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Zinger Font Family
Kycka Font Family - 4 Fonts
Kycka fonts family are casual and rustic organic printing types especially recommended for children books, they are readable and easily perceptible. Kycka may be used also in advertising, logotypes and all kind of publish stuff.
HWT Antique Tuscan No. 9 Font
HWT Antique Tuscan 9 is a very condensed 19th century Tuscan style wood type design with a full character set and ligatures. This design was first shown by Wm H Page Co in 1859 and is the first digital version of this font to include a lowercase and extended European character set. This is a font best used at large sizes.
Martin Gothic Font Family
A modern and clean sans-serif originally designed by Phil Martin in 1987, works great in body and headline usage.
Praxis Next Font Family
Praxis® Next has the same robust shapes and proportions as the original 1976 Praxis design. Its large x-height, substantial counters and open apertures guarantee high levels of legibility and reading ease in print and on screen. More weights, condensed designs and true cursive italics differentiate Praxis Next from the older design.
Kinderspiel Duo - 5 Fonts
TTF
Modern Talking Font
TTF
Salt and Sea Font
TTF
Good Bad Man Font Family - 2 Fonts
TTF
This historic revival font was created especially for use in the preservation and restoration of the 1916 silent film “The Good Bad Man,” starring Douglas Fairbanks. There is only one copy of the original film print in existence, and when the film was restored for a screening at the San Francisco Film Festival in 2014 the new font was created to best recreate the intent of the original lettering in the film. It is a smooth and pleasant vintage lettering style, originally designed for use on silver screens, now fully rendered in OpenType and ready for you to use in your designs or web pages today
Liquorstore Bold & Bolder Font Family - 9 Fonts
TTF
In this modern era, sometimes being bold is not enough. Sometimes you need to go BOLDER! So here comes the Liquorstore Bolder font family, the long awaited sequel to the popular Liquorstore industrial, geometric display font. This new bolder font family features multiple styles that work on their own or as overlapping layers to create stunning multi-color typography. Chromatic layering effects are created with inline, outline, bi-line, and tri-line styles can be used together to create extra impactful words in your logos and headlines.
Vabeulit Script Font
TTF
Adana Font Family - 5 Fonts
The roots of the Adana Circular & Initials typefaces going back to the year 1930, to the Berlin-based German graphic designer Wilhelm Berg. It’s his answer to Lucian Bernhards Schönschrift.
Honeymoon Font Family
Designed by Måns Grebäck, Honeymoon is a script font family. This typeface has four styles.
Steamafide Font Family
During my final year of University I developed a typeface design for the unit Major Project. It's designed to be used in a Steampunk or Victorian context. The genre is
expressed through the serifs of the type. ? The family consist of Steamafide: Regular, Decorative, Decorative Bold and Decorative Heavy.
TT Nooks Font Family - 8 Fonts
TTF
Elma Font - 3 Fonts
TTF
Angostura Font Family - 17 Fonts
Angostura is an out-of-the-ordinary sans-serif typeface. It’s available in 7 weights, italics and various special effect styles.
Natalie Font Family - 3 Fonts
Natalie is a condensed Slab Serif font that was inspired on some film posters from the middle of the last century. Actually this typeface looks like a typically vintage stile. Natalie has been designed for use in many kind of commercial job and typographic work like posters, brochures, packaging, logotypes, magazines, children books, headlines, booklets, leaflets, websites, and much more. This font has also a set of ligatures, stylistic alternates and swashes that enlarge the visual impact. Natalie can offer you more creative chances.
Chaotic Neutral Font
I'm letting my inner nerd show through on this one: “Chaotic Neutral” is a Dungeons & Dragons thing. But the name applies to this font, too! Chaotic: This font has all sorts of built-in irregularities. Some variation in letter heights and letter widths, and the stroke widths are all over the place. It’s all about the hand-written messiness. Neutral: And yet! I've smoothed the strokes a bit, and gone for as few nodes on each letter as I can (while still keeping a bit of roughness), so this font can be used for any kind of purpose -- not just print, but cutting out as well!
40+ Amazing Brush & Script Fonts / Typefaces Of 2018 (+PSD Mockups)
43 Fonts | 30 TTF | 40 OTF | +2 Ai | +2 PSD | 45 MB/209 MB(PSD)
Milestone Font Duo 22300169
OTF | TTF | 107 KB
Mix Fonts Bundle 13
OTF TTF | 11 MB
Mix Fonts Bundle 14
OTF TTF | 18 MB
Srows Font
OTF | TTF
Cristalistic Font
OTF | TTF
Sthephen - 2 Fonts
TTF
Passenger Display Font Family - 14 Fonts
Passenger Display is a high-contrast “modern” or Didone-style font family. It is intended for use in headlines, signs, or posters – any place where you need to set large, elegant-looking type. Passenger Display takes the idea of early-nineteenth century types – vertical axes of stress, combined with ball terminals – and dials up the stroke-contrast and degree of sophistication. It features serifs that thin gradually into fine lines and points. The family is ready for use in editorial design and corporate communications projects. Passenger Display includes seven weights, ranging in style from Extralight through Extrabold. Each weight has both an upright font and an italic on offer. The fonts’ default numerals are proportionally-spaced lining figures. Via the OpenType features, there are also oldstyle figures and tabular figures available, as well as a full range of numerators and denominators for typesetting fractions. The ascenders of the lowercase letters rise up above the tops of the capitals. In the upright fonts, the ‘a’ and the ‘g’ are double-storied. In the italics, they are single-storied. Each font includes 13 f-ligatures. Passenger Display has a companion typeface available for larger-sized applications: Passenger Text. Passenger Display and Passenger Text can be used together to powerful effect in magazine layouts, or in exhibition design graphics.. The Passenger families were designed by Diana Ovezea and Samo A?ko.
Schmalfette Font
In German, the typographic term ‘Schmalfette’ means ‘condensed heavy’. This single-weight typeface lives up to its name. Its letters have been drawn so that they are both narrow and dark. The counterforms are particularly interesting, as they appear to be just thin lines swimming in the letterforms’ mass of darkness. Schmalfette is spaced very tightly; the amount of white space placed between each letter is optically about the same size as those line-thin counters. To make this work even better, the font includes a few contextual alternates to improve the fitting, such as a ‘j’ with a different tail and a few separate versions of the ‘g’, each of which has a subtly different treatment of the descending loop. Schmalfette’s x-height is tall, and its ascenders rise to the exact same height shared by the tops of capital letters and numerals. Some capital letters have very unique design solutions to them that lend them to logo design (and also to concert flyer design), such as the ‘F’, ‘Q’, and ’T’. The numerals are also all quite eye-catching. Schmalfette is a typeface from the Norwegian designer Frode Helland.
Aziga Font
In a typeface category that has been sorely under-represented until now, Aziga is a high (occasionally reversed) contrast, postmodern, deconstructed-reconstructed, serifless (mostly), fashion didone! Aziga lends itself to being set loud and proud, and the consistent angles throughout the glyphs make it a good candidate for more abstract typographic compositions. For the really graphically inclined (excuse the pun) a rotaion of 66° will make the main diagonals in the font horizontal and vertical. Features include stylistic and contextual alternates, ligatures and case sensitive forms.
Stardom Font
Stardom is a very high-contrast serif typeface. It is intended for use in headlines, signs, or posters – any place where you need to set large, elegant-looking type. The design’s letterforms have been drawn with vertical axes of stress, and many of the their strokes terminate with large, sharp, wedge-shaped serifs. These are particularly noteworthy in Stardom’s ‘C’, ‘G’, ‘S’, ‘a’, ‘c’, ‘s’, ‘y’, ‘ß’, ‘2’, ‘3’, ‘5’, ‘6’, ‘9’, and ‘$’. The shapes of the counter inside of the letterforms are large and open, ensuring that text set with the font will be clear and distinct. Stardom’s lowercase letters feature a large x-height and the ascending strokes rise slightly above the tops of the capital letters, but the font’s numerals still share a common height with the uppercase. Despite being a display typeface, Stardom’s diacritical marks are large and prominent. Stardom an excellent choice for editorial design and corporate communications projects.
Lansdowne - 2 Fonts
TTF
Kumma - 2 Fonts
Kumma is a fresh and spontaneous script font, with an agile and expressive stroke. Specially designed for use in packaging, posters, brochures, greeting cards and much more.
Valent Font
TTF
Feondra Duo Font - 2 Fonts
TTF
Vernaccia Font Family - 4 Fonts
Vernaccia is a type family of four fonts: Regular, Bold, Condensed and Condensed Italic. Is a modern and casual calligraphy typeface. As an exclusively Open Type release, with 759 glyphs and 45 ornaments, it has several special alternatives for all letters with lots of possibility and an infinity of combinations. Most of the ornaments can be used alone, but actually they were especially designed to combine with the different glyphs. There are plenty of options to allow you to create something unique and special: standard and discretionary ligatures, several swashes and stylistics alternates for each letter, catchwords, tails that can be added to the beginning or end of each letter, ornaments, and much more. These fonts have already an extended character set to support Western European languages.