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Clarendon Font Family
A square-serif type is called a slab serif or Egyptian, but when the serif is bracketed (the curved linking stroke between the stem and the square serif), the type is sometimes referred to as a Clarendon. Originated in England by the Fann St. Foundry in 1845, these types are named for the Clarendon Press in Oxford. Clarendon was originally designed as a heavier complement to ordinary serif designs, and is used frequently in dictionaries and headline applications.
OTF | 3 Fonts | JPEG Preview | 1 Mb RAR
Courier Font Family
Courier is a monospaced typeface for use in tabular material, technical documentation, and word processing. It was designed in the mid-1900s by Howard Kettler of IBM as a typewriter face, and was later redrawn by Adrian Frutiger for the IBM Selectric series.
OTF | 4 Fonts | JPEG Preview | 1.4 Mb RAR
Excelsior Font Family
Excelsior was produced in 1931 under the supervision of Chauncey H. Griffith of Linotype. Like Corona, Excelsior was one of the five typefaces in Griffith’s Legibility Group, types that were designed specifically to remain legible under the poor printing conditions that are a matter of course in newspaper printing. Excelsior is still used for that purpose by many European daily newspapers. Excelsior is excellent for newsletters, reports, and proposals.
OTF | 3 Fonts | JPEG Preview | 1 Mb RAR
FF Chartwell Font Family
American type designer Travis Kochel created this pi and symbols FontFont in 2012. The family has 7 weights and was designed to create simple graphs. Primarily suitable for Adobe Creative Suite, FF Chartwell for print uses OpenType ligatures to transform strings of numbers automatically into charts. The data remains in a text box, allowing you to update it easily. Just simply type a series of numbers like: “10+13+37+40”. Turn on ligatures and a graph is created. Turn off ligatures to see the original data. FF Chartwell has received several awards including the CommArts award in 2011, the Letter.2 award in 2011, the Information is Beautiful award in 2012, and the Fast Company Innovation By Design award in 2012.
TTF | 7 Fonts | JPEG Preview | 5.9 Mb RAR
Harry's Brush Font
OTF + TTF | 1 Font | JPEG Preview | 2.1 Mb RAR
Heyzilla Font Family
Heyzilla is a multipurpose script font that suitable for any kind of project. It contains 379 glyphs in total and 187 alternate characters that divided into several OpenType features such as Ligature, Contextual alternates, swash, stylistic sets and stylistic alternates that allows you to mix and match pairs of letters to fit your design. You can access all those alternate characters by using OpenType savvy programs such as Adobe Illustrator and Adobe InDesign.
OTF | 4 Fonts | JPEG Preview | 4.6 Mb RAR
Insurance Maps Font
This font was inspired by the Sanborn Map Company's 1909 insurance map catalog.
OTF + TTF | 1 Font | JPEG Preview | 6.5 Mb RAR
Jongleur Font
Jongleur is a multifaceted hand-drawn display typeface based on a Maury Nemoy lettering from 1957. Packed with handy OpenType features, the font makes automatic substitutions when you turn on the contextual alternates, creating an interesting hand-lettered feel. If you're in a messy mood, use the stylistic alternates instead! The font also brings an extra set of alternate letterforms you can pick by hand to spice up your compositions. Great choice for titles and small amounts of text, perfect for posters, book covers and a wide range of applications.
OTF | 1 Font | JPEG Preview | 3.1 Mb RAR
Le Beaune New Font
OTF | 1 Font | JPEG Preview | 3.7 Mb RAR
Leksa Sans Font Family
Leksa Sans is a humanist sans-serif face with some contrast. The family consists of 14 faces (upright & true italic in seven weights from Extralight to Black). Designed as a sans-serif companion for Leksa, Leksa Sans works perfectly either with it or alone. It is suitable both for text setting and for short inscriptions. One of the main features of the typeface is its professionally-designed Cyrillic which (together with serif companion Leksa) was awarded for excellence in type design at Modern Cyrillic competition in Superfamilies category.
OTF | 14 Fonts | JPEG Preview | 3.2 Mb RAR
Marian Font Family
Marian imagines the classics of the typographic canon reinvented for the contemporary world: Garamond, Granjon, van den Keere, Kiš, Fleischmann, Fournier, Baskerville, Bodoni and Austin restyled and revived. These aren’t strict revivals, for they are not accurate recreations, nor are they interpretations per se. Instead they reduce the historical models to their basic skeletal forms. Nine serrifed typefaces and one Blackletter reduced to their basic structure. This reduction strips them to their core, whilst at the same time retaining the life and spirit of the letters.
OTF | 18 Fonts | JPEG Preview | 3 Mb RAR
Parqa Font
Parqa is a wild display typeface in two styles. This typeface is generously spaced to increase readabity and viewing pleasure. Suited for display settings.
TTF | 1 Font | JPEG Prevuiew | 3.3 Mb RAR
Pragmatica Font Family
The typeface was designed at ParaType (ParaGraph) in 1989-2004 by Vladimir Yefimov and Olga Chaeva. A spin-off from Encyclopedia-4 type family of the Polygraphmash type design bureau (1987, Vladimir Yefimov and Isay Slutsker). Inspired by Helvetica (Neue Haas Grotesk) of Haas typefoundry, 1957 by Eduard Hoffman and Max Miedinger. Based on the 19th century Grotesque designs, Helvetica brought a new level of mathematical accuracy to the sans serif category. Widely used for many applications, from magazines and books to advertising and headlines. Four basic styles of Pragmatica were developed in 1989 by Vladimir Yefimov. Eight additional styles were developed in 2003 by Olga Chaeva. Condensed styles were developed in 1993-2004 by Vladimir Yefimov, Alexander Tarbeev and Manvel Shmavonyan, with participation of Dmitry Kirsanov. Extended styles were developed in 2004 by Olga Chaeva and Manvel Shmavonyan.
OTF | 44 Fonts | JPEG Preview | 6.7 Mb RAR
Purista Font Family
Purista is a strict, orderly typeface based on a well-tried principle of geometric sans serifs from mid-20th century. Its obsession with technological precision makes it perfect for use in corporate systems and visual communications of technocratic businesses. Thanks to its broad range of cuts, it is also ideal for display advertising.
OTF | 10 Fonts | JPEG Preview | 2.9 Mb RAR
Sabon Font Family
In the early 1960s, the German masterprinters’ association requested that a new typeface be designed and produced in identical form on both Linotype and Monotype machines so that text and technical composition would match. Walter Cunz at Stempel responded by commissioning Jan Tschichold to design the most faithful version of Claude Garamond’s serene and classical roman yet to be cut. The boldface and particularly the italic are limited by the twin requirements of Linotype and Monotype hot metal machines. Bitstream’s Cursive is a return to the form of one of Garamond’s late italics, recently identified. Punches and matrices for the romans survive at the Plantin-Moretus Museum. The name refers to Jacques Sabon, who introduced Garamond’s romans to Frankfurt, although the typefaces that Sabon himself cut towards the end of the sixteenth century have a faintly awkward style of their own.
OTF | 8 Fonts | JPEG Preview | 1 Mb RAR
Signo Font Family
Signo is a dynamic sans serif with reverse contrast, designed for editorial and branding. Signo is a charismatic typeface for headlines, but its tall x-height and open counters also make it perform well in small sizes, resulting in a versatile typeface across weights. The cursive italics are a good complement to the roman fonts and will add variety and warmth to the page. The Signo family comes in six weights, from Thin to Bold, and includes two weights for text: the Book and the Regular.
OTF | 12 Fonts | JPEG Preview | 4.1 Mb RAR
St Transmission Font Family
St Transmission was one of the first ambitious projects for Stereotypes. Building a complete family with a lot of weights along with the italics. Transmission supports extended Latin character set, plus Cyrillic and Greek.
OTF | 14 Fonts | JPEG Preview | 3 Mb RAR
Tenshu Font
Tenshu is a display typeface. It could easely work for signage & print as well as for web design & motion graphics. Tenshu comes in OpenType format, and also covers Cyrillic language.
OTF | 1 Font | JPEG Preview | 2.3 Mb RAR
Tuesnight Font
Tuesnight feels like party! Inspired by movie posters from the sixties but with a quite contemporary accent, this is a lively face, packed with lots of alternates and interlocking pairs. There are also swashes to this side, swashes to that side, stylistic alternates... A zip-zap guide: typing upper- or lower-keys you get different lettershapes. Turn on the Contextual Alternates to get instant cycling of these. For accessing the interlock pairs,click on Standard Ligatures. Or just dive into a glyphs palette and pick up your choices.Tuesnight feels like party, and you're sure invited! Have fun!
OTF | 1 Font | JPEG Preview | 3.4 Mb RAR
Ultramarina
Halfway between nineteenth century display wood letters and the American grotesk sans-serif of the early twentieth, we can find Ultramarina, a display font for use in large body headlines, which show its power of attraction to quality food, the country’s legume, and gentlemen with a mustache and apron.
OTF | 1 Fonts | JPEG Preview | 4.1 Mb RAR
Vox Font Family
The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days. For additional versatility, take a look at Vox Round, the softer, but just as extensive, counterpart to this family.
OTF | 20 Fonts | JPEG Preview | 3.9 Mb RAR
Waldorf Pro Font Family
OTF | 13 Fonts | JPEG Preview | 2.1 Mb RAR
Turbota Font Family
This typeface was developed as a part of identity system for Turbota, center of social rehabilitation for disabled children in Ukraine. With soft ends, traditional structure and asymmetric serifs it works well in both playful and official contexts.
OTF | 5 Fonts | JPEG Preview | 2.1 Mb RAR
Seren Script Font
Seren Script is a sans serif version of my previous Moonface font. Seren is a retro font that contains 430 glyph, the OpenType feature can be used to create your own custom typo and design. Very useful for t-shirts, banners, posters, etc.
OTF | 1 Font | JPEG Preview | 7.1 Mb RAR
Saturnight Font
Over 300 unique glyphs (with multiple language support) make up Saturnight, a brush font. From paper to pixels, the digital translation of the original physical specimen reproduces well on screen and in print. While it exclusively all caps, there are 26 unique uppercase characters and 26 unique lowercase characters, which retain their differences even across accents.
TTF | 1 Font | JPEG Preview | 7.7 Mb RAR
Reidfork Font Family
Reidfork Typeface with Bonus Vector and Vintage Textpress. Reidfork Typeface is another carefully hand-made font crafted with passion and love :) You can use this font as creative as you want.
OTF + TTF | 3 Fonts | JPEG Preview | 15.8 Mb RAR
Purple Line Font Family
OTF | 6 Fonts | JPEG Preview | 3.3 Mb RAR
Programme Font Family
TTF | 19 Fonts | JPEG Preview | 3 Mb RAR
Lakester Font Family
Lakester is a layered type family. It comes with 4 font systems that can be layered to create different effect (regular,shadow,inline,inline 2). Inspired by vintage american west poster, it’s loaded with 300 glyphs. This family works best for logotype, gig poster, letterhead, dropcap, titles, and any artworks.
Hoverage Font Family
OTF + TTF | 2 Fonts | JPEG Preview | 8.3 Mb RAR
Hobric Font Family
Hobric is Modern Vintage typeface inspired by Old brick with some Modern touch. Great for almost all of your designing needs including headline, labels, logo, etc.
OTF + TTF | 12 Fonts | JPEG Preview | 14.4 Mb RAR
Griba Font
GRIBA Typeface is experimental display typeface, based on every shape of each characters and transformed into double lines which make this fonts is experimental. This fonts perfect for poster, tittles, and t-shirt designs. Available over 300 glyphs slots in this typeface. The subset of GRIBA Typeface in this kit supports the following languages: Albanian, Danish, Dutch, English, Faroese, French, German, Icelandic, Italian, Malagasy, Norwegian, Portuguese, Spanish, Swedish.
OTF | 1 Font | JPEG Preview | 4.8 Mb RAR
Goodfy Font
Goody is a quick brush typeface based on the original lettering using brushpen. This font is designed for handwriting design, photography, t-shirt or everything who need quick brush feel and works good for Uppercase and Lowercase too.
OTF + TTF | 1 Font | JPEG Preview | 5.5 Mb RAR
Glowist Font
This is Glowist typeface is serif font made by hand. with alternate characters and ornaments that will provoke your creativity and make it easier to make the awesome work. This font is suitable for greeting cards, posters, labels, t-shirt design, etc. You will get Glowist otf and ornament pack.
OTF | 1 Font | JPEG Preview | 12.2 Mb RAR
Donna Lena Font Family
Donna Lena is a chancery cursive, feminine in character. Elegant and timeless, this font marks the return of the classical canons of the Renaissance thanks to its open forms and the clear-cut ends, while recalls the graceful ways and the intense gaze of the ladies that populate the Florentine paintings in the sixteenth century. Donna Lena is soft and slightly inclined, with a fast ductus and marked contrasts in thickness to highlight the gesture. Different stylistic variations and ligatures are considered to make the most of the many OpenType features.
OTF | 2 Fonts | JPEG Preview | 5.2 Mb RAR