User Panel
Founders Grotesk Font Family
OTF | 13 Fonts | JPEG Preview | 4.1 Mb RAR
Wayfinding Sans Pro Font Family
Ralf Herrmann, the designer of Wayfinding Sans, started this project with extensive field studies, driving tens of thousands of miles to explore the legibility of road signage typefaces in dozens of countries around the world. After building his own theoretical framework of relevant legibility parameters, the design process used a unique custom real-time simulation software, which could simulate difficult reading conditions (distance, fog, halation, positive/negative contrast) while the letters were actually being designed. This process made it possible to optimize even the tiniest details of each letter for maximum legibility. Being made specifically for wayfinding purposes, this type family does not compromise on any aspect of legibility — and yet, the typeface is a beautiful, clean and modern sans serif. With its broad language support and the large number of available styles it is perfectly suitable for any possible signage project anywhere on the world. In an independent empirical study at the University of Applied Sciences “htw” in Berlin different typefaces were recently tested when used on signs and Wayfinding Sans Pro was the winner in all conducted tests, being significantly more legible and therefore superior to all other styles of the tested typefaces.
TTF | 20 Fonts | JPEG Preview | 9.6 Mb RAR
Torcao Font Family
Torcao is one of the sporks of the font universe, a useful and functional outlier. Half square, half circle, this uncommon squircle of a family with its asymmetry of curved and angular shapes drives through headlines and body copy with forward velocity. The robust, technical appearance is light-hearted and inviting, and its organic nature plays off of its one-of-a-kind kinks and hybrid forms. Torcao is not merely an experimental font, though. The figures have been crafted and refined into a functional, hard-working typeface that lends itself to many sizes and environments. The font family features a tall x-height and light modulation, which give the typography its unique color highly effective in headlines but still quite legible in longer text. This family contains a comprehensive range of nine weights--slender to black--and features condensed and extender selections for a complete set of forty-eight fonts. The font has been decked out for experienced typographers, together with swash alternates and simplified titling. The typeface also contains a range of numeral sets, together with fractions and old-style figures. OpenType-capable programs including Quark or the Adobe suite allow quick changes to ligatures and alternates. Previews of these options can be found in the .pdf brochure. Torcao also features the glyphs to enable all Central, Eastern, and Western European languages. In all, the font supports around forty languages that utilize the prolonged Latin script, making it an excellent option for multi-lingual publications and packaging. Simple, technical, and open, the Torcao type family could just be the perfect choice for your web type or print project.
TTF | 47 Fonts JPEG Preview | 6.9 Mb RAR
Supermolot Font Family
Supermolot is a modern square grotesk with the elements of the Soviet style. Supermolot is a logical continuation of the legendary Molot font that was developed in 2008 and has been free to download. Supermolot fontfamily has 10 fonts and support for multiple languages. It is a simple and affordable tool for any designer. All proceeds from the sale of fonts category “Super” are the creation of new low-cost and effective fonts.
OTF | 10 Fonts | JPEG Preview | 3.9 Mb RAR
RBNo3.1 Font Family
RBNo3.1 is a sans serif typeface with a technical and geometric appearance. The family includes 9 weights with matching italics. Its large x-height makes it especially legible at small point sizes. RBNo3.1 feels comfortable in technical surroundings with short text passages, in brochures, catalogs, magazines, posters, websites, headlines or logos.
OTF | 18 Fonts | JPEG Preview | 4.3 Mb RAR
Proxima Nova Font Family
The Proxima Nova family is a complete reworking of Proxima Sans (1994). The original six fonts (three weights with italics) have been expanded to 42 full-featured OpenType fonts. There are three widths: Proxima Nova, Proxima Nova Condensed, and Proxima Nova Extra Condensed. Each width consists of 14 fonts--seven weights with matching italics. Stylistically, Proxima Nova straddles the gap between typefaces like Futura and Akzidenz Grotesk. The result is a hybrid combining humanistic proportions with a somewhat geometric appearance.
Feature Summary:
7 weights: Thin, Light, Regular, Semibold, Bold, Extrabold, and Black
3 widths: Normal, Condensed, and Extra Condensed
Matching italics for all weights and widths
Matching small caps for all weights and widths*
Lining and old style figures (proportional and tabular)*
Full “f” ligature set*
Alternate characters (a, l, y, G)*
Automatic fractions*
Automatic ordinals*
Dingbats (16)*
Extended language support (most Latin-based scripts supported)*
Extended currency support*
* Requires an application with OpenType and/or Unicode support.
All characters, including the small caps, old style figures, and alternate characters are included in the basic Proxima Nova fonts. Supplementary fonts (Proxima Nova Alt and Proxima Nova ScOsf) are included for use with programs (such as Flash and Microsoft Word) that do not yet support all OpenType features. The supplementary fonts are NOT needed at all with OpenType-savvy programs (such as Adobe Creative Suite and QuarkXPress 7).
OTF | 126 Fonts | JPEG Preview | 6.5 Mb RAR
Nokio Font Family
Nokio is a clean, minimalist Sans Serif typeface designed in 2013 by TypeUnion. Nokio uses clean lines and curves matched with smooth, rounded terminals to produce a structured typeface with a subtle playfulness. Nokio is made up of 5 weights, and is built for multiple uses, from digital applications such as Apps and Websites to logotypes and print applications.
OTF | 5 Fonts | JPEG Preview |
Acustica Font Family
OTF | 5 Fonts | JPEG Preview | 5.9 Mb RAR
Acustica is a display font family designed by Carlos Fabian Camargo G. Its styles were designed to form words and phrases related to delicate and feminine contexts. Acustica Caps, Italic, Swashes and Ornaments are drawn investigations with flexible tip pen inspired by Didot capitals. All ideal for mixing with Acustica Script whose idea represents the volatile sound of a fine tip brush against rapid tracing paper. Its script path in width condensed lowercase and uppercase letters in loose horizontal proportions are generous between letters laced with long, agile and thin connecting strokes. Its script sensitivity is in Italian calligraphy with uninterrupted lines of cursive English.
Sweet Sans Pro Font Family
The engraver’s sans serif—strikingly similar to drafting alphabets of the early 1900s—has been one of the most widely used stationer’s lettering styles since about 1900. Its open, simple forms offer legibility at very small sizes. While there are digital fonts based on this style (such as Burin Sans™ and Sackers Gothic™, among others), few offer the range of styles and weights possible, with the versatility designers perhaps expect from digital type families. Sweet Sans fills that void. The family is based on antique engraver’s lettering templates called “masterplates.” Professional stationers use a pantograph to manually transfer letters from these masterplates to a piece of copper or steel that is then etched to serve as a plate or die. This demanding technique is rare today given that most engravers now use a photographic process to make plates, where just about any font will do. But the lettering styles engravers popularized during the first half of the twentieth century—especially the engraver’s sans—are still quite familiar and appealing. Referencing various masterplates—which typically offer the alphabet, figures, an ampersand, and little else—Mark van Bronkhorst has drawn a comprehensive toolkit of nine weights, each offering upper- and lowercase forms, small caps, true italics, arbitrary fractions, and various figure sets designed to harmonize with text, small caps, and all-caps. The fonts are available as basic, Standard character sets, and as Pro character sets offering a variety of typographic features and full support for Western and Central European languages. Though rich in history, Sweet Sans is made for contemporary use. It is a handsome and functional tribute to the spirit of unsung craftsmanship.
OTF | 18 Fonts | JPEG Preview | 4.1 Mb RAR
Streetscript Font
OTF | 1 Font | JPEG Preview | 3.7 Mb RAR
Streetscript is a contemporary upright(ish) script with a modern, streetwise edge. It contains a wealth of OpenType goodies and is equipped with enough language support to cover most Latin-based languages. Latin Extended A is fully covered (except for long s - sorry Medieval people!). OpenType features include Stylistic Alternates, ligatures, swashes (for g, j, y and z), an underline function (enabled either through SS02 or Contextual Alternates), Oldstyle figures, Localised forms (Polish, Dutch, Moldovan and Romanian), and 'non-script' r and z, enabled using SS01. Over 500 glyphs make up this display font, which is versatile enough to be used for all manner of applications, from T-shirts to logos to websites and beyond. Like most scripts, all-caps settings are not recommended but there is ample kerning to make this possible if you really have to.
Rachele Font Family
Rachele is a mono line based script thin font. Inspired on the cute “Italian Bella Scrittura” handwriting but influenced by Spencerian. Ornaments and ligatures make this hand more expressive offering round stroke endings and a flowing shape. Rachele is a big family, its stroke expand into extra light till medium and passing through a calligraphic/ribbon effect. At the same time the width varies, that’s make this script even more flexible, from Ultra Condensed to Super Extended. Enjoy it.
OTF | 40 Fonts | JPEG Preview | 18 Mb RAR
Quiroga Serif Pro Font Family
Quiroga Serif began in 2007 with the name Quadratta Serif. This typography was designed for continuous text, legible at medium and small sizes, with great saving of space, optimized for 6, 8, 10 and 12 points. The morphology is a mix between tradition and innovation; it has a vertical axis, thick serifs, tall x-height, light modulation and a lot of internal space between letters: key to improve legibility at small sizes. Formally, my idea was to make a serif type that had a unique color, this is visible due to the light modulation. This is also complemented with the incorporation of not common, alternative signs. Some parts of the letters that are usually curb or diagonal where made horizontal (for example: a, q, p, etc.), this makes the eye of each character to be wide and unique. The serifs (wedge type) suffered diverse variations during the process. At the begining they where thicker and ended vertically, but this caused a great deal of printing errors. And so we decided to modify them by giving them an angle to avoid visible errors in medium and small sizes. The ch, and ll ligatures where rescued because they are a part of our current spanish alphabet. The historic ligatures and stylistic alternates give different options to users who want different alternatives within a text. The accentuation signs were composed in a middle line above all signs to avoid visual shock. We also gave plenty of importance to small caps numbers, mathematical signs and currency signs so that the could interact well.
OTF | 6 Fonts | JPEG Preview | 6.2 Mb RAR
Qargotesk
OTF | 1 Font | JPEG Preview | 6.3 Mb RAR
PF Din Text Condensed Pro Font Family
The purpose of the original DIN 1451 standard was to lay down a style of lettering which is timeless and easily legible. Unfortunately, these early letters lacked elegance and were not properly designed for typographic applications. Ever since its first publication in the 1930’s, several type foundries adopted the original designs for digital photocomposition. By early 2000, it became apparent that the existing DIN-based fonts did not fulfill the ever-increasing demand for additional weights as well as support for languages other than Latin. Parachute® was set out to fill this gap by introducing the PF DIN Text series which, ever since, has become the most comprehensive and sophisticated set of DIN typefaces. It was based on the original standards but was specifically designed to fit typographic requirements. Its letterforms divert from the stiff geometric structure of the original and introduce instead elements which are familiar, softer and easier to read. It was completed in 2002 as a group of 3 families which included condensed and compressed versions. With its vast array of weights, the extended language support, but most of all its meticulous and elaborate design, it has been proven valuable to numerous design agencies. Ever since its first release, it has been used around the world in diverse editorial, packaging, branding and advertising campaigns. It was quoted by Publish magazine as being “an overkill series for complex corporate identity projects”. The whole PF DIN Text type system includes 45 weights from Hairline to Extra Black including true-italics. Additionally, every font has been completed with 270 copyright-free symbols. In 2010 Parachute® released 4 new families DIN Monospace, DIN Stencil, DIN Text Arabic and DIN Text Universal. All these are complemented by the popular DIN Display version. Altogether the Parachute DIN series is a set of 8 superfamilies with a total of 96 weights.
TTF | 14 Fonts | JPEG Preview | 6.3 Mb RAR
Clip Font Family
OTF | 3 Fonts | JPEG Preview | 4.9 Mb RAR
Clip is a display typeface inspired by the shape of a paperclip, but it’s not designed with the usual minimalistic modular approach. Instead, Clip mimics the construction, proportions and contrast of classic bold text typefaces and has one unique characteristic: each of its characters is drawn with only one single line. Clip family consists of 3 fonts, Hair, Light and Regular, each with 745 glyphs (supporting more than 70 latin based languages), 4 stylistic sets and advanced OpenType features. When Stylistic set 1 is activated, the overlapping loops contract, giving the text a whole new character. Moreover, every uppercase character is also available in an ornamental swash variant, which means most of the capitals have four different versions.
Piel Script Font
Over the past couple of years I received quite a number of unusual and surprising requests to modify my type designs to suit projects of personal nature, but none top the ones that asked me to typeset and modify tattoos using Burgues Script or Adios. At first the whole idea was amusing to me, kind of like an inside joke. I had worked in corporate branding for a few years before becoming a type designer, and suddenly I was being asked to get involved in personal branding, as literally “personal” and “branding” as the expression can get. After a few such requests I began pondering the whole thing from a professional perspective. It was typography, after all, no matter how unusual the method or medium. A very personal kind of typography, too. The messages being typeset were commemorating friends, family, births, deaths, loves, principles, and things that influenced people in a deep and direct way, so much so that they chose to etch that influence on their bodies and wear it forever. And when you decide to wear something forever, style is of the essence. After digging into the tattooing scene, I have a whole new respect for tattoo artists. Wielding that machine is not easy, and driving pigment into people’s skin is an enormous responsibility. Not to mention that they're some of the very few who still use a crafty, hands-on process that is all but obsolete in other ornamentation methods. Some artists go the extra mile and take the time to develop their own lettering for tattooing purposes, and some are inventive enough to create letters based on the tattoo’s concept. But they are not the norm. Generally speaking, most tattoo artists use generic type designs to typeset words. Even the popular blackletter designs have become quite generic over the past few decades. I still cringe when I see something like Bank Script embedded into people’s skin, turning them into breathing, walking shareholder invitations or government bonds. There’s been quite a few attempts at making fonts out of whatever original tattoo designer typefaces can be found out there - wavy pseudo-comical letters, or rough thick brush scripts, but as far as I could tell a stylish skin script was never attempted in the digital age. And that’s why I decided to design Piel Script. Piel is Spanish for skin. In a way, Piel Script is a removed cousin of Burgues Script. Although the initial sketches were infused with some 1930s showcard lettering ideas (particularly those of B. Boley, whose amazing work was shown in Sign of the Times magazine), most of the important decisions about letter shapes and connectivity were reached by observing whatever strengths and weaknesses can be seen in tattoos using Burgues. Tattoos using Adios also provided some minor input. In retrospect, I suppose Affair exercised some influence as well, albeit in a minor way. I guess what I'm trying to say is there is as much of me in Piel Script as there is in any of the other major scripts I designed, even though the driving vision for it is entirely different from anything else I have ever done. I hope you like Piel Script. If you decide it to use it on your skin, I'll be very flattered. If you decide to use it on your skateboard or book cover, I'll be just as happy. Scripts can't get any more personal than this. Piel Script received the Letter2 award, where they selected the best 53 typefaces of the last decade, organised by ATypI.
OTF | 1 Font | JPEG Preview | 50.5 Mb RAR
Ristretto Pro Font Family
Ristretto Pro is an extremely narrow display sans-serif font family available in 8 weights. It features rich language support, 6 sets of figures and small caps.
OTF | 8 Fonts | JPEG Preview | 5.6 Mb RAR
YWFT Unisect Font Family
Designed in 1998-1999, YWFT Unisect was built as the sister to the popular, triple lined typeface, YWFT Trisect. YWFT Unisect contains a minimal, geometric style that stays consistent and is very legible no matter what the point size. YWFT Unisect has been used numerous times by the magazines Wired and ESPN. YWFT Unisect was converted to opentype format in 2010.
OTF | 10 Fonts | JPEG Preview |
PF Din Stencil Font Family
Despite the fact that over the years several designers have manually created stencil lettering based on DIN for various projects, there has never been a professional digital stencil version of a DIN-based typeface. After the successful introduction of DIN Monospace a few months earlier, PF DIN Stencil now completes Parachute’s extensive library of DIN superfamilies. It was based on its original counterpart DIN Text Pro and was particularly designed to address contemporary projects, by incorporating elements and weights which are akin to industries such as fashion, music, video, architecture, sports and communications. Traditionally, stencils have been used extensively for military equipment, goods packaging, transportation, shop signs, seed sacks and prison uniforms. In the old days, stencilled markings of ownership were printed on personal possessions, while stencilled signatures on shirts were typical of 19th century stencilling. Two companies dominated the market in the mid-twentieth century: the Marsh Stencil Machine Company in the United States and the Sächsische Metall Schablonen Fabrik in Germany. Ever since the late 1930s, it was the German Sächsische Metall Schablonen Fabrik which used heavily the new DIN 1451 standard font (introduced in 1936), attempting to overthrow the reign of the Didot-style modern roman which was at the time the most common stencil letter in Germany. These letters were manufactured mainly as individual zinc stencils which could be ordered in sizes between 10 and 100mm. The DIN Stencil family manages to preserve several traditional stencil features, but introduces additional modernities which enhance its pleasing characteristics and make it an ideal choice for a large number of contemporary projects. Furthermore, the spacing attributes of the glyphs were redefined and legibility was improved by revising the shape of the letterforms. The DIN Stencil family consists of 8 diverse weights from the elegant Hairline to the muscular Black. Currently, it supports Latin, Eastern European, Turkish and Baltic.
OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR
Houschka Rounded Alt Font Family
Houschka Rounded Alt is a carbon copy of the Houschka Rounded family with one key difference: the rounded signature glyphs A & W on the default positions swap places with their straight alternates. Houschka was named after Georg Houschka, a sadly defunct confectioner’s shop in Salzburg, Austria, which had a wonderful 1930s frontage and distinctively rounded letterforms in the sign above the door. OpenType features include CE, Baltic, Turkish & Cyrillic language support plus small caps, 3 stylistic sets, contextual alternates, ligatures and 4 sets of numerals. Houschka Rounded Alt is a clean and legible modern sans serif typeface which shares the humanist qualities of Gill Sans and Johnston but retains a uniquely charming character of its own. The monolinear structure, rounded terminals and rolling curves give Houschka Rounded Alt a soft and friendly appearance.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Gloriola Font Family
If you really feel that there’s nothing new happening in the sans-serif scene – meet Gloriola. A combination of frugal, unobtrusive uppercase letters with distinctive ascenders, a slightly compressed appearance and an atypical shape, form a sufficiently original contribution to current efforts to bring sans-serifs up to date.
OTF | 14 Fonts | JPEG Preview | 6.8 Mb RAR
Carrosserie Font Family
OTF | 7 Fonts | JPEG Preview | 4.7 Mb RAR
Carrosserie is made for display use, inspired by the shapes of the 30’s. It is a capital letter font with alternate characters and special domain symbols. The font is now available in thin, extra light, light, regular, medium, bold & fat. Enjoy!
Calluna Sans Font Family
OTF | 10 Fonts | JPEG Preview | 4.5 Mb RAR
Pinto Font Family
Pinto, designed by Vienna based typographer Georg Herold-Wildfellner, lets you transform type into an exciting and beautiful piece of work. The irregular, hand-lettered look adds a real human touch to things and comes along with a lot of loving details. Combine all font-styles the way you want, add some ornamental swashes or banners and even a single word becomes magnificent. Pinto shows a great flexibility and variety. It works similar to a toolbox: four subfamilies including shadow-, outline-, display- or layer-variations. On top of that is NO_05, a set of more than 800 different ornaments to dress up any typographic project. Browse through tons of swashes, flourishes, dividers, corners, ribbons, banners, frames, arrows, hearts and stars. The extensive character set includes uppercase letters in two automatically alternating versions (activate OpenType “Contextual Alternates”). All ornaments are abundant with details and often available in different stroke thicknesses. Scale them up to meet your personal needs!
OTF | 14 Fonts | JPEG Preview | 48 Mb RAR
Mocha Mattari is distressed font designed based on Bebas Neue released as a free font in 2010. The Original Bebas Neue has an inordinate level of popularity and it is often used as a web font in recent years. This Mocha Mattari was made by damaging the original and tweaked by hand work. Basically, Mocha Mattari does not have lowercases but alternative Uppercases. Exceptionally “g, m, oz, fl, lb” for “gram, milli, ounce, fluid, pound” can be available by opentype dlig or salt features.
OTF | 1 Font | JPEG Preview | 3.7 Mb RAR
Mary Read - The Pirate Font! Sharp like swords, but also playful & elegant. Mary Read is a modern handwritten typeface inspired by the wind and the sea. Harsh curves are combined with graceful swashes. For typographic variety Mary Read offers a range of features and extras: initial forms, final forms, swash letters, swashes and alternates. Just in case you have a message for the world, you could just put it on a Mary Read Flag. It is said, a subtle feeling of courage passes on to readers of Mary Read letters.
OTF | 4 Fonts | JPEG Preview | 4.6 Mb RAR
Magallanes Font Family
Say hello to the new Magallanes Family, a contemporary neo-humanist sans serif font designed by Daniel Hernandez. Its strokes and terminals are related to the calligraphic strokes from humanist typefaces. It comes with 8 styles, from Ultra Light to Black, each with its true italics. Every weight comes with alternative glyphs for a more dynamic use. Magallanes is the perfect titling font to complement text faces in magazines, logotypes, etc. Languages supported include Basic Latin, Western European, Euro, Catalan, Baltic, Turkish, Central European, Romanian, Pan African Latin.
OTF | 16 Fonts | JPEG Preview | 6.6 Mb RAR
Kroppen Round Font Family
Kroppen Round is a geometric, stencil-style font based on Talbot Type Kaleko Round, and is available in four weights. Kroppen is not strictly a stencil font given that several characters, notably the O, are not stencilled. The design has more to do with achieving each character from a single stroke, or series of single strokes.
OTF | 8 Fonts | JPEG Preview | 4.7 Mb RAR
Industry Inc Font Family
Industry Inc is a collection of type based on the bold uppercase style of the Industry family. The typeface comprises numerous stand-alone styles along with a layered type system. Think of it as a toolbox equipping designers with extensive typographic options and combinations. What will you make? Want to know more? Look through the manual or watch a video tutorial on layering.
OTF | 14 Fonts | JPEG Preview | 4.9 Mb RAR
Graublau Sans Pro Font Family
The design of Graublau Sans Pro took Georg Seifert over 5 years. With 7 weights and over 1000 glyphs per style, Graublau Sans is a type family that suits all typographic tasks. The regular styles have a rather clean and neutral appearance. The italics on the other hand, have a vivid design based on handwriting. For the use in headlines or logotypes Graublau Sans Pro offer 6 additional display styles with rounded corners and tighter spacing. Beside the typical western codepages, Graublau Sans Pro also supports Greek, Cyrillic, CE (Central European) and Turkish. There are also several sets of figures available: oldstyle figures and lining figures (both proportional and tabular), small caps figures, fraction figures, subscript and superscript figures and figures inside circles.
OTF | 20 Fonts | JPEG Preview | 4.3 Mb RAR
Bryant Pro Font Family
Long since replaced by computers, the mechanical lettering kits used by draftsmen and amateur sign makers served as the inspiration for the Bryant family of typefaces.
OTF | 12 Fonts | JPEG Preview | 4.6 Mb RAR
Breakers Font Family
Breakers is a sans serif originally conceived to be a display typeface. Works well in text also, but the diversity in weights is its strong point. It is easy to achieve that high contrast using thin against the ultra weight, but setting tall and lean capitals against the compact and heavy small caps can make really diverse compositions for all kinds of display design. With small caps included, and over 600 glyphs in each weight, it should prove itself useful in finding the right combination for any typographic setting. Breakers has a character set to support Western and Central European languages, and an extended set for monetary symbols. Each weight includes small caps, ligatures, proportional lining and oldstyle numbers, tabular figures, fractions and scientific superior/inferior figures.
OTF | 6 Fonts | JPEG Preview | 3.9 Mb RAR
Braga Font Family
DSType proudly introduces BRAGA, an exuberant baroque typeface, named after a portuguese city, also known as the baroque capital of Portugal. Our latest typographic extravaganza comes with a multitude of fonts designed to work like layers, allowing to insert color, lines, gradients, patterns, baroque, floral swashes, and many other graphic elements. Starting with Braga Base, you can add any of the twenty-three available styles, to create colorful typographic designs. Be sure you check our detailed specimen, showing all the features and how to use this type system.
OTF | 24 Fonts | JPEG Preview | 14.9 Mb RAR
Enzia Font Family
OTF | 12 Fonts | JPEG Preview | 8.3 Mb RAR
Enzia is a friendly and flowing sans serif. Enzia exists somewhere between a slab serif and a semi-sans, and features flared vertical stems and rounded terminals. Its bulbous terminals and open counters inject a flavor of ease and excitement. Enzia provides plenty of impact and is best used with short to medium length texts. Six different weights provide plenty of versatility and contrast for poster designs, logotypes and headlines, while still retaining excellent legibility for extended copy.
Heraldica Script Font
Ornamented scripts are a Koziupa/Paul specialty, and Heraldica is one of their most expressive. It attains the very definition of deluxe by conjoining the classic thin-and-thick script treatment with thin-only counterpart strokes, then it goes the extra mile with a varied complement of overlaid flourishes. The usual assortment of multiple alternates and ending forms pushes it even further in class and versatility. Monograms, logos, jewelry packaging and book covers are only a few of the possibilities with such a high-end script.
OTF | 1 Font | JPEG Preview | 13.7 Mb RAR