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Lolita Font Family
Lolita, Designed by Miguel Hernández is a fresh neo-humanist sans serif with a display charmness.Legible & Playful, Lolita is a Sans Family with a touch of Mojo. From Branding, Magazines to catchy Advertisements. From Fancy Thin to Impact Ultra Boldness is family of 10 styles full of display alternates if all weights. This typeface contains additional opentype upright italic lowercases (a, e, f, g, t, v, w, y, z) and display alternates caps (A, B, E, F, G, H, P, R, S) that helps to emphasise display charm in text or words.
OTF | 10 Fonts | JPEG Preview | 3.7 Mb RAR
Station Font Family
Station is a bold headline typeface inspired by old Train Station type and graphics. It can be used in a modern and retro way, and its different patterns and styles give a unique look to any design.
OTF | 7 Fonts | JPEG Preview | 5.6 Mb RAR
Ride my Bike Font Family
Ride my bike is a fresh handmade typeface inspired by street style and the new culture that moves pedaling around the city. Perfect for use in headlines, brands and fashion photography compose alternative, thanks to its leading characters, terminals, alternate characters and ligatures that you can find in the Pro version. This version contains more than 600 glyphs. The ‘Dingbats’ font in this family has 91 dingbats, very fun to compliment and accentuate the handmade design. If you do not want to ride so fast, you can find a version without OpenType features - Essential. Come! Get on it and let’s go ride my bike!
OTF | 5 Fonts | JPEG Preview | 5 Mb RAR
Quadon Font Family
Quadon was designed to fill the gap between traditional serifs and the lasting trend of using sans serif fonts for contemporary design. The result is a modern, clear and infinitely flexible interpretation of slab serif fonts. The open shapes and a large x-height keep the font legible in small sizes while the short descender supports the compact heart and strength of a slab serif. Quadon has a wide range of typographic features and alternative glyphs to create your own and unique version of it. It comes in nine different weights with matching italics. From the sensitive but sharp thinner weights to the punchy and powerful heavy weights, Quadon is well-suited for a wide range of versatile tasks.
OTF | 18 Fonts | JPEG Preview | 3.8 Mb RAR
Metronic Pro Font Family
Created by Olivier Gourvat in early 2013, Metronic Pro (previously called Mettro Pro) is a sans-serif typeface with a technological and minimalist look for text and headlines. It has six versatile weights from Air to Black with an alternative glyph set to improve its use in different graphic contexts. Metronic Pro has a wide range of OpenType features such as: old style and proportional figures, ligatures, case sensitive forms, fractions, stylistic alternates, arrows and an icons/ornaments set. This set of 60 icons, directly inspired from the typeface improves the OpenType features and can be quickly and easily use in your web design, GUI design, graphic design or any other graphic work.
OTF | 13 Fonts | JPEG Preview | 4 Mb RAR
Dulce Font
OTF | 1 Font | JPEG Preview | 3.7 Mb RAR
Dulce is a swash typeface with an elegant and romantic touch. It is thin, but it becomes thick where two terminals meet and it also has swelling at terminals. Its wide range of ligatures makes it a versatile typeface, suitable for headlines and short phrases. You will see all of these ligatures on the screen, enabling “standard ligatures” and “discretionary ligatures” options. Ornaments are also included, which can be very useful for designing. Dulce is ideal for magazines, logotypes, advertising, etc. Use it for whatever you want and enjoy!
Uni Sans Font Family
Uni Sans is a custom sans font which is applicable for any type of graphic design - web, print, motion graphics etc and perfect for t-shirts and other items.
OTF | 14 Fonts | JPEG Preview | 4.7 Mb RAR
Interval Sans Pro Font Family
OTF | 14 Fonts | JPEG Preview | 4.2 Mb RAR
Andes Condensed Font Family
Andes, designed by Daniel Hernandez, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights ,10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.
OTF | 20 Fonts | JPEG Preview | 4.6 Mb RAR
American Brewery Font Family
OTF | 2 Fonts | JPEG Preview | 5.8 Mb RAR
American Brewery was inspired by lettering found on vintage beer label. Clean and rough version are available, “rough” version comes with a vintage letterpress feel.
Abolition Font Family
OTF | 10 Fonts | JPEG Preview | 5.5 Mb RAR
Abolition is a condensed sans-serif display typeface that’s got a knack for propaganda posters and industrial buildings. It’s a highly modified sans-serif version of Bourbon with some new surprises. Features include: Stylistic Alternates and Multiple Language Support.
Signalist Font
Signalist is a contemporary brush script. It is condensed and tight but still legible.
OTF | 1 Font | JPEG Preview | 4.6 Mb RAR
Ronnia Font Family
One of the most remarkable characteristic of this humanistic sans serif is its versatility. Ronnia’s personality performs admirably in headlines, but is diffident enough for continuous text and small text alike. The heavier weights deliver very cohesive shapes, and they have been successfully used for branding and newspaper headlines. Its ten styles grant the designer a broad range of coherent color and texture variations in text blocks, necessary tools to solve complex information and editorial design problems. Ronnia has been mainly engineered for newspaper and magazine applications manifested in its properties: economic in use, highly legible, and approaching the reader with some friendliness and charm. Ronnia features about 800 characters per weight, including small caps, fractions, old style and lining numbers, scientific superior/inferior figures, and a set of symbols and arrows. It supports over 40 languages that use the Latin extended alphabet. Ronnia Basic is a reduced version of Ronnia. It is still an OT-font but without any particular features except of a set of ligatures, class-kerning and language support including CE and Baltic.
OTF | 14 Fonts | 3.8 Mb RAR
Riona Sans Font Family
Riona sans is a sans serif type family of 16 fonts, including true italics. It can handle everykind of challenge you throw at it. You can use it on websites, print, applications, games, logos, packages as a brand font, you name it. It looks good in big sizes, Has a good legibility at small sizes. You can achieve different feels by Riona Sans. It can be elegant and subtle, it can be strong and dynamic, friendly or powerful.
OTF | 16 Fonts | JPEG Preview | 5.1 Mb RAR
Prometo Font Family
OTF | 14 Fonts | JPEG Preview | 11.4 Mb RAR
LFT Etica Font Family
LFT Etica, the-moralist-typefamily-project, was born at the end of 2000, but its development is ongoing, overcoming many hurdles and diversions. The starting point for the designers at Leftloft were the common “cold” grotesk sans serifs, ubiquitous and often badly applied in their everyday visual environment. The challenge was to obtain the same force, versatility and color, but with a much warmer feel. The resulting design has soft strokes, open counters and terminals; aesthetically resting somewhere between a grotesque and humanist sans serif. It successfully combines masculine force with female delicacy. LFT Etica’s wide range of styles, together with a large character set and OpenType features, such as 4 sets of numerals, fractions, several stylistic alternates and a set of arrows and dingbats, allows for a vast variety of applications, be they editorial or corporate.
OTF | 12 Fonts | JPEG Preview | 4.8 Mb RAR
Bouquet
Bouquet font is a cursive fat typeface influenced by brush writing and skilfully flavored with elements of fractur. The result is really amazing – a font with bespoke personality, strong unique presence and classy standing out amongst the other look. Type designer Dzianis Serabrakou really did well in every single letterform, aperture, curve and line, but this was probably below satisfactory and he didn’t stop here – Denis developed the font to a higher level by making it fully open-type compatible. Bouquet supports large set of multilingual diacritics plus a beautifully designed set of Cyrillic characters. Additionally you will be able to use also ligatures and really lots of alternative symbols to bring more life, versatility and personalization in your work. Initially Bouquet has been designed as a logo font – it is so identical that could easily turn every brand name into logo icon. Furthermore this font is perfect for designing t-shirts, typographic posters, packaging etc and it is highly recommended for letterpress as well as for normal offset and screen printing.
OTF | 1 Font | JPEG Preview | 6.4 Mb RAR
Core Circus Font Family
Core Circus is a layered type family consisting of seven 3D effect layers, eight 2D effect layers and one shadow effect layer. Uppercase and lowercase letters are separated by such features that counters are opened or closed. Core Circus provides other closed counter styles such as numbers with opentype feature (Stylistic Alternatives). The shape of Core Circus is simple but the combinations of effect fonts are impressive. Core Circus makes your works charming and special with endless combinations (at least 262,551 kinds). This family is really nice for book titles, headlines, logotypes and any artworks.
OTF | 20 Fonts | JPEG Preview | 6.7 Mb RAR
Periodico Font Family
Periodico (newspaper in Spanish), was originally commissioned by the Spanish daily newspaper ABC. Inspired by old Spanish typographic engravings, mostly from the second half of the 18th Century, we picked out the most relevant details of Spanish typography as the source of that inspiration, and instead of making a revival or an interpretation of these models, we started from scratch to create a truly original font family. The goal was to achieve a very distinctive family, functional and versatile at the same time, and reminiscent of old Spanish typography. Although we have borrowed many details from the old Spanish typography, like the nail, which is present in the letters U, G, or J, which we worked and evolved in order to be applied on other letters, we have also left behind several others. One example is the tilde of the ñ engraved by Gerónimo Gil, a very distinctive element of Spanish typography that was intentionally omitted for being too atypical to be used in a contemporary font. The letters a and g are probably the most distinctive of the Periodico family. The shape of the bowl in the letter a, with the top arch in diagonal position, is very characteristic of old Spanish types. In Periodico, we emphasized this detail by applying it to many other letters (such as g, j, and t) up to a point that it became the leitmotiv of this family. The formal finish of serifs and terminals is something that gives great personality to any typeface, so we came up with plenty of alternatives in order to find the exact shape we wanted: sober, elegant, and contemporary. Even though the serifs are geometric, the upper terminals have a curve with a dynamic very similar to the arch in the a or the notch in the j. The terminals in the capitals follow the same style, but, in this case, the inspiration comes from Pradell’s Missal, which on the other hand has been influenced by the types engraved by Johann Michael Fleischman in the Netherlands. Eighteenth-Century types were mostly used for printing books. Therefore, they had very generous proportions (large ascendents and descendants) and high contrast, but today, these characteristics do not work well in newspapers because of the worldwide demand for more space-saving fonts. The adaptation of the type’s proportions to be used for a newspaper was one of the most interesting parts of the project, specially the time taken to find the perfect balance between the x height and legibility. Periodico is presented in 30 different styles, for a total of 30 fonts—10 for text (from Light to Bold) and 20 for display sizes (from Thin to Ultra Black); this family results in an extensive system capable of solving all the needs of a large publication.
OTF | 30 Fonts | JPEG Preview | 5.5 Mb RAR
Transat Text Font Family
Transat Text is a geometric sans serif typeface, and is the more rational sibling to the unabashedly Art Deco "Transat". Transat Text has a slightly taller x-height than its counterpart, making it easier to read at small sizes, but also performs admirably in larger display settings. Transat Text includes many OpenType features, such as ligatures, small capitals, case sensitive forms, stylistic alternates, arbitrary fractions, and a full complement of proportional, tabular, and oldstyle figures. The Transat Text family includes 5 weights plus optically-corrected obliques.
OTF + TTF | 10 Fonts | JPEG Preview | 12.9 Mb RAR
Mercury Script Font Family
Mercury Script is an action packed type family of three weights. Click on Swash, Contextual or Stylistic alternates in any Open type savvy application for plenty of extra grooviness and combine with Mercury Ornaments for superb results. Turn on Small Caps to activate a complete set of block capitals designed to go with the font. Mercury Script is based loosely on hand lettering found in a vintage lingerie advertisement, only containing the words “light control”.
OTF | 6 Fonts | JPEG Preview | 5 Mb RAR
Gingar Font Family
I proudly present Gingar, a warm and friendly headline face with a Slab Serif touch. A good mixture of the playful and the classic. A proper font. Gingar includes swash-characters and ligatures and consists of 30 styles in a wide range of weights from ultra light to extra black plus italics. Use the typeface for fashion, food, wellness, magazines, corporate design projects and many more. You will rock it!
OTF | 30 Fonts | JPEG Preview | 3.3 Mb RAR
Dom Loves Mary Font Family
The DomLovesMary font family has all you need to create unique, custom stationery products. DomLovesMary is named in memory of Dominic and Mary Sementelli, Debi’s in-laws. Dom and Mary were opposites who were truly “made for each other”. A snazzy dresser, Mary was feisty, loved to dance, sing, and be the life of the party. Dom was cool, calm and collected and was happy to shine the spotlight on the love of his life. They balanced each other out in a really great way. Going through some of her in-laws old photos, Debi found their wedding album. She was struck by the beautiful look on their faces as they got ready to start their life together. She saw the excitement, joy and anticipation of them envisioning “Una Bella Vita!” (A beautiful life!) She decided to create a hand-lettered font with them in mind represented by two totally different lettering styles that were, like Dom and Mary, “made for each other”. It’s her way of honoring them and sharing their beautiful life with all of the couples just starting theirs together. They truly had “Una Bella Vita” and we hope you do too. The SCRIPT & TEXT FONTS are lettering styles that were made to compliment each other. With a vintage, classic feel, they will add elegance to your design, while the TEXT serves to offer support with easy to read simplicity. In addition to the standard character set, each of the uniquely styled script fonts includes a collection of flourished ornaments. Use them to create corners, headers or other embellishments to complete the look. And if you really want to fancy things up, we offer two sets of 72 additional flourishes that were specifically made to add to upper and lower case letters for easy customization. Dress them up with one, two or more. It’s like choosing simple pearls or piling on the glitz! Or combine several to create unique flourished ornaments of your own. To add even more panache, we're pleased to present our ready made set of most frequently used ADD-ON WORDS. Created with the wedding client in mind, this set of 66 includes envelope friendly titles: Mr and Mrs, Mr, Mrs, Miss, Ms, Doctor, the Doctors, as well as words to fill out your invitation suite: RSVP, Respond, Save the Date, Accommodations, Directions and more! Easily create Bride and Groom signs or Thank You cards or tags with the click of a key. Or use angled words like “and, at, to, on, for, from and of” to add a special touch to your large groups of copy.
OTF | 8 Fonts | JPEG Preview | 8.6 Mb RAR
Andes Font Family
Andes, designed by Daniel Hernández, is a display typeface that has neo-humanist characteristics. Its different terminals, among other elements, give it a look of mixed typography. Andes is a typeface with 10 Upright weights, 10 Italics & Condensed version, ranging from Ultra Light to Black, each of the same x-height. This typeface contains additional italic glyphs (a, y, z, g) that help to emphasise text or words. Andes is based on the design of Merced and both of them share several features. This type is well-suited for use in retail, magazines, logotypes, books, etc.
OTF | 8 Fonts | JPEG Preview | 3.6 Mb RAR
Compendium Font
Compendium is a sequel to my Burgues font from 2007. Actually it is more like a prequel to Burgues. Before Louis Madarasz awed the American Southeast with his disciplined corners and wild hairlines, Platt Rogers Spencer, up in Ohio, had laid down a style all his own, a style that would eventually become the groundwork for the veering calligraphic method that was later defined and developed by Madarasz. After I wrote the above paragraph, I was so surprised by it, particularly by the first two sentences, that I stopped and had to think about it for a week. Why a sequel/prequel? Am I subconsciously joining the ranks of typeface-as-brand designers? Are the tools I build finally taking control of me? Am I having to resort to “milking it” now? Not exactly. Even though the current trend of extending older popular typefaces can play tricks with a type designer’s mind, and maybe even send him into strange directions of planning, my purpose is not the extension of something popular. My purpose is presenting a more comprehensive picture as I keep coming to terms with my obsession with 19th century American penmanship. Those who already know my work probably have an idea about how obsessive I can be about presenting a complete and detailed image of the past through today’s eyes. So it is not hard to understand my need to expand on the Burgues concept in order to reach a fuller picture of how American calligraphy evolved in the 19th century. Burgues was really all about Madarasz, so much so that it bypasses the genius of those who came before him. Compendium seeks to put Madarasz’s work in a better chronological perspective, to show the rounds that led to the sharps, so to speak. And it is nearly criminal to ignore Spencer’s work, simply because it had a much wider influence on the scope of calligraphy in general. While Madarasz’s work managed to survive only through a handful of his students, Spencer’s work was disseminated throughout America by his children after he died in 1867. The Spencer sons were taught by their father and were great calligraphers themselves. They would pass the elegant Spencerian method on to thousands of American penmen and sign painters. Though Compendium has a naturally more normalized, Spencerian flow, its elegance, expressiveness, movement and precision are no less adventurous than Burgues. Nearing 700 glyphs, its character set contains plenty of variation in each letter, and many ornaments for letter beginnings, endings, and some that can even serve to envelope entire words with swashy calligraphic wonder. Those who love to explore typefaces in detail will be rewarded, thanks to OpenType. I am so in love with the technology now that it’s becoming harder for me to let go of a typeface and call it finished. You probably have noticed by now that my fascination with old calligraphy has not excluded my being influenced by modern design trends. This booklet is an example of this fusion of influences. I am living 150 years after the Spencers, so different contextualization and usage perspectives are inevitable. Here the photography of Gonzalo Aguilar join the digital branchings of Compendium to form visuals that dance and wave like the arms of humanity have been doing since time eternal. I hope you like Compendium and find it useful. I'm all Spencered out for now, but at one point, for history’s sake, I will make this a trilogy. When the hairline-and-swash bug visits me again, you will be the first to know.
OTF | 1 Font | JPEG Preview | 3.9 Mb RAR
Magesta Script Font Family
The Magesta Script family by Yellow Design Studio is a set of four retro script fonts that capture the warm, authentic qualities of letterpress printing. Light, Regular, and Bold weights were created using different levels of ink coverage, while Mix is a combination of all three. The texture and slight misalignment add to its realism and vintage charm.
OTF | 4 Fonts | JPEG Preview | 10.5 Mb RAR
Ollie Font
Meet Ollie, a casual signage script whose friendly, bouncy exterior belies a heart of sophisticated OpenType programming. This font is designed to make the most of OpenType savvy applications, and as such is recommended for professional design use. Or to put it another way: Make sure that contextual alternates and ligatures are always turned on! Ollie includes about 900 glyphs, many of which are automagical substitutions to keep the text flowing smoothly, and to pseudo-randomly pick different glyphs to avoid repetition. With contextual alternates turned on (as they should be by default), most lowercase letters will alternate between at least two different forms. The powerful OpenType programming makes the font itself ‘look back’ (up to eight characters) on previously used letters; typing “banana” will give you three different a’s and two different n’s (the last a is a special ‘end form’ character). The calt feature controls many other ‘special effects’ which all add together to give a smooth-flowing, hand-lettered look. These effects include start and end forms (and indeed, ‘loner’ forms) of many letters, which are automatically substituted in at beginnings or ends of words, or when the previous or next letter doesn't connect. Another special feature tests to see if there is room for the crossbar of t (or tt ligature) to extend further over the previous or next letter, or both, as is often the case. The last main effect of the calt feature is to substitute certain letters typed before any ‘e’ character, to make for a more natural connection (see the pe combination in ‘Schizotype’ in the first poster). Ligatures should be on by default, for a much nicer looking tt combination, and a few others besides. The swash feature should be used sparingly (one glyph at a time, really) to apply a more extravagant look to g,j and y in the lower case, and quite a few of the upper case too. Oldstyle figures are included, as well as the lining defaults.
OTF | 1 Font | JPEG Preview | 7.4 Mb RAR
RBNo2.1 Font Family
RBNo2.1 is a condensed sans serif typeface with a technical and geometric appearance. The family includes 2 versions (RBNo2.1a and RBNo2.1b) and has 7 weights with matching italics. RBNo2.1 feels comfortable in technical surroundings with short text passages, in brochures, catalogs, magazines, posters, websites headlines and logos.
OTF | 28 Fonts | JPEG Preview | 7.3 Mb RAR
Reznik Font Family
A compact sans serif with a technical origin. Each character was drafted out from a grid template and then refined through the application of subtle curved detailing. The result is a precise, contemporary typeface best suited to identity, mobile and video game development. Details include 9 weights with italics, 500 characters, 5 variations of numerals, stylistic alternatives, manually edited kerning and Opentype features.
OTF | 18 Fonts | JPEG Preview | 4.9 Mb RAR
Revisal Font Family
Revisal is a humanist sans family. Open forms are very useful for signage. The Revisal family includes 7 weights, from Hairline to Black, with their corresponding italics. Each font includes OpenType Features such as Stylistic Alternates, Proportional Figure, Tabular Figures, Numerator, Superscript, Denominators, Scientific Inferiors, Subscript, Ordinals and Fractions.
OTF | 14 Fonts | JPEG Preview | 11.6 Mb RAR
PF Baseline Pro Font Family
An ultra modern typeface which combined with the proper text font can revive any dull-looking document. The wide simple forms combined with the selective application of a few distinct characteristics has resulted a stylish typeface which shines in the top 10 of our most wanted list. The powerful new “Pro” version comes complete with Greek and Cyrillic and includes a number of stylistic alternates as well as 2 groups of stylistic alternate sets, the last group being unicase characters.
TTF | 6 Fonts | JPEG Preview | 4.2 Mb RAR
Metroscript Font Family
Michael Doret had been doing lettering in styles similar to Metroscript in his design work for many years, but with the advent of OpenType technology he realized that he could actually put together a script font that would finally do justice to this style, and be almost indistinguishable from hand-lettering. There was no one single inspiration for Metroscript: rather it is an amalgam of many different scripts that were popular hand-lettered styles between the 1920s and the 1950s. Metroscript is suggestive of vintage sports ephemera—especially when tails are added to words—but is also appropriate in virtually any context. Its many ligatures, swashes, alternates, foreign accented characters and tails—all of which connect seamlessly—set it apart from most other script fonts. For a better understanding of its unique features please download The Metroscript User Manual from the Gallery section. All the above features are accessible from Metroscript’s OpenType font. Also included in the same package is a folder of five Metroscript fonts specifically designed for those who only have applications that are not OpenType compatible. By installing the fonts from this folder instead of the OpenType folder, anyone will be able to access all of Metroscript’s unique features.
OTF | 5 Fonts | JPEG Preview | 4.2 Mb RAR
Sarre Font Family
OTF | 16 Fonts | JPEG Preview | 5.2 Mb RAR
Sanchez Font Family
Sanchez, designed by Daniel Hernandez, is a serif typeface belonging to the classification slab serif, or Egyptian, that bears a strong resemblance to the iconic Rockwell, but with rounded edges— offering contrast and balance to the square structure. Sanchez comprise 12 variants, ranging from extra light to black, each of the same x-height.
OTF | 12 Fonts | JPEG Preview | 4.2 Mb RAR
Posterizer KG Rounded
Posterizer Kg Rounded, is basically rounded version of Egyptian, Slab Serif font. By adding rounded corners on serifs, the strict form disappears, in that way, the font gets softer form. Posterizer Kg Rounded is useful for sweet themes like cookies, puppies, love, joy, or some other similar things.
OTF | 1 Font | JPEG Preview | 4.5 Mb RAR