Graphic Downloads

Oxymora Font Family

A little while ago, Birgit did some work for a client and started to play around with Eschers impossible shapes. In the end Birgit got so addicted by the system that she made a complete font, based on impossible shapes. The name Oxymora: An oxymoron is a term for a figure of speech. It is made up of two or more words that seem to be opposite to each other, or actually are opposite.

OTF | 2 Fonts | JPEG Preview | 6.5 Mb RAR

Mandinor FY Font Family

Customize your alternates! Mandinor FY is a victorian modular family of 3 different typefaces very contrasted: Modern, Gothic & Italian. Perfect for headlines and any other titling creations, this font family feels very good when used in super poster size. Ornaments, letters (and even animals (miaou)!) can be mixed all together to build original alternates. Now its on you to play and build your own glyphs! Mandinor FY was created by Julien Priez & Fontyou Team on co-create.fontyou.com, the first collaborative type foundry.

OTF | 4 Fonts | JPEG Preview | 4.9 Mb RAR

LoveChristmas Font

Following the success of our LoveHearts, valentine inspired ornaments, we decided to show our love for Christmas. With more than 170 hand drawn unique designs, LoveChristmas is the perfect choice for designing Christmas greeting cards and gift wraps as well as letter signatures and accessories.

OTF | 1 Font | JPEG Preview | 8.9 Mb RAR

Cordale Font Family

If you are looking for a font family that simply gets on with the job, Cordale is the right choice. It is a workhorse font with strong features that do not easily tire, whatever the workload, whatever the challenge. Cordale has no frivolous features. Its slightly condensed proportions and tall x-height make it ideal for use in body copy and where space is at a premium, such as magazines and newspapers. Its serifs are strong and defined, to withstand the challenges of even the harshest of printing processes. Its open character shapes enhance legibility in all media. The Standard Edition font includes a complete Latin Extended A character set, but please see the corporate Edition for a character set including Latin, Greek and Cyrillic alphabets.

TTF | 4 Fonts | JPEG Preview | 5.1 Mb RAR

Official Site

Canada Type is a digital type solutions company based in Toronto. We were founded in 2004 by Rebecca Alaccari and Patrick Griffin, as a means to perform professional type solutions to creative indviduals and departments all over the world. Since then, Canada Type has brought forth a comprehensive and popular library of typefaces that accommodate a variety of aesthetic tastes. Alongside Rebecca's and Patrick's original designs and historical revivals, the Canada Type library features typefaces by eminent American calligrapher Philip Bouwsma, Dutch science writer and lifelong type enthusiast Hans van Maanen, American expat writer and classicist Bill Troop, and Canadian type designer Kevin King. We also perform project-specific type solutions to a variety of clients, including large publishing houses, telecom and media companies, film production studios, design agencies, ad firms, and government agencies. Among our clients are instantly recognizable names like the BBC, Disney, ABC, Pixar, New York Times, Newsweek, Wall Street Journal, MacLeans, Bell Canada, Rogers, Rethink, Reactor, Leo Burnett, Shaw Communications, Cafe Press, Sobeys, the Canadian Ministry of Transport, the Canadian Armed Forces, and the Vancouver 2010 Winter Olympics. The Canada Type font packages are available for licensing and secure electronic delivery through this site and a variety of quality type distributors worldwide.

OTF + TTF | 225 Font Families | 84.7 Mb RAR

Big Lodge Font

Big Lodge Custom Type, is a vintage and retro style font, fit for a logotype, band logo, or apparel design.

OTF + TTF | 1 Font | JPEG Preview | 3.6 Mb RAR

Baskerville Original Pro Font Family - 12 Fonts $828

OTF | WOFF | 47  MB

When digitizing the typeface, we did not have at our disposal a complete alphabet – partly because Baskerville did not solve some of the characters (some of them did not even exist at the time), partly because we were loath to go to Cambridge where the greater part of the original punches is deposited. But there was no need to do this. For inherent in every fragment of any typeface is the principle, according to which it is possible, with a little bit of natural feeling, to complete the set of characters. An analytical transcription is also to remove any potential shortcomings of the source of inspiration and must not take over mechanically all details of the design. Even creators of genius, however, make mistakes sometimes and, therefore, in spite of the fact that we officially speak about “a transcription”, what was involved in the case of all complementary designs was a fairly fundamental reworking. Our aim was not so much to be reverently faithful to the original, as to preserve the spirit of the typeface and to breathe new life into it. Baskerville is a typeface with the character of a gentleman, a typeface of sober elegance and clear design. Its nature is remote from dramatic contrasts, as we know them from the Continental typography of the Late Baroque period. A project of a typeface family which includes twenty designs cannot rely on a single pair of tired eyes; that is why we are again grateful to Otakar Karlas for his valuable advice, especially when putting the finishing touches to the typeface. It was upon his recommendation that, among other things, the anatomy of the basic (original) design was reinforced, the rhythm of the italics in text sizes was made more tranquil, the balance of the “&” sign form and the colour of the small caps were improved. The result is an absolutely ordinary and inconspicuous typeface – a worker in the service of literature. The softness of its design predetermines it for every type of fiction and poetry, while its rational construction makes it useful also for scientific publications. Having worked on Baskerville’s typeface for more than a year, when we see it now, it feels like meeting an old friend.

Ahlan Font Family

"Ahlan" is a an Arabic typeface with an individual anatomy based on common hand writings, reshaped and reconstructed to meet the new media demands. It suits short passages, poetry, corporate greetings beside other applications. Font family consists of Regular, Italic, Bold and Italic Bold weights.

OTF | 4 Fonts | JPEG Preview | 5 Mb RAR

Anna Clara Font - 1 Font 30$

TTF | OTF | 30MB

Anna Clara can be dressed up or down, as fancy as you wanna be. On its own, it’s an organic script, with the fine hairlines, thick swells, and slightly undulating baseline found in modern casual calligraphy.Add swashes, and Anna Clara becomes a bit more playful and festive. Each capital letter has a flourished alternate- great for displays or headings, or to add emphasis to a particular section of text. For OpenType-aware software users, Anna Clara also features ten pairs of swashes that can be added to the beginning or end of any lowercase letter, for a custom flourished look.Illustrator and InDesign users can access extra swashes and banners by using the glyph panel.Photoshop users: These characters can be accessed via the “Ornaments” feature in your OpenType panel - try non-numeric punctuation marks and accents for swashes. For banners, type catchwords followed by an asterisk. “Asterisk asterisk” will produce a blank banner that you can use to create your own. Included catchwords are “and”, “at”, “by”, “for”, “from”, “of”, “the”, “to”, “with”, "l'", “le”, “la”, “el”, “et”, and “y”. Roman numerals can be used in the “Ornaments” feature by typing their respective keyboard characters “I”, “II”, “III”, etc. - followed by an asterisk. An ampersand (&) followed by one or two asterisks produces two special “and” characters.

Monroe Font Family - 147$

OTF | WOFF | 29 MB

Fashionable and Rocker, Monroe is a font that can be given different uses for its wide variety of alternate types, which makes it an ideal font for titles, magazines, posters, logos, etc. Its main virtue is the endless number of possibilities that the font gives to write a word, text or paragraph.

Duotone Font Family - 150$

OTF | WOFF | 29 MB

Duotone is a layered font system that allows you to title two-tone headlines. This classic two color lettering style requires no font editing. The regular weight acts as a perfect font pairing to match the titles featuring two-shaded headlines. The shaded weights “Shade One” and “Shade Two” work together to compose instant titling effects that are perfect for advertisements, products, album art, logos, invitations, scrapbooking, wedding announcements, or whatever project you are working on.Duotone’s unique effect is best achieved in a graphics application that allows you to use layers so that you may stack these fonts and assign different colors to them. The regular weight allows you to plot out titles, kerning, and leading. Copy and paste this layer in place. Change the color and font style in the new layer and repeat the process until you have “shade one” and “shade two” assigned with different colors. Hide or delete the regular layer to remove any unwanted aliasing.

Flashback Font Family - 87$

OTF | WOFF | 29 MB

All three fonts - Dropout, Rough Diamond and Thorny, evolved from experimenting with a cubic template devised as the basis for a retro display type series titled ‘Flashback’. I experimented with numerous shapes initially to see which forms lent themselves best to the negative spaces forming the characters. Although many interesting variants are possible within this context, these three were resolved best out of the several options tried.

Alfrere Sans Font Family - 87$

OTF | WOFF | 29 MB

Alfrere Sans is a clean Sans Serif display family inspired by a well-known 1950s television caption. The family of seven faces have been designed for independent use, but they also have an extra feature. All faces have identical metrics and can be overlaid with each other, to yield an unending range of multi-colored lettering effects. Bring a touch of the 50’s to your next poster design. Better yet, explore the world of multi-colored overlaid typefaces....

Steelworks Font - 1 Font 30$

TTF | OTF | 29 MB

Steelworks is a headline font based on lettering on a plaque of the Henry Avenue Forge in Winnipeg, Manitoba, Canada.

Octynaz Font - 1 Font 30$

TTF | OTF | 29 MB

Octynaz is more than grungy: It’s been to hell and back . . . more than a couple of times.

Sliced Open Font Family - 7 Fonts 203$

OTF | WOFF | 31.9 MB

This type family is the lighter, more open companion to the eye-catching Sliced volume, a masculine display face with boldly sliced terminals and angles, available in 3 widths.The complete Sliced volume numbers 14 styles, a versatile modern suite of fonts with extended European language coverage, available in OpenType, TrueType & web formats.

Mavblis Font Family - 6 Font 210$

OTF | WOFF | 41 MB

Mavblis fonts have playful and fancy look, which may recall that seen in fifties ads.The look, which is quite bold may well allow for using this font in titles, packaging, or catchphrases. There are also some ligatures and alternates encoded, so you are not stuck with one look in case you require to add some variety to your text.There are over 900 characters in each font, and many languages are served.