Graphic Downloads

Primiterus Font

Primiterus is the noble warrior of fonts, standing strong for what he believes in. Disciplined and bold, this font carves a path as straight as the arrow let loose from the bow, earning respect from all who see his ferocity. Primiterus’ strong spirit carries him far, and delivers his messages loud and clear. You can’t stop Primiterus, but you can get him on your side.Primiterus is an all-caps display typeface designed by Maciej Swierczek created for your wild, free and raw headlines.

OTF | 1 Font | JPEG Preview | 3.1 Mb RAR

Furius Font Family

Furius is a display typeface inspired by the split serif style of woodcut or chiseled letters found in roman inscriptions and later popularized by the western genre in the United States.

OTF | 4 Fonts | JPEG Preview | 5.7 Mb RAR

Crop Font Family

Crop is the guy who works till 3am, striving for greatness. Crop is the one in the gym at six in the morning, pushing harder every time. Taking no for an answer, just isn't part of the deal. Crop is the one with fire in his heart and eye intense enough to achieve the unthinkable. If you've never stopped pushing boundaries, if you think second place isn't worth getting out of bed for, if you can stand on the top of the world and ask, ‘What’s next?’ - Crop might just be the one for you!

TTF | 6 Fonts | JPEG Preview | 6.1 Mb RAR

Baliho Script Font

Baliho Script typeface is smooth, fun, and multi-purpose font. it can be used as a signage, poster, brand identity, advertising, etc. You will get this font in OpenType .otf format, so, make sure you use OpenType savvy program like Adobe Illustrator & InDesign then simply open Glyph Palette to access all of the glyphs. This font contains more than 150 alternate characters.

OTF | 1 Font | JPEG Preview | 3.1 Mb RAR

Blenny Font

Conceptualized by Dalton Maag font developer, Spike Spondike, Blenny is a true individual, with elegant hairlines and exaggerated ball terminals. Soft, voluptuous curves and a retro feel make it suitable for branding, bold headlines, or product labels. Blenny comes in one weight and supports two script systems, Latin and Thai. Inspiration comes from everywhere and Spike’s early sketches for Blenny played with a vintage, seafaring theme inspired by visits to the beach at St Leonards on the South Coast of England. Other influences included the retro typefaces used on old electronics equipment and gin bottles. It was Spike’s previous experience of working with Thai, and a trip to Bangkok, which prompted her to connect the diversity of shapes in the Thai script with the design of Blenny. Spike relished the challenge of creating the Thai glyphs whilst maintaining the key features of Blenny’s design. Creative decisions on the Thai in turn led back to refinements to the original Latin. For Spike, the end result is visually very pleasing. “Individual glyphs such as the “a” seem to wrap around themselves in a hug”. Bruno Maag, Chairman of Dalton Maag loved the design from the minute he laid eyes on it. “I’m considering having a tattoo done with it”. In honor of their new font, Dalton Maag has created the Blenny gin cocktail. Just like the font it’s named after, a Blenny is bold, punchy and has a touch of class.

TTF | 1 Font | JPEG Preview | 1 Mb RAR

Vox Round Font Family

Vox Round is the softer version of the Vox family. The original brief for Vox was a extensive monoline typeface that can be both precise and friendly, yet contain enough choice of seamlessly interchangeable variants for the user to be able to completely transform the personality of the typeface depending on the application. Basically, a sans serif with applications that range from clean and transparent information relay to sleek and angular branding. When the first version of Vox was released in 2007, it became an instant hit with interface designers, product packagers, sports channels, transport engineers and electronics manufacturers. This new version (2013) is the expanded treatment, which is even more dedicated to the original idea of abundant application flexibility. The family was expanded to five weights and two widths, with corresponding italics, for a total of 20 fonts. Each font contains 1240 glyphs. Localization includes Cyrillic and Greek, as well as extended Latin language support. Built-in OpenType features include small caps, caps to small caps, four completely interchangeable sytlistic alternates sets, automatic fractions, six types of figures, ordinals, and meticulous class-based kerning. This kind of typeface malleability is not an easy thing to come by these days.

OTF | 20 Fonts | JPEG Preview | 4.7 Mb RAR

Veryberry Script Font

Veryberry is a handwritten font with a unique character. Full of open type features, is best used in an open type aware software. Most diacritics are included and the font can be used with most of the European languages. Feel free to contact me if you find that any letter you need that is not included in the font yet. There are more than 700 glyphs in the font including discretionary ligatures, initial and terminal forms for all letters and ligatures, stylistic alternates, ornaments, etc.

TTF | 1 Font | JPEG Preview | 3.4 Mb RAR

Twofaced Font

TTF | 1 Font | JPEG Preview | 3.6 Mb RAR

Tooting Sans Font

Tooting Sans is a well-crafted, contemporary humanist sans. Designed for the needs of editorial, advertising and signage, Tooting Sans is not only suitable for setting large amounts of text at small sizes, it also has a presence and robustness for powerful headlines. Tooting Sans has slightly condensed letters with clean lines, open forms and predominantly straight terminals, although some vertical strokes have angled terminals for variation. This helps to keep the flow of the copy alive whilst being economical with space and legible in both text and headline usage. Released as an OpenType font, Tooting Sans expands upon the standard sans serif character set to include Greek and Cyrillic glyphs, small caps, oldstyle figures, proportional figures, ligatures and improved support for Latin-based languages.

OTF | 1 Font | JPEG Preview | 3.5 Mb RAR

Streetscript Redux

Back in January 2012, a chubby, uprightish baseball script called Streetscript made it into the MyFonts Rising Stars newsletter. Since then, it has been used for all manner of applications, far beyond the range of uses I'd anticipated. However, one thing seemed to keep cropping up. It seems a lot of users didn't like the s’s in the font, and after seeing them redrawn (not always with the best results!) a few times, I decided to make a new version of the font with less idiosyncratic s’s, and this is the result, Streetscript Redux. (I should have listened to my other half - “those s’s look like fives,” she said). All other features of the original Streetscript are intact (barring a couple of s-ligatures no longer necessary). There’s been a little tweaking of some outlines, and slight changes with spacing too, but for the most part, all I've done is redraw those pesky five-like s’s, so that you don't have to.

OTF | 1 Font | JPEG Preview | 3.3 Mb RAR

Steagal Font Family

OTF | 18 Fonts | JPEG Preview | 5.7 Mb RAR

Stanzer Font Family

Stanzer is an interpretation of wood type combined with the idea of modern stencils. Instead of cutting every letter, we are presenting an example of how a modern stencil typeface could look like, as we have come to the conclusion that almost every letter works without cutting it. Stanzer is a Unicase typeface, available in three OpenType weights: Black, Shadow and Block. Stanzer first started as part of our diploma 2010 (it was called Stanley at that time). The basic idea behind this typeface is that it is fully stencil usable, and, unlike other stencil fonts, does not require any bridges (except for the O and Q). Almost every letter can be sprayed without inserting planks. However, Stanzer also offers the display weight Block, which is only suitable for print or online usage.

OTF | 3 Fonts | JPEG Preview | 3.2 Mb RAR