive, Detroit, 1940, 1950, 1960, vintage, retro, classic and old machines.

OTF | 1 Font | JPEG Preview | 5.5 Mb RAR

Scaramouche Font Family

Scaramouche is a decorative and playful connected script. Scaramouche family has three weights and matching ornament sets. For the best price purchase the whole family. Scaramouche has plenty of alternate characters; click on Swash, Contextual or Stylistic alternates in any OpenType savvy program for decorative alternates.

OTF | 6 Fonts | JPEG Preview | 12.5 Mb RAR

Sterk Font Family

The end of the characters in Sterk aren't cut horizontal, each one of them is let go in their own spaces. In this way, much stronger, freer and independent appearance results. With this typeface, unique typographies can be created, regular legible texts can be written. Sterk Typeface comes in 6 different weights with its strong and bold design.

OTF | 6 Fonts | JPEG Preview | 1 Mb RAR

Stratum 1 & 2 Fonts Family

Stratum is a design solution to what most cripples geometric sans serifs: the lowercase. So commonplace are the blocked and clogged companions to the capitals that one could be forgiven if they were taken for a feature and not a bug of the genre at this point. From a type designers standpoint, their continued presence is perplexing but understandable: forego the geometry and you’re left with a lowercase unlike the capitals. But what to do? Forget the geometric shapes and just make it work? Or maybe Morris Fuller Benton was onto something when he didn’t include a lowercase with Bank Gothic... These are the ideas and frustrations that led to the development of Stratum. As with most projects initiated to solve long-standing problems, the road to a final solution was not direct. And so it was somewhere between scrapping the project altogether and omitting the baseline stem terminations of the b,d,p,q characters that it became clear the geometry itself should be ignored – at least for some of the characters. The solution is simple but effective: merge the oval corners of the lowercase to the stems without breaking the curve while using the geometry as a guide and not a solution. The result is a hybrid of sorts that honors the clean curves of the ovals while delivering a legible lowercase in all six weights.

OTF | 12 Fonts | JPEG Preview | 5.4 Mb RAR

Sutturah Font 

Sutturah is a display font intended for poster and editorial design. It was born as an exploration of new text patterns. The font combines very detailed and constructed shapes with script flavour. The design has varied influences, from gothic fraktur to the display super black high contrasted wood types. Sutturah is informal and irreverent. Its strong character goes beyond letter shape construction conventions; it quickly catches the eye and surprises the reader. Its personality allows for the creation of stunning pieces of design without the need of any other elements‚ a single word in Sutturah is worth a thousand images. Extra ligatures and swashes give the user even more possibilities and add to the fun of using Sutturah! To transfer the unusual style from Latin to Cyrillic was indeed a big challenge. Nevertheless, Sutturah managed to maintain the same level of legibility across both scripts. The Cyrillic was developed with the help from Sergei Egorov.

 OTF | 1 Font | JPEG Preview | 3.4 Mb RAR

Tamoro Script Font Family

OTF | 4 Fonts | JPEG Preview | 1.1 Mb RAR

Trajan Sans Pro Font Family

Conceived alongside his recent extension of Carol Twombly's Trajan family, Adobe Principal designer Robert Slimbach set out to create a distinctly modern sans-serif display type family that retains the elegance and versatility of the original design. The new san-serif variation exhibits less stroke contrast than its seriffed counterpart, with stylized flared stroke endings that suggest v-shaped terminals cut in stone. While there are several fine san-serif typefaces on the market that are inspired by the monumental capitals of ancient Rome, Trajan Sans is unique in its fidelity to the form of the highly-regarded letters inscribed at the base of the Trajan column. The family is offered in six weights ranging from Light to Extra Bold, with language coverage for Pan-European Latin, Cyrillic and Greek. Trajan Sans can be used to convey a sense of permanence, elegance, and modernity in a variety of display titles and signage.

OTF + TTF | 6 Fonts | JPEG Preview | 3.5 Mb RAR

Umbria Font Family

Umbria is a decorative display typeface ideal for use in titles, logos, magazines, posters, as well as short text paragraphs.

OTF | 2 Fonts | JPEG Preview | 4.2 Mb RAR

YWFT Trisect Font Family

The visual design of YWFT Trisect was inspired by retro soccer/football jerseys and their triple line, number style. We spent many years in the early 90‘s dreaming of creating this face, but each attempt brought on numerous challenges until we finally achieved a working version around 1998-1999. Multiple clients and customers have used YWFT Trisect since its inception in 1999, including Architecture Magazine, MTV (on air), Wired Magazine, Computer Arts Magazine, the hat store Lidz (signage), along with numerous other companies. YWFT Trisect was converted to opentype format in 2010.

TTF | 8 Fonts | JPEG Preview | 4 Mb RAR

Antlers Font

OTF | 1 Font | JPEG Preview | 1 Mb RAR

Alternate Gothic Font Family

OTF | 3 Fonts | JPEG Preview | 1 Mb RAR

Albion's Americana Font Family

Albion’s Americana is a fun display family and a tribute to our transatlantic friends. The stars and stripes motif is applied to an American inspired all capitals Roman display face, producing something that is bold and boisterous and well...American. The regular face is intended for conventional use, while the ‘Black’, ‘Red’, ‘White’ and ‘Blue’ faces are designed to facilitate patriotic multi-coloured lettering (of course, you can use other colours as well). It’s worth trying out different combinations here- Black and White alone work well, as does read, white and blue minus black. Albion’s Americana Companion is also offered, intended as a small or all capitals face for subsidiary lettering. Next time you need some graphic typesetting with that American feel, this is your answer!

TTF | 6 Fonts | JPEG Preview | 9.2 Mb RAR

Albert Font

TTF | 1 Font | JPEG Preview | 4.4 Mb RAR

Akzidenz Grotesk BE Font Family

OTF | 22 Fonts | JPEG Preview | 1.8 Mb RAR

Adobe Garamond Font Family

Adobe Garamond™ was designed by Robert Slimbach in 1989. The roman weights were based on the true Garamond, and the italics on those of punchcutter Robert Granjon. This font has been expanded to include small caps, titling caps, expert fonts, and swash caps, which were typical in the fifteenth and sixteenth centuries.

OTF | 21 Fonts | JPEG Preview | 1.2 Mb RAR

Adobe Garamond Pro Font Family

An Adobe Originals design, and Adobe’s first historical revival, Adobe Garamond is a digital interpretation of the roman types of Claude Garamond and the italic types of Robert Granjon. Since its release in 1989, Adobe Garamond has become a typographic staple throughout the world of desktop typography and design. Adobe type designer Robert Slimbach has captured the beauty and balance of the original Garamond typefaces while creating a typeface family that offers all the advantages of a contemporary digital type family. With the introduction of OpenType font technology, Adobe Garamond has been reissued as a Pro type family that takes advantage of OpenType’s advanced typographic capabilities. Now this elegant type family can be used with even greater efficiency and precision in OpenType-savvy applications such as Adobe InDesign.

OTF | 6 Fonts | JPEG Preview | 1 Mb RAR

Accord Alternate Font Family

The main difference between Accord Alt and Accord is in the way curved strokes join with vertical stems in letters such as “bpn”. The Italics are designed at an italic angle of 10 degrees. All the letter forms have been kept similar while designing italic instead changing the form e.g. ‘a’ remains same double story in italic also instead changing it to single story. The intention is to keep it simple and neutral which helps communicate the corporate sense of professionalism.

OTF | 7 Fonts | JPEG Preview | 4.6 Mb RAR

ABTS Oklahoma Font Family

OTF | 4 Fonts | JPEG Preview | 1 Mb RAR

Abstrak BF Font

A delightfully odd assortment of characters: some letters are futuristic in design, while others are derived from classical Greek forms.

OTF | 1 Font | JPEG Preview | 1.2 Mb RAR

Avenir Font Family

Avenir was designed by Adrian Frutiger and released by Linotype-Hell AG in 1988. The design is based on two earlier sans serif typefaces, Erbar and Futura. Avenir is unusual in that it has weights that are similar, but each is designed for a different purpose. For example, the Light and Book weights are similar, but Book is most appropriate for text blocks while the Light is better for adding a contrasting element (perhaps a heading) to a heavier weight. These weight selections also allow for optimal results under varied printing conditions. Use the bold and extra bold weights of Avenir for emphasis with the light, book, and medium weights.

OTF | 12 Fonts | JPEG Preview | 1 Mb RAR

Aya Script Font Family

Be connected. Create ribbons of flowing text with Aya Script Ribbons. Warm, cheerful and handlettered in pen & ink, Aya Script Ribbons is an OpenType font with a healthy collection of alternates & ligatures. The ribbons automatically connect and mirror each other upon entry & exit or you may select individual ribbons segments to create a random look. Be free. Use Aya Script when your words need to stand alone. Aya Script is a friendly opentype font handlettered in pen & ink with a healthy collection of alternates & ligatures. She’s easy to read and loves stationery, books and logos.

OTF | 2 Fonts | JPEG Preview | 2.7 Mb RAR

Bell Centennial Font Family

Matthew Carter designed Bell Centennial in 1978 specifically for AT&T Corporation (the name honors their 100th anniversary) to use in telephone books. Carter developed it to have high legibility at small sizes, and for composition on high-speed, cathode-ray-tube composing machines. (Bell Gothic, the typeface originally designed for telephone books in 1937 and for composition on the hot metal Linotype machines, was no longer usable in the new technology.) Bell Centennial is a sturdy, condensed sans-serif design that achieves great economy of space while being highly legible. Bell Centennial can be used for modern display purposes and, of course, for small print and lists. The Alternate version of Bell Centennial Bold Listing sits on a standard baseline; the original version sits far below the baseline, and cannot mix properly with other fonts on the same line.

OTF | 5 Fonts | JPEG Preview | 1 Mb RAR

Bembo Font Family

OTF | 24 Fonts | JPEG Preview | 1 Mb RAR

Brave Font

A handmade, Brave New Font.....sketchy, illustrated, and hand-drawn with love. This is more than just a typeface - this is a pack, and it allows you to be even more creative than you would have been with just the font :) 

OTF | 1 Font | JPEG Preview | 4 Mb RAR

Casually Font Family

Casually is a fun and flowing handwriting script that giving the feel of natural writing and hand-made. You can use it to make an impression in a variety of designs such as invitations, greeting cards, logos, headlines, t-shirts, etc. Casually contains 122 beautiful alternative characters which can be combined to fit your design. The alternate characters divided into several OpenType feature such as Ligature, Stylistic Alternates, Contextual Alternates, and Stylistic Set. You can access all the characters by using OpenType savvy program such as Adobe Illustrator and Adobe InDesign.

OTF + TTF | 2 Fonts | JPEG Preview | 4.23 Mb RAR

Cirque

Cirque is a lively Western/Circus/Victorian/Whatever font—it'll fit in wherever you want to stick it to old Tschichold and make something cool instead. Mix up caps and lower case for curious results.

TTF | 1 Font | JPEG Preview | 4.5 Mb RAR